Tag Archives: canal-boats

Six Degrees of Separation: From Wintering to The Summer of the Bear

This month we begin with Wintering by Katherine May. I reviewed this for the Times Literary Supplement back in early 2020 and enjoyed the blend of memoir, nature and travel writing. (See also Kate’s opening post.)

#1 May travels to Iceland, which is the location of Sarah Moss’s memoir Names for the Sea. I’ve read nine of Moss’s books and consider her one of my favourite contemporary authors. (I’m currently rereading Night Waking.)

 

#2 Nancy Campbell’s Fifty Words for Snow shares an interest in languages and naming. I noted that the Icelandic “hundslappadrifa” refers to snowflakes as large as a dog’s paw.

 

#3 In 2018­–19, Campbell was the poet laureate for the Canal & River Trust. As part of her tour of the country’s waterways, she came to Newbury and wrote a poem on commission about the community gardening project I volunteer with. (Here’s her blog post about the experience.) Three Women and a Boat by Anne Youngson is about a canalboat journey.

 

#4 Youngson’s novel was inspired by the setup of Jerome K. Jerome’s Three Men in a Boat. Another book loosely based on a classic is The Decameron Project, a set of 29 short stories ranging from realist to dystopian in their response to pandemic times.

 

#5 Another project updating the classics was the Hogarth Shakespeare series. One of these books (though not my favourite) was The Gap of Time by Jeanette Winterson, her take on The Winter’s Tale.

 

#6 Even if you’ve not read it (it happened to be on my undergraduate curriculum), you probably know that The Winter’s Tale famously includes the stage direction “Exit, pursued by a bear.” I’m finishing with The Summer of the Bear by Bella Pollen, one of the novels I read on my trip to the Outer Hebrides because it’s set on North Uist. I’ll review it in full soon, but for now will say that it does actually have a bear in it, and is based on a true story.

 

I’m pleased with myself for going from Wintering (via various other ice, snow and winter references) to a “Summer” title. We’ve crossed the hemispheres from Kate’s Australian winter to summertime here.

Where will your chain take you? Join us for #6Degrees of Separation! (Hosted on the first Saturday of each month by Kate W. of Books Are My Favourite and Best.) Next month’s starting point will be the recent winner of the Women’s Prize, The Book of Form and Emptiness by Ruth Ozeki.

Have you read any of my selections? Tempted by any you didn’t know before?

Three Women and a Boat by Anne Youngson

“Does being grown up mean we are all doomed to be ordinary?”

One of my favorite things about where I live is the opportunity to walk along the Kennet & Avon canal, which runs by the bottom of our garden. Just a 10-minute stroll on the towpath takes us into Newbury’s town center, but someone with more time and motivation could take the canal all the way from London to Bristol. We have a small population of permanent boat dwellers beside one of the bridges, but many more vessels pass through or moor up for a night or a week. Even more so than gazing through a lit house window on a dark, cold night, looking at canal-boats sparks my imagination, making me wonder what life is like for the people (and cats) who live on them. How do they store everything, especially books??

My curiosity about canal living and my love for Meet Me at the Museum (2018), Anne Youngson’s charming, bittersweet debut novel in letters between a farmer’s wife in England and a curator at the Denmark museum that houses the Tollund Man, were two strong motives to request her follow-up; a third was the title’s nod to the delightful Victorian classic Three Men in a Boat (although, for its 2021 U.S. release, it has been renamed The Narrowboat Summer; Jerome K. Jerome must be too niche a reference for the average American reader.)

On a towpath not far from London, two women are drawn to the Number One by the sound of a dog howling. Eve Warburton has just been made redundant after 30 years at a corporate job, and Sally Allsop has just decided to leave her impassive husband. Distressed at the animal’s unearthly cries, they break down the boat door to check on it and it promptly runs away. Luckily, it’s not long until the boat owner, Anastasia, returns, followed by Noah the terrier.

Anastasia is a no-nonsense woman but takes kindly to Eve and Sally. Her situation is thus: she needs to go into hospital soon for cancer treatment, but she has no money for moorings or necessary repairs on the Number One, her only home. She needs someone to pilot her boat to Chester, where she knows someone who will carry out the maintenance for free, and back. Conveniently, Eve and Sally, free of the commitments that once defined them, now have all the time in the world. Anastasia will live in Eve’s flat during her treatment. In a matter of days, Eve and Sally learn the basics about canal-boats and set off on their journey. Along the way they’ll meet drifters, craftspeople and storytellers, and rethink what they want from life.

Youngson perches halfway between Rachel Joyce and Carol Shields in this one. Much like Meet Me at the Museum, it’s about second chances in the second half of life, with relatable situations and an open, hopeful ending. I liked the details of the journey – makeshift meals, Scrabble games, transcripts of blunt phone calls with Anastasia – but Eve and Sally remained a bit blank for me, such that I did not care equally about all the protagonists’ fates. Still, this is a pleasant amble of a novel and one that I expect to be popular with my local book club. (See also: Susan’s review.)

A favorite passage:

Anyone can use the canal, for holidays, for living, for plying a trade. They’ve always been a bit alternative. An alternative to a horse and cart, then an alternative to a railway, then an alternative to a caravan holiday, an alternative to a house. I like that. I like that it’s not fixed. No one owns it. And I like that it is slow, which is exactly what made the search for alternatives essential. The canals were wide enough to cope with a boat moving at the walking pace of a horse. Any faster, and they break apart. That’s the only thing that needs to be preserved: the banks, the locks, the bridges. And what would destroy them is speed.

Three Women and a Boat was published in the UK by Doubleday on November 12th. My thanks to the publisher for the proof copy for review.

It will be published as The Narrowboat Summer in the USA by Flatiron Books on January 26, 2021.