Tag Archives: book serendipity

Book Serendipity, May to June 2021

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck.

The following are in roughly chronological order.

  • Sufjan Stevens songs are mentioned in What Is a Dog? by Chloe Shaw and After the Storm by Emma Jane Unsworth.

 

  • There’s a character with two different coloured eyes in The Mothers by Brit Bennett and Painting Time by Maylis de Kerangal.
  • A description of a bathroom full of moisturizers and other ladylike products in The Mothers by Brit Bennett and The Interior Silence by Sarah Sands.

 

  • A description of having to saw a piece of furniture in half to get it in or out of a room in A Braided Heart by Brenda Miller and After the Storm by Emma Jane Unsworth.
  • The main character is named Esther Greenwood in the Charlotte Perkins Gilman short story “The Unnatural Mother” in the anthology Close Company and The Bell Jar by Sylvia Plath. Indeed, it seems Plath may have taken her protagonist’s name from the 1916 story. What a find!

 

  • Reading two memoirs of being in a coma for weeks and on a ventilator, with a letter or letters written by the hospital staff: Many Different Kinds of Love by Michael Rosen and Coma by Zara Slattery.
  • Reading two memoirs that mention being in hospital in Brighton: Coma by Zara Slattery and After the Storm by Emma Jane Unsworth.

 

  • Reading two books with a character named Tam(b)lyn: My Cousin Rachel by Daphne du Maurier and Coma by Zara Slattery.

 

  • A character says that they don’t miss a person who’s died so much as they miss the chance to have gotten to know them in Featherhood by Charlie Gilmour and In by Will McPhail.
  • A man finds used condoms among his late father’s things in The Invention of Solitude by Paul Auster and Featherhood by Charlie Gilmour.

 

  • An absent husband named David in Open House by Elizabeth Berg and Ruby by Ann Hood.

 

  • The murder of Thomas à Becket featured in Murder in the Cathedral by T.S. Eliot (read in April) and Heavy Time by Sonia Overall (read in June).
  • Adrienne Rich is quoted in (M)otherhood by Pragya Agarwal and Heavy Time by Sonia Overall.

 

  • A brother named Danny in Immediate Family by Ashley Nelson Levy and Saint Maybe by Anne Tyler.

 

  • The male lead is a carpenter in Early Morning Riser by Katherine Heiny and Saint Maybe by Anne Tyler.
  • An overbearing, argumentative mother who is a notably bad driver in Early Morning Riser by Katherine Heiny and Blue Shoe by Anne Lamott.

 

  • That dumb 1989 movie Look Who’s Talking is mentioned in (M)otherhood by Pragya Agarwal and Early Morning Riser by Katherine Heiny.

 

  • In the same evening, I started two novels that open in 1983, the year of my birth: The Other Black Girl by Zakiya Dalila Harris and Malibu Rising by Taylor Jenkins Reid.
  • “Autistic” is used as an unfortunate metaphor for uncontrollable or fearful behavior in Open House by Elizabeth Berg and Blue Shoe by Anne Lamott (from 2000 and 2002, so they’re dated references rather than mean-spirited ones).

 

  • A secondary character mentions a bad experience in a primary school mathematics class as being formative to their later life in Blue Shoe by Anne Lamott and Saint Maybe by Anne Tyler (at least, I think it was in the Tyler; I couldn’t find the incident when I went back to look for it. I hope Liz will set me straight!).

 

  • The panopticon and Foucault are referred to in Great Circle by Maggie Shipstead and I Live a Life Like Yours by Jan Grue. Specifically, Jeremy Bentham’s panopticon is the one mentioned in the Shipstead, and Bentham appears in The Cape Doctor by E.J. Levy.

 

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity, Mid-March to Early May 2021

In early April, the publisher Canongate ran a newsletter competition for one reader to win a stack of their recent releases. All you had to do was reply with your favourite word. On Twitter they gave a rundown of the most popular responses. Turning up several times each were petrichor, mellifluous, and oleaginous. Most frequent of all was serendipity: I was one of 15 to submit it! And one of those entries, but not mine, won. Anyway, fun little story there.

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck.

The following are in roughly chronological order.

  • A white peacock is mentioned in Indelicacy by Amina Cain and The Mermaid of Black Conch by Monique Roffey, both of which were on the 2021 Rathbones Folio Prize shortlist.
  • Speaking of that Rathbones Folio Prize shortlist, four of the eight were paperbacks with French flaps.

 

  • The main character takes ballet lessons in Indelicacy by Amina Cain and A Feather on the Breath of God by Sigrid Nunez.

 

  • Mermaids! A big theme in The Mermaid of Black Conch by Monique Roffey (of course) and The Republic of Love by Carol Shields, but they’re also mentioned in the opening story of The Office of Historical Corrections by Danielle Evans and are main characters in “The Pangs of Love” by Jane Gardam in the anthology Close Company.

  • The Brothers Grimm story about brothers who have been transformed into swans and their sister who sews shirts out of nettles to turn them back is reworked in The Charmed Wife by Olga Grushin and used as a metaphor in Dusk, Night, Dawn by Anne Lamott.

 

  • An electric carving knife is mentioned as a means of suicide (yipes!) in The Inevitable by Katie Engelhart and Woman on the Edge of Time by Marge Piercy.

 

  • A discussion of the distinction between the fear of dying and the fear of being dead in This Party’s Dead by Erica Buist and The Inevitable by Katie Engelhart.

 

  • Two novels in a row in which an older man is appalled by the squalor of his young girlfriend’s apartment, and she calls him “daddy” during sex (double yipes!), made the Dylan Thomas Prize shortlist: Luster by Raven Leilani and My Dark Vanessa by Kate Elizabeth Russell.
  • Architect husbands in The Push by Ashley Audrain and The Art of Falling by Danielle McLaughlin (and, last year, in A Celibate Season by Blanche Howard and Carol Shields), as well as a female architect as a main character in The Living Sea of Waking Dreams by Richard Flanagan earlier this year.

 

  • The next-to-last essay in the Trauma anthology quotes from The Bell Jar by Sylvia Plath, which I was also reading at the time.

 

  • A mention of the eels in London absorbing cocaine from the Thames in the final essay in the Trauma anthology; I then moved right on to the last 40 pages of Nobody Is Talking About This by Patricia Lockwood and the same bizarre fact was mentioned. A week and a half later, there it was again, this time in Asylum Road by Olivia Sudjic.

 

  • A mention of sailors’ habit of getting tattoos of swallows in The Circling Sky by Neil Ansell (who has a swallow tattoo, even though he’s not a sailor) and Birdsong in a Time of Silence by Steven Lovatt.
  • A father and teenage child wander an unfamiliar city and enter a sex shop together (yipes yet again!) in Three O’Clock in the Morning by Gianrico Carofiglio and Ten Days by Austin Duffy.

 

  • A mention of the same University of Virginia study in which people self-administered electric shocks to alleviate the boredom of sitting alone with their thoughts in Rooted by Lyanda Lynn Haupt and You’re Not Listening by Kate Murphy.

 

  • Basho’s poetry and George Monbiot’s Feral are both cited in The Circling Sky by Neil Ansell and Rooted by Lyanda Lynn Haupt.

 

  • A dead sister named Mattie in Consent by Annabel Lyon and Drowning Ruth by Christina Schwarz.
  • A young Black female protagonist and the same family dynamic (the mother committed suicide and the father is in the Marines/Navy) in The Mothers by Brit Bennett and Luster by Raven Leilani.

 

  • On the same night, I read about two pets encountering snow for the first time: a cat in Close Encounters of the Furred Kind by Tom Cox and a dog in Open Water by Caleb Azumah Nelson.

 

  • A character is described as being as wide as they are tall in Mother for Dinner by Shalom Auslander and The Absolute Book by Elizabeth Knox.
  • A character is known as Seventh in Mother for Dinner by Shalom Auslander and the story “The Pangs of Love” by Jane Gardam in the Close Company anthology. Plus, there’s Septimus in Mrs Dalloway by Virginia Woolf, which I’m reading concurrently with those two.

 

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity, Early 2021

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents.

Josh Cohen’s How to Live. What to Do, a therapist’s guide to literature, explains why this might happen:

More than one writer – the French poet Stéphane Mallarmé, the Argentinian writer Jorge Luis Borges – has advanced the exhilarating idea that each book is an infinitesimally small piece of one single, endless Book. I’ve always felt that this idea, unlikely as it might sound, makes perfect sense if you read enough novels [also nonfiction, for me]. The incidents, descriptions, phrases and images in the book you’re reading will always recall the incidents in another, and those in turn will call up the incidents in another, so that even as you’re reading one book, you’re reading countless others.

The following are in roughly chronological order.

 

  • Mother‒baby swimming sessions in Some Body to Love by Alexandra Heminsley and The Still Point of the Turning World by Emily Rapp.
  • [I think it would be a spoiler to even name them, but two novels I read simultaneously in January featured 1) a marriage / close relationship between a man and a woman – even though the man is gay; and 2) a character who beat his wife and then died in a convenient ‘accident’. One was published in 1997 and the other in 2020.]

 

  • Stomas appeared in Dazzling Darkness by Rachel Mann and First Time Ever by Peggy Seeger late in my 2020 reading, and then in early 2021 in Pain: The Science of the Feeling Brain by Abdul-Ghaaliq Lalkhen and Love’s Work by Gillian Rose.

 

  • An account of the author’s experience of ovarian hyperstimulation syndrome in Hormonal by Eleanor Morgan and I Miss You when I Blink by Mary Laura Philpott.

 

  • Salmon fishing takes place in Snow Falling on Cedars by David Guterson and Kings of the Yukon by Adam Weymouth.
  • The medical motto “see one, do one, teach one” appears in Breathtaking by Rachel Clarke and Complications by Atul Gawande.

 

  • Filipino medical staff feature in America Is Not the Heart by Elaine Castillo and Breathtaking by Rachel Clarke.

 

  • Twin Peaks is mentioned in The Fragments of My Father by Sam Mills and the anthology Trauma: Essays on Art and Mental Health; a different essay in the latter talks about Virginia Woolf’s mental health struggle, which is a strand in the former.

 

  • St. Teresa of Ávila is mentioned in Heart by Gail Godwin and Sanatorium by Abi Palmer.
  • The same Rachel Long poem appears in her debut collection, My Darling from the Lions, and The Emma Press Anthology of Love – but under different titles (“Portent” vs. “Delayed Gratification”).

 

  • There’s a matriarch named Dot in Unsettled Ground by Claire Fuller and The Magician’s Assistant by Ann Patchett.

 

  • There’s an Alaska setting in The Quality of Silence by Rosamund Lupton and Kings of the Yukon by Adam Weymouth.

 

  • Becoming a mother is described as a baptism in Sanctuary by Emily Rapp Black and The Fragments of My Father by Sam Mills.
  • While reading America Is Not the Heart by Elaine Castillo, I saw Castillo mentioned in the Acknowledgements of My Darling from the Lions by Rachel Long.

 

  • Polar explorers’ demise is discussed in Ex Libris by Anne Fadiman and The Still Point by Amy Sackville.

 

  • “Butterfingers” / “butter-fingered” is used in America Is Not the Heart by Elaine Castillo and The Clock Winder by Anne Tyler.

 

  • There’s a mention of someone eating paper torn from books (the horror!) in Ex Libris by Anne Fadiman and The Clock Winder by Anne Tyler.
  • I was reading three pre-releases at once, each of 288 pages: Milk Fed by Melissa Broder, Unsettled Ground by Claire Fuller, and A Town Called Solace by Mary Lawson.

 

  • The Jewish golem myth is the overarching metaphor of Milk Fed by Melissa Broder and Golem Girl by Riva Lehrer.

 

  • There’s a ceremony to pay respects to those who donated their bodies for medical school dissection in Maybe You Should Talk to Someone by Lori Gottlieb and Golem Girl by Riva Lehrer.

 

  • An old woman with dementia features in The Living Sea of Waking Dreams by Richard Flanagan, Keeper by Andrea Gillies, and The Clock Winder by Anne Tyler.
  • A mother dies of cancer on Christmas Day in This Party’s Dead by Erica Buist and The Fragments of My Father by Sam Mills.

 

  • The main character does stand-up comedy in Milk Fed by Melissa Broder and This Party’s Dead by Erica Buist.

 

  • Winning a goldfish at a carnival in The Air Year by Caroline Bird, A Feather on the Breath of God by Sigrid Nunez, and Anna Vaught’s essay in the Trauma anthology.

 

  • ECT (electroconvulsive therapy) is mentioned in Adventures in Human Being by Gavin Francis and Woman on the Edge of Time by Marge Piercy.
  • There’s a father who is non-medical hospital staff in The Push by Ashley Audrain (a cleaner) and A Feather on the Breath of God by Sigrid Nunez (a kitchen worker).

 

  • There’s a character named Hart in The Wild Laughter by Caoilinn Hughes and The Birth House by Ami McKay.

 

  • Cannibalism is a point of reference, a major metaphor, or a (surreal) reality in Mother for Dinner by Shalom Auslander, Eat or We Both Starve by Victoria Kennefick, and Light Perpetual by Francis Spufford.

 

  • Infertility and caring for animals were two big themes shared by Brood by Jackie Polzin and Catalogue Baby by Myriam Steinberg. This became clearer when I interviewed both authors in February. Also, both women have shocks of pink hair in their publicity photos!
  • A young woman works at a hotel in The Distance between Us by Maggie O’Farrell and My Dark Vanessa by Kate Elizabeth Russell (and The Glass Hotel by Emily St. John Mandel, which I read late last year).

 

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity, Late 2020 into 2021

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (20+), I suppose I’m more prone to such incidents than some. I also list some of my occasional reading coincidences on Twitter. The following are in chronological order.

  • The Orkney Islands were the setting for Close to Where the Heart Gives Out by Malcolm Alexander, which I read last year. They showed up, in one chapter or occasional mentions, in The Frayed Atlantic Edge by David Gange and The Stone Diaries by Carol Shields, plus I read a book of Christmas-themed short stories (some set on Orkney) by George Mackay Brown, the best-known Orkney author. Gavin Francis (author of Intensive Care) also does occasional work as a GP on Orkney.
  • The movie Jaws is mentioned in Mr. Wilder and Me by Jonathan Coe and Landfill by Tim Dee.

 

  • The Sámi people of the far north of Norway feature in Fifty Words for Snow by Nancy Campbell and The Mercies by Kiran Millwood Hargrave.

 

  • Twins appear in Mr. Wilder and Me by Jonathan Coe and Tennis Lessons by Susannah Dickey. In Vesper Flights Helen Macdonald mentions that she had a twin who died at birth, as does a character in Miss Benson’s Beetle by Rachel Joyce. A character in The Light Years by Elizabeth Jane Howard is delivered of twins, but one is stillborn. From Wrestling the Angel by Michael King I learned that Janet Frame also had a twin who died in utero.

 

  • Fennel seeds are baked into bread in The Mercies by Kiran Millwood Hargrave and The Strays of Paris by Jane Smiley. Later, “fennel rolls” (but I don’t know if that’s the seed or the vegetable) are served in Monogamy by Sue Miller.
  • A mistress can’t attend her lover’s funeral in Here Is the Beehive by Sarah Crossan and Tennis Lessons by Susannah Dickey.

 

  • A sudden storm drowns fishermen in a tale from Christmas Stories by George Mackay Brown and The Mercies by Kiran Millwood Hargrave.

 

  • Silver Spring, Maryland (where I lived until age 9) is mentioned in one story from To Be a Man by Nicole Krauss and is also where Peggy Seeger grew up, as recounted in her memoir First Time Ever. Then it got briefly mentioned, as the site of the Institute of Behavioral Research, in Livewired by David Eagleman.

 

  • Lamb is served with beans at a dinner party in Monogamy by Sue Miller and Larry’s Party by Carol Shields.

 

  • Trips to Madagascar in Landfill by Tim Dee and Lightning Flowers by Katherine E. Standefer.

 

  • Hospital volunteering in My Year with Eleanor by Noelle Hancock and Leonard and Hungry Paul by Ronan Hession.

 

  • A Ronan is the subject of Emily Rapp’s memoir The Still Point of the Turning World and the author of Leonard and Hungry Paul (Hession).

 

  • The Magic Mountain (by Thomas Mann) is discussed in Scattered Limbs by Iain Bamforth, The Still Point of the Turning World by Emily Rapp, and Snow by Marcus Sedgwick.

 

  • Frankenstein is mentioned in The Biographer’s Tale by A.S. Byatt, The Still Point of the Turning World by Emily Rapp, and Snow by Marcus Sedgwick.
  • Rheumatic fever and missing school to avoid heart strain in Foreign Correspondence by Geraldine Brooks and Unsettled Ground by Claire Fuller. Janet Frame also had rheumatic fever as a child, as I discovered in her biography.

 

  • Reading two novels whose titles come from The Tempest quotes at the same time: Owls Do Cry by Janet Frame and This Thing of Darkness by Harry Thompson.
  • A character in Embers by Sándor Márai is nicknamed Nini, which was also Janet Frame’s nickname in childhood (per Wrestling the Angel by Michael King).

 

  • A character loses their teeth and has them replaced by dentures in America Is Not the Heart by Elaine Castillo and The Light Years by Elizabeth Jane Howard.

Also, the latest cover trend I’ve noticed: layers of monochrome upturned faces. Several examples from this year and last. Abstract faces in general seem to be a thing.

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity in the Final Months of 2020

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (20+), I suppose I’m more prone to such incidents than some. I also list these occasional reading coincidences on Twitter. (Earlier incidents from the year are here, here, and here.)

  • Eel fishing plays a role in First Love, Last Rites by Ian McEwan and The Gospel of the Eels by Patrik Svensson.
  • A girl’s body is found in a canal in First Love, Last Rites by Ian McEwan and Carrying Fire and Water by Deirdre Shanahan.
  • Curlews on covers by Angela Harding on two of the most anticipated nature books of the year, English Pastoral by James Rebanks and The Wild Silence by Raynor Winn (and both came out on September 3rd).

  • Thanksgiving dinner scenes feature in 666 Charing Cross Road by Paul Magrs and Such a Fun Age by Kiley Reid.
  • A gay couple has the one man’s mother temporarily staying on the couch in 666 Charing Cross Road by Paul Magrs and Memorial by Bryan Washington.
  • I was reading two “The Gospel of…” titles at once, The Gospel of Eve by Rachel Mann and The Gospel of the Eels by Patrik Svensson (and I’d read a third earlier in the year, The Gospel of Trees by Apricot Irving).

  • References to Dickens’s David Copperfield in The Cider House Rules by John Irving and Mudbound by Hillary Jordan.
  • The main female character has three ex-husbands, and there’s mention of chin-tightening exercises, in The Idea of Perfection by Kate Grenville and The Pumpkin Eater by Penelope Mortimer.
  • A Welsh hills setting in On the Red Hill by Mike Parker and Along Came a Llama by Ruth Janette Ruck.
  • Rachel Carson and Silent Spring are mentioned in A Year on the Wing by Tim Dee, The Frayed Atlantic Edge by David Gange, English Pastoral by James Rebanks and The Gospel of the Eels by Patrik Svensson. SS was also an influence on Losing Eden by Lucy Jones, which I read earlier in the year.
  • There’s nude posing for a painter or photographer in The Glass Hotel by Emily St. John Mandel, How to Be Both by Ali Smith, and Adults by Emma Jane Unsworth.
  • A weird, watery landscape is the setting for The Swallowed Man by Edward Carey and Piranesi by Susanna Clarke.
  • Bawdy flirting between a customer and a butcher in The Idea of Perfection by Kate Grenville and Just Like You by Nick Hornby.
  • Corbels (an architectural term) mentioned in The Idea of Perfection by Kate Grenville and Wakenhyrst by Michelle Paver.
  • Near or actual drownings (something I encounter FAR more often in fiction than in real life, just like both parents dying in a car crash) in The Idea of Perfection, The Glass Hotel, The Gospel of Eve, Wakenhyrst, and Love and Other Thought Experiments.
  • Nematodes are mentioned in The Gospel of the Eels by Patrik Svensson and Real Life by Brandon Taylor.
  • A toxic lake features in The New Wilderness by Diane Cook and Real Life by Brandon Taylor (both were also on the Booker Prize shortlist).
  • A black scientist from Alabama is the main character in Transcendent Kingdom by Yaa Gyasi and Real Life by Brandon Taylor.
  • Graduate studies in science at the University of Wisconsin, and rivals sabotaging experiments, in Artifact by Arlene Heyman and Real Life by Brandon Taylor.
  • A female scientist who experiments on rodents in Transcendent Kingdom by Yaa Gyasi and Artifact by Arlene Heyman.
  • There are poems about blackberrying in Dearly by Margaret Atwood, Passport to Here and There by Grace Nichols, and How to wear a skin by Louisa Adjoa Parker. (Nichols’s “Blackberrying Black Woman” actually opens with “Everyone has a blackberry poem. Why not this?” – !)

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity in 2020: Part III

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually around 20), I suppose I’m more prone to such incidents than some. I also list these occasional reading coincidences on a Twitter thread.

The following are in chronological order. (January to March’s incidents appeared in this post, and April to July’s here.)

 

  • Reading two books whose covers feature Audubon bird paintings.
  • A 19th-century female character inherits a house but knows it will pass instantly to her spouse in Property by Valerie Martin and Islands of Mercy by Rose Tremain.

 

  • A bag/sack of potatoes as a metaphor in Other People’s Pets by R.L. Maizes and Redhead by the Side of the Road by Anne Tyler.

 

  • Nipple rings get a mention in Addition by Toni Jordan and Other People’s Pets by R.L. Maizes.

 

  • Taxidermy is an element (most major in the first one) in Mostly Dead Things by Kristen Arnett, Wild Child by Patrick Barkham and Into the Tangled Bank by Lev Parikian.

 

  • A discussion of bartenders’ habit of giving out free drinks to get big tips (a canny way of ‘stealing’ from the employer) in Kitchen Confidential by Anthony Bourdain and Other People’s Pets by R.L. Maizes.
  • Characters named Seamus in Addition by Toni Jordan and Mother’s Milk by Edward St. Aubyn.

 

  • Wild boar mentioned in Mostly Dead Things by Kristen Arnett, Other People’s Pets by R.L. Maizes and My Berlin Kitchen by Luisa Weiss.

 

  • A fastidious bachelor who’s always cleaning his living space in Other People’s Pets by R.L. Maizes and Redhead by the Side of the Road by Anne Tyler.

 

  • A character is a blogger in Americanah by Chimamanda Ngozi Adichie, Other People’s Pets by R.L. Maizes and My Berlin Kitchen by Luisa Weiss.

 

  • Norfolk settings in Wild Child by Patrick Barkham and Bird Therapy by Joe Harkness (and both were on the Wainwright Prize longlist).
  • A close aunt‒niece relationship in Mostly Dead Things by Kristen Arnett and Addition by Toni Jordan.

 

  • A guy does dumb accents when talking about food, and specifically a French accent for “hamburger,” in Addition by Toni Jordan and Redhead by the Side of the Road by Anne Tyler.

 

  • Recipes for a potato salad that is dressed with oil and vinegar rather than mayonnaise in Tender at the Bone by Ruth Reichl and My Berlin Kitchen by Luisa Weiss.

 

  • Mentions of the Watergate hearings in A Crime in the Neighborhood by Suzanne Berne and Tender at the Bone by Ruth Reichl.

 

  • Twins in Half of a Yellow Sun by Chimamanda Ngozi Adichie, A Crime in the Neighborhood by Suzanne Berne and The Yonahlossee Riding Camp for Girls by Anton DiSclafani.

 

  • Characters nicknamed “Lefty” in Middlesex by Jeffrey Eugenides and Modern Lovers by Emma Straub.
  • Characters named Abir/Abeer in A Traveller at the Gates of Wisdom by John Boyne and Apeirogon by Colum McCann.

 

  • Kayaking in Scotland in The Frayed Atlantic Edge by David Gange and Summerwater by Sarah Moss.

 

  • The military coup in Nigeria features in Half of a Yellow Sun by Chimamanda Ngozi Adichie and The Shadow of the Sun by Ryszard Kapuściński.

 

  • The song “White Christmas” is quoted in Mudbound by Hillary Jordan and Tales of the City by Armistead Maupin.

 

  • The fact that fingerprints are formed by the fetus touching the uterine wall appears in Marrow by Elizabeth Lesser and You Will Never Be Forgotten by Mary South.
  • Orkney as a setting in Close to Where the Heart Gives Out by Malcolm Alexander and The Frayed Atlantic Edge by David Gange. I’m hankering to go back!

 

  • Teresa of Ávila is mentioned in Marrow by Elizabeth Lesser and You Will Never Be Forgotten by Mary South.

 

  • A dog named Bingo in Half of a Yellow Sun by Chimamanda Ngozi Adichie and Modern Lovers by Emma Straub. (B-I-N-G-O!)

 

  • Four sisters are given a joint name in A Crime in the Neighborhood by Suzanne Berne (Fran-Claire-Lois-Ada) and Marrow by Elizabeth Lesser (KaLiMaJo).

 

  • The same Lilla Watson quote (“If you have come to help me, you are wasting your time. But if you have come because your liberation is bound up with mine, then let us work together”) appears in both The Gospel of Trees by Apricot Irving and Marrow by Elizabeth Lesser.

