Cat Poems: An enjoyable selection of verse about our feline friends, nicely varied in terms of the time period, original language of composition, and outlook on cats’ contradictory qualities. I was unaware that Angela Carter and Muriel Spark had ever written poetry. There are perhaps too many poems by Stevie Smith – six in total! – though I did enjoy their jokey rhymes.
Some favorite lines:
“Cat sentimentality is a human thing. Cats / are indifferent, their minds can’t comprehend / the concept ‘I shall die’, they just go on living.” (from “Sonnet: Cat Logic” by Gavin Ewart)
“For every house is incomplete without him and a blessing is lacking in the spirit.” (from “Jubilate Agno” by Christopher Smart)
“These adorable things. When my life gives out, they’d eat me up in a second.” (from “I’ll Call Those Things My Cats” by Kim Hyesoon)
My rating: 
Cat Poems was published in the UK on October 4th. My thanks to Serpent’s Tail for the free copy for review.
Even when it’s not a book specifically about cats, cats often turn up in my reading. Maybe it’s simply that I look out for them more since I became a cat owner several years ago. Here are some of the quotes, scenes or whole books featuring cats that I’ve come across this year.
Cats real and imaginary
Stranger on a Train by Jenni Diski: “I find myself astonished that a creature of another species, utterly different to me, honours me with its presence and trust by sitting on me and allowing me to stroke it. This mundane domestic moment is as enormous, I feel at such moments, as making contact across a universe with another intelligence. This creature with its own and other consciousness and I with mine can sit in silence and enjoy each other’s presence. … This is a perfectly everyday scene but sometimes it takes my breath away that another living thing has allowed me into its life.”
Certain American States by Catherine Lacey: “This cat wants to destroy beauty—I can tell. He is more than animal, he is evil, a plain enemy of the world. I wish him ill. I do. Almost daily I find a mess of feathers in the dirt. Some mornings there are whole bird carcasses left on my porch—eyes shocked open, brilliant blue wings, ripped and bloody. I have thought often of what it would take to kill a cat, quietly and quickly, with my bare hands. I have thought of this often. In fact I am thinking of it right now.” (from the story “Because You Have To”)
The Nice and the Good by Iris Murdoch: “Montrose was a large cocoa-coloured tabby animal with golden eyes, a square body, rectangular legs and an obstinate self-absorbed disposition, concerning whose intelligence fierce arguments raged among the children. Tests of Montrose’s sagacity were constantly being devised, but there was some uncertainty about the interpretation of the resultant data since the twins were always ready to return to first principles and discuss whether cooperation with the human race was a sign of intelligence at all. Montrose had one undoubted talent, which was that he could at will make his sleek hair stand up on end, and transform himself from a smooth stripey cube into a fluffy sphere. This was called ‘Montrose’s bird look’.”
Four Bare Legs in a Bed and Other Stories by Helen Simpson: “They found it significant that I called my cat Felony. I argued that I had chosen her name for its euphonious qualities. She used to sink her incisors into the hell of my hand and pause a fraction of a millimeter from breaking the skin, staring at me until her eyes were reduced to sadistic yellow semibreves. She murdered without a qualm. She toyed with her victims, smiling broadly at their squeaks and death throes.
‘Why isn’t she a criminal?’ I asked. …
‘The difference is,’ said Mr Pringle, that we must assume your cat commits her crimes without mischievous discretion.’” (from the story “Escape Clauses”)
In Delia Owens’s Where the Crawdads Sing, Sunday Justice is the name of the courthouse cat. He sits grooming on the courtroom windowsill during the trial and comes in and curls up to sleep in the cell of a particular prisoner we’ve come to care about.
A recommended picture book
My Cat Looks Like My Dad by Thao Lam: I absolutely loved the papercut collage style of this kids’ book. The narrator explains all the ways in which the nerdy-cool 1970s-styled dad resembles the family cat, who is more like a sibling than a pet. “Family is what you make it.” There’s something of a twist ending, too. (Out on April 15, 2019.)
My rating: 
Later today I’m off to America for two weeks, but I’ll be scheduling plenty of posts, including the usual multi-part year-end run-down of my best reads, to go up while I’m away. Forgive me if I’m less responsive than usual to comments and to your own blogs!
I knew Tom Cox for his 
Nobody “Bod” Owens has lived in a graveyard ever since the night he climbed out of his cot and toddled there – the same night that a man named Jack murdered his parents and older sister. He was the only member of his family to survive the slaughter. Although he passes a happy childhood among the graveyard’s witches, ghouls and ghosts from many centuries, he knows he’s different. He’s alive; he has to eat and craves human friendship. As valuable as his lessons in Fading and Dreamwalking prove to be, he longs to attend school and discover more of the world outside – provided he can keep his head down and avoid notice; previous trips beyond the cemetery walls, such as to a pawnshop, have bordered on the disastrous.
In 1935 Dr. Stephen Pearce and his brother Kits are part of a five-man mission to climb the most dangerous mountain in the Himalayas, Kangchenjunga. Thirty years before, Sir Edmund Lyell led an ill-fated expedition up the same mountain: more than one man did not return, and the rest lost limbs to frostbite. “I don’t want to know what happened to them. It’s in the past. It has nothing to do with us,” Dr. Pearce tells himself, but from the start it feels like a bad omen that they, like Lyell’s party, are attempting the southwest approach; even the native porters are nervous. And as they climb, they fall prey to various medical and mental crises; hallucinations of ghostly figures on the crags are just as much of a danger as snow blindness.
Along the timeline, Jauhar peppers in bits of his own professional and academic experience, like experimenting on frogs during high school in California and meeting his first cadaver at medical school. My favorite chapter was the twelfth, “Vulnerable Heart,” which is about how trauma can cause heart arrhythmias; it opens with an account of the author’s days cataloguing body parts in a makeshift morgue as a 9/11 first responder. I also particularly liked his account of being called out of bed to perform an echocardiogram, which required catching a taxi at 3 a.m. and avoiding New York City’s rats.
There are thrilling little moments, though, when a placid domestic life (a different kind of marmalade with breakfast each day of the week!) collides with exotic past experiences, and suddenly we’re plunged into memories of travels in Swaziland and India. Back when she was still James, Morris served in World War II, was the Times journalist reporting from the first ascent of Everest, and wrote a monolithic three-volume history of the British Empire. She took her first airplane flight 70 years ago, and is nostalgic for the small-town America she first encountered in the 1950s. Hold all that up against her current languid existence among the books and treasures of Trefan Morys and it seems she’s lived enough for many lifetimes.
Seven Bad Cats by Monique Bonneau (2018): “Today I put on my boots and my coat, and seven bad cats jumped into my boat.” This is a terrific little rhyming book that counts up to seven and then back down to one with the help of some stowaway cats and their antics. (They come in colors that cats don’t normally come in, but that’s okay with me.) To start with they are incorrigibly lazy and mischievous, but when disaster is at hand they band together to help the little girl get back to shore safely. If only cats were so helpful in real life! 
Macaroni the Great and the Sea Beast by Whitney Childers (2018): Macaroni the cat has an idyllic life by the coast of Maine with his hipster fisherman friend, Sammy. Sometimes he helps steer the fishing boat; sometimes he naps on the deck. But when a fearsome sea beast rears its head from the net one day, Mac is ready to fight back and save the day. From the colorfully nautical endpapers through to the peaceful last page, this is a great picture book for cat lovers to share with the little ones in their lives. 
In Under the Paw: Confessions of a Cat Man (2008), Cox, who had previously published volumes of his journalism about music and sports, came out as a cat lover. By the end of the book he has SIX CATS, so this was not some passing fad but a deep and possibly worrying obsession. In essays and short list-based asides he traces his history with cats, reveals the wildly different personalities of his current pets, and wittily comments on cat behavior. I especially liked these entries from his “Cat Dictionary”: “ES Pee: The telepathic process that leads a cat to only get properly settled on its owner’s stomach in the moments when that owner is most desperate for the toilet” & “Muzzlewug: The state of bliss created by the perfect friction of an owner’s fingers on a fully extended chin.” 
The Good, the Bad and the Furry (2013) is another fairly entertaining book. Cat owners will recognize the ways in which a pet’s requirements impinge on their lives (but we wouldn’t have it any other way). Cox starts and ends the book with four cats, but – alas – goes down to three for a while in the middle, with visitors upping it to 3.5 sometimes. The Bear, Ralph and Shipley are the stalwarts, with The Bear described as “the only cat I’d ever seen who appeared to be almost permanently on the verge of tears.” He’s melancholy and philosophical, whereas Ralph (who says his own name when he meows) is vain and sullen. “The Ten Catmandments” was my favorite part: “Thou shalt not drink the water put out for thee by thy humans” and “Thou shalt ignore any toy thy human has bought for thee, especially the really expensive ones.” Includes lots of photographs of cats and kittens! 
How It Works: The Cat (2016) is a Ladybird pastiche by Jason Hazeley and Joel Morris that we purchased as a bargain book from Aldi; it was published in the USA as The Fireside Book of the Cat. Tongue-in-cheek descriptions sit opposite 1950s-style drawings. Cat owners will certainly get a chuckle from lines like “Dogs have evolved to serve many sorts of human needs. And humans have evolved to serve many sorts of cat food.” (However, “It is a good idea to buy a lot of your cat’s favourite food. That way, you will have something to throw away when she changes her mind.”) Makes a good coffee table book for guests to smile at. 
The Old Age of El Magnifico by Doris Lessing (2000): Pure cat lover’s delight. I wasn’t a big fan of Lessing’s 
The Church Mouse by Graham Oakley: It is not good for a mouse to be alone. Arthur is lonely as the only mouse resident in the village church, but he has an idea: he proposes to the parson that if he will give all the local mice refuge in the church, they’ll undertake minor chores like flower arranging and picking up confetti. It seems like a good arrangement all around, but Sampson the church cat soon tires of the mice’s antics and creates something of a scene during a Sunday service. Luckily, he and the mice still work together to outwit a burglar who comes for the silver. There are quite a lot of words for a very small child to engage with, but older children should enjoy it very much. I find this whole series so charming. This was the first book of the 14, from 1972. 
Cats in May by Doreen Tovey (1959): The sequel is just as good as the original (
The Travelling Cat Chronicles by Hiro Arikawa (2017): This is the fable-like story of Satoru, a single man in his early thirties, and his cat, Nana (named for the shape of his tail, which resembles a Japanese 7). Satoru adopted Nana about five years ago when the cat, a local stray, was hit by a car. Now he needs to find a new owner for his beloved pet. No spoilers here, but really, there are only so many reasons why a young man would need to do this, and readers will likely work it out well before the “big reveal” over halfway through. We bounce between Nana’s perspective, which is quite cutely rendered, and third-person flashbacks to Satoru’s sad history. The author spells out and overstates everything. It’s pretty emotionally manipulative. Pet owners will appreciate Nana’s humor and loyalty (“I’m your cat till the bitter end!”), but I felt like I was being brow-beaten into crying – though I didn’t in the end. 
Readers see some of the action from the perspective of Polanski the cat in The Plimsoll Line by Juan Gracia Armendáriz. While the feline might not grasp the emotional importance of the scenes he witnesses, we do. “The cat narrows its eyes when it sees the man lean against the window frame, overcome by a fit of sobbing that has nothing to do with sadness, or sorrow, but with an internal crumbling, like the collapse of a wave breaking on the shore of his skin and sweeping away his memory.”
From Anna of the Five Towns by Arnold Bennett: “Anna was disturbed by the arrival at the front door of the milk-girl. Alternately with her father, she stayed at home on Sunday evenings, partly to receive the evening milk and partly to guard the house. The Persian cat with one ear preceded her to the door as soon as he heard the clatter of the can. The stout little milk-girl dispensed one pint of milk into Anna’s jug, and spilt an eleemosynary supply on the step for the cat. ‘He does like it fresh, Miss,’ said the milk-girl, smiling at the greedy cat, and then, with a ‘Lovely evenin’,’ departed down the street, one fat red arm stretched horizontally out to balance the weight of the can in the other.”