 

  • An Irish author and Hong Kong setting for Exciting Times by Naoise Dolan and The Distance Between Us by Maggie O’Farrell.
  • The Dorothy Parker quote “Men seldom make passes at girls who wear glasses” appears in both What Are You Going Through by Sigrid Nunez and First Time Ever by Peggy Seeger.

 

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity: 2020, Part I

I call it serendipitous when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such incidents. I also post these occasional reading coincidences on Twitter. (The following are in rough chronological order.)

 

  • A Wisconsin setting in three books within a month (Shotgun Lovesongs by Nickolas Butler, This Is How It Always Is by Laurie Frankel and Crossing to Safety by Wallace Stegner)

 

  • I came across a sculpture of “a flock of 191 silver sparrows” in Dear Edward by Ann Napolitano while also reading Silver Sparrow by Tayari Jones.
  • Characters nearly falling asleep at the wheel of a car in Crossing to Safety by Wallace Stegner and In the Dream House by Carmen Maria Machado

 

  • There’s no escaping Henry David Thoreau! Within the span of a week I saw him mentioned in The Library of Ice by Nancy Campbell, The Snow Tourist by Charlie English, Losing Eden by Lucy Jones and Crossing to Safety by Wallace Stegner. Plus I’d just read the whole graphic novel Thoreau and Me by Cédric Taling.
  • Discussions of the work of D.H. Lawrence in Unfinished Business by Vivian Gornick and The Offing by Benjamin Myers

 

  • That scientific study on patient recovery in hospital rooms with a window view vs. a view of a brick wall turns up in both Dear Life by Rachel Clarke and Losing Eden by Lucy Jones.

 

  • The inverted teardrop shapes mirror each other on these book covers:

  • Punchy, one-word titles on all these books I was reading simultaneously:

  • Polio cases in The Golden Age by Joan London, Nemesis by Philip Roth and Crossing to Safety by Wallace Stegner

 

  • An Italian setting and the motto “Pazienza!” in Dottoressa by Susan Levenstein and Crossing to Safety by Wallace Stegner

 

  • Characters named Lachlan in The Ninth Child by Sally Magnusson and The Inland Sea by Madeleine Watts
  • Mentions of the insecticide Flit in Nemesis by Philip Roth and Sacred Country by Rose Tremain

 

  • A quoted Leonard Cohen lyric in Traveling Mercies by Anne Lamott; Cohen as a character in A Theatre for Dreamers by Polly Samson

 

  • Plague is brought to an English village through bolts of cloth from London in Year of Wonders by Geraldine Brooks and Hamnet by Maggie O’Farrell; both also feature a woman who is a herbal healer sometimes mistaken for a witch (and with similar names: Anys versus Agnes)
  • Gory scenes of rats being beaten to death in Hamnet by Maggie O’Farrell and Nemesis by Philip Roth

 

  • Homemade mobiles in a baby’s room in A Theatre for Dreamers by Polly Samson and Sacred Country by Rose Tremain

 

  • Speech indicated by italics rather than the traditional quotation marks in Pew by Catherine Lacey and Red at the Bone by Jacqueline Woodson

 

What’s the weirdest reading coincidence you’ve had lately?

Final Book Serendipity Incidents to Close out 2019

Just a short post this time. I call it serendipitous when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such incidents. I post these occasional reading coincidences on Twitter. What’s the weirdest one you’ve had lately? (The following are in rough chronological order.)


[Previous 2019 Book Serendipity posts covered April, July and October.]

 

  • Characters sit for a portrait in The Confession by Jessie Burton and The Hoarder by Jess Kidd.

 

  • An obsession with saints in Fifth Business by Robertson Davies and The Hoarder by Jess Kidd.
  • A mention of the urban myth regarding why our fingertips prune in water (something about an outdated evolutionary strategy for gripping underwater) in The Body by Bill Bryson and Humiliation: Stories by Paulina Flores.

 

  • Memories of childhood trips to Martha’s Vineyard in Chances Are by Richard Russo and The Dearly Beloved by Cara Wall.

 

  • The River Thames is the setting for Mudlarking by Lara Maiklem and Once Upon a River by Diane Setterfield.
  • Mentions of pelicans being clubbed to death in God Unbound: Theology in the Wild by Brian McLaren and Autumn Across America by Edwin Way Teale.

 

  • A character who speaks and writes backwards words in The Poisonwood Bible and The Robber Bride.

 

  • Epigraphs containing folk names for the hare, and soon enough a dead hare, in Ring the Hill by Tom Cox and Starve Acre by Andrew Michael Hurley.
  • An unexpected THIRD set of conjoined twins encountered this year (after Cutting for Stone and The Girls) in Fall on Your Knees by Ann-Marie Macdonald.

 

  • The song “Oh My Darling, Clementine” is quoted in The Robber Bride and Fall on Your Knees.

 

  • Warming an orphaned lamb in a low oven in Moral Disorder by Margaret Atwood and The Dig by Cynan Jones.

 

  • A character is presumed incapable of laughter in Agatha by Anne Cathrine Bomann and Bowlaway by Elizabeth McCracken.
  • Marilynne Robinson’s Housekeeping is mentioned in The River Capture by Mary Costello and Surrender by Joanna Pocock.

Book Serendipity Strikes Again

Only two months since my last Book Serendipity entry, and already another 17 occurrences! I post these occasional reading coincidences on Twitter and/or Instagram. I call it serendipitous when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such incidents. What’s the weirdest one you’ve had lately? (The following are in rough chronological order.)