The Wind-Up Bird Chronicle by Haruki Murakami starts with a missing cat. “So now I had to go cat hunting. I had always liked cats. And I liked this particular cat. But cats have their own way of living. They’re not stupid. If a cat stopped living where you happened to be, that meant it had decided to go somewhere else. If it got tired and hungry, it would come back. Finally, though, to keep Kumiko happy, I would have to go looking for our cat. I had nothing better to do.”
Doorkins the Cathedral Cat by Lisa Gutwein: This sweet children’s book tells the true story of how a stray cat wandered into London’s Southwark Cathedral in 2008 and gradually made it her home. It proceeds day by day through one week to give a helpful idea of the range of activities the cathedral hosts – everything from a wedding to a regular Sunday service – but also showcases important events like visits from the Bishop and the Queen. In every case we get to see how Doorkins insinuates herself into proceedings. I liked how the bright colors of the illustrations echo the cathedral’s stained glass, and appreciated the photo gallery and extra information at the end. The author, a doctor whose husband is a verger at the cathedral, and illustrator Rowan Ambrose, a dentist, met at King’s College London, where I used to work.
From The Tenant of Wildfell Hall by Anne Brontë: Miss Millward, Eliza’s older sister and the vicar’s daughter, when he passes her a ball of wool that’s rolled under the table – “Thank you, Mr. Markham. I would have picked it up myself, only I did not want to disturb the cat.”
Pnin by Vladimir Nabokov: A comic novel about a Russian professor on an American college campus. While there are indeed shades of Lucky Jim – I certainly laughed out loud at Timofey Pnin’s verbal gaffes and slapstick falls – there’s more going on here. In this episodic narrative spanning 1950–4, Pnin is a figure of fun but also of pathos: from having all his teeth out and entertaining the son his ex-wife had by another man to failing to find and keep a home of his own, he deserves the phrase Nabokov originally thought to use as a title, “My Poor Pnin”. 
Cork Dork by Bianca Bosker: Bosker gave herself a year and a half to learn everything about wine in hopes of passing the Court of Master Sommeliers exam. Along the way she worked in various New York City restaurants, joined blind tasting clubs and attended an olfactory conference. The challenge included educating her palate, absorbing tons of trivia about growers and production methods, and learning accepted standards for sommelier service. The resulting book is a delightful blend of science, memoir and encounters with people who are deadly serious about wine. 
You Should Have Left by Daniel Kehlmann: And I thought my Airbnb experience was a nightmare? This is a horror novella about a writing retreat gone bad. The narrator is a screenplay writer who’s overdue delivering the sequel to Besties. As he argues with his partner, tries to take care of his daughter and produces fragments of the screenplay, the haunted house in the mountains starts to close in on him. I’ve loved Kehlmann’s work before (especially F), but he couldn’t convince me of the narrator’s state of mind or the peril. I actually found the book unintentionally humorous. 
The Detour by Gerbrand Bakker: A Dutch translator and Emily Dickinson scholar has fled a mistake in her personal life and settled in rural Wales at the foot of Snowdon. “She had left everything behind, everything except the poems. They would have to see her through. She forgot to eat.” On her farmstead is a dwindling flock of geese and, later on, a young man surveying for a new footpath. Amidst her quiet, secret-filled days we also learn of her husband’s attempts to find her back in Amsterdam. Bakker’s writing is subtle and lovely, yet the story never quite took off for me. 
Tulip Fever by Deborah Moggach: If you liked Girl with a Pearl Earring and The Miniaturist, you may also enjoy this atmospheric, art-inspired novel set in the 1630s. (Originally from 1999, it’s recently been adapted into a film.) Sophia, married off to an old merchant, falls in love with Jan van Loos, the painter who comes to do their portrait. If Sophia and Jan are ever to be together, they’ll have to scrape together enough money to plot an elaborate escape. I thought this was rather soap opera-ish most of the way through, though I was satisfied with how things turned out in the end. 
Dangling Man by Saul Bellow