 

  • Characters with lupus in The Monsters of Templeton by Lauren Groff and Daisy Jones & The Six by Taylor Jenkins Reid [I also read about one who features in Lost and Wanted by Nell Freudenberger] PLUS I then read Wise Blood by Flannery O’Connor, who died of lupus

 

  • Daisy’s declaration of “I am not a muse. I am the somebody. End of fucking story” in Daisy Jones & The Six by Taylor Jenkins Reid reminded me of Lee Miller’s attitude in The Age of Light by Whitney Scharer
  • Mentions of old ladies’ habit of keeping tissues balled up in their sleeves in The Girls by Lori Lansens and Growing Pains by Mike Shooter

 

  • (A sad one, this) The stillbirth of a child is an element in three memoirs I’ve read within a few months, Notes to Self by Emilie Pine, Threads by William Henry Searle, and The Chronology of Water by Lidia Yuknavitch

 

  • A character’s parents both died in a car accident in The Monsters of Templeton by Lauren Groff and Saint Maybe by Anne Tyler

 

  • Two books open on New Year’s Eve 2008 and comment on President Obama’s election: Ordinary People by Diana Evans and Rabbits for Food by Binnie Kirshenbaum
  • Three novels in which both romantic partners are artists and find themselves (at least subconsciously) in competition: The Narrow Land by Christine Dwyer Hickey, The Age of Light by Whitney Scharer and Stanley and Elsie by Nicola Upson

 

  • There’s a Czech father (or father figure) in The Florist’s Daughter by Patricia Hampl and The Girls by Lori Lansens

 

  • I’d never heard of 4chan before, but then encountered it twice in quick succession, first in So You’ve Been Publicly Shamed by Jon Ronson and then in The Unauthorised Biography of Ezra Maas by Daniel James

 

  • (Another sad one) Descriptions of the awful sound someone makes when they learn a partner or child has died in Hard Pushed by Leah Hazard and Jesus’ Son by Denis Johnson

 

  • Alan Turing is a character in Murmur by Will Eaves and Machines Like You by Ian McEwan
  • Antonie van Leeuwenhoek (a pioneer of microscopy) is mentioned in Machines Like You by Ian McEwan and The Making of You by Katharina Vestre

 

  • A woman is described as smelling like hay in Memoirs of a Book Thief by Alessandro Tota and Pierre Van Hove and The Chronology of Water by Lidia Yuknavitch

 

  • An inside look at the anti-abortion movement in Priestdaddy by Patricia Lockwood and Crazy for God by Frank Schaeffer

 

  • The attempted adoption of a four-year-old boy who’s been in foster care is an element in The Ginger Child by Patrick Flanery and Machines Like You by Ian McEwan

 

  • The loss of a difficult father who was an architect is an element in All the Lives We Ever Lived by Katharine Smyth and The Chronology of Water by Lidia Yuknavitch (and in last year’s Implosion by Elizabeth Garber)
  • The improv mantra “Yes, and…” is mentioned in No Happy Endings: A Memoir by Nora McInerny by Sorry I’m Late, I Didn’t Want to Come: An Introvert’s Year of Living Dangerously by Jessica Pan

A Retrospective of 2018’s Events, Reading Projects and Themes

In January I had the tremendous opportunity to have a free personalized bibliotherapy appointment with Ella Berthoud at the School of Life in London. I’ve since read three of her prescriptions plus parts of a few others, but I still have several more awaiting me in the early days of 2019, and will plan to report back at some point on what I got out of all of them.

In March to April I ran a Wellcome Book Prize shadow panel for the second time. This year it was much more successful; I plan to do it again next year, too. (I actually proffered myself as an official judge for next year’s prize and got a very kind but entirely noncommittal e-mail back from the chairwoman, which I will have to take as victory enough.)

Early April saw us visiting Wigtown, Scotland’s book town, for the first time. It was a terrific trip, but thus far I have not been all that successful at reading the 13 books that I bought! (Just two and a quarter so far.)

I reviewed three novels for Liz Dexter’s Iris Murdoch Readalong project: A Severed Head in March, The Italian Girl in June, and The Nice and the Good in September. In February I’ll pop back in with one more paperback that I own, The Sacred and Profane Love Machine. November was Margaret Atwood Reading Month, hosted by Marcie of Buried in Print and Naomi of Consumed by Ink, and provided me with a good excuse to read her first two novels.

I did some “buddy reads” for the first time: Andrea Levy’s Small Island with Canadian blogger friends, including Marcie and Naomi; and West With the Night with Laila of Big Reading Life and Late Nights on Air with Naomi as well as Penny of Literary Hoarders during 20 Books of Summer, which I took part in for the first time. In May my mother and I read W. Somerset Maugham’s The Painted Veil and shared reading notes via e-mail. (A planned buddy read of The Left Hand of Darkness with Annabel and Laura was, alas, a fail.)

Besides the official Wellcome Book Prize blog tour in April, I participated in another 11 blog tours, averaging out at one a month. I’m going to scale back on these next year because I have too often found, after I accepted, that the book was a dud and I had to just run an extract because I could see I wasn’t going to get through it and write a review.

I joined my neighborhood book club in September and have attended every month since then. Our first four selections were Ladder of Years by Anne Tyler, The Gracekeepers by Kirsty Logan, Noonday by Pat Barker, and Number 11 by Jonathan Coe. I’d already read the Logan and Coe years ago and didn’t fancy rereading them, so wasn’t able to participate as much in those months, but was still glad to go along for the socializing. My husband even read the Coe and came to December’s meeting (was it just for the mince pies and mulled wine?!). We’ve set our first four reads for 2019 – the three below, in order from left to right, plus Ernest Hemingway’s The Garden of Eden, which I’ll borrow from the university library.

In October I won tickets to see a production of Angela Carter’s Wise Children at the Old Vic in London. Just a few weeks later I won tickets to see Barbara Kingsolver in conversation about Unsheltered at the Southbank Centre. I don’t often make it into London, so it was a treat to have bookish reasons to go and blogging friends to meet up with (Clare of A Little Blog of Books joined me for both, and Laura T. was also at the Kingsolver event).

November was mostly devoted to novellas, for the third year in a row. Although I didn’t officially participate in Nonfiction November, I still enjoyed coming up with some fiction/nonfiction pairings and an “expert’s” list of women’s religious memoirs.

My husband wrote pretty much his entire PhD thesis this year and on Friday the 14th had his graduation ceremony. I was the moral support / proofreader / preparer of simple meals during the months when he was in the throes of writing up, so I will consider myself as sharing in the accomplishment. Congratulations, Dr. Foster!

This month and into January I’ll be reading the last few nominees for the National Book Critics Circle’s John Leonard Prize.

When the list of finalists was released, I was relieved to see I’d already read four out of seven (and three of those were ones I’d nominated); the other three – the Adjei-Brenyah and Brinkley stories and There There – were books I was keen to read but hadn’t managed to get hold of. About 80 of us NBCC members are reading the shortlist and voting for the best first book of the year by January 8th. Plus I’m technically up for an NBCC prize myself, in that I nominated myself (that’s how it works) for the 2018 Nona Balakian Citation for Excellence in Reviewing and sent in an application with five of my best reviews from the year.

 

The Ones that Got Away

Two posts I planned but never got around to putting together would have commemorated the 50th anniversary of Thomas Merton’s death (I own several of his books but am most interested in reading The Seven-Storey Mountain, which celebrated its 70th birthday in October) and the 40th anniversary of the publication of The Snow Leopard by the late Peter Matthiessen. Perhaps I’ll try these authors for the first time next year instead.

 

Final Book Serendipity Incidents

In the second half of the year I started keeping track of all my weird reading coincidences, posting about them on Twitter or Instagram before collecting them into a blog post a couple months ago. Here are a few that popped up since then or recalled earlier reads from the year:

  • Two protagonists named Willa: Anne Tyler’s Clock Dance and Barbara Kingsolver’s Unsheltered
  • Two novels featuring bog people: Anne Youngson’s Meet Me at the Museum and Sarah Moss’s Ghost Wall
  • Two dogs named Flash: Ben Crane’s Blood Ties and Andrew Marshall’s The Power of Dog
  • Multiple sclerosis is an element in Christian Donlan’s The Unmapped Mind: A Memoir of Neurology, Incurable Disease and Learning How to Live, Jennifer Richardson’s Americashire and Michelle Obama’s Becoming (her father had it)
  • The ideas of Freud are mentioned in a 1910s setting in Nancy Horan’s Loving Frank, Annabel Abbs’s Frieda and Daniel Mason’s The Winter Soldier
  • Mermaids (or ‘mermaids’) and/or mermen appear in Imogen Hermes Gowar’s The Mermaid and Mrs Hancock, Melissa Broder’s The Pisces, Daniel Mason’s The Winter Soldier, and a series of poems in Miriam Darlington’s Windfall
  • Bohemian writer dies young of tuberculosis (or similar) in novels about their wives: Annabel Abbs’s Frieda (D.H. Lawrence) and Nancy Horan’s Under the Wide and Starry Sky (Robert Louis Stevenson)
  • Two books that mention the Indonesian practice of keeping dead relatives as mummies and bringing them out on occasion for ritual celebrations: From Here to Eternity by Caitlin Doughty and The Hot Young Widows Club by Nora McInerny
  • Two books that include a trip to Lourdes for healingHeal Me by Julia Buckley and Constellations by Sinéad Gleeson
  • Two books that mention the irony of some of the most well-loved modern Christmas songs being written by JewsIn Mid-Air by Adam Gopnik and Christmas Days by Jeanette Winterson

 

Surprise Themes from My Year’s Reading

A few of these make sense – cults fit with my interest in narratives of religious experience, and it doesn’t take a psychologist to see that my relationship with my father has been an ongoing issue in recent years (I wonder how the numbers would compare for books about mothers?) – but most are completely random.

I decided a theme had to show up at least three times to make the list. Some topics I enjoyed so much I’ll keep reading about them next year. Within a category the books are in rough chronological order of my reading, and I include skims, DNFs and books in progress.

 

Fathers (absent/difficult) + fatherhood in general: Educated by Tara Westover, And When Did You Last See Your Father? by Blake Morrison, The Italian Teacher by Tom Rachman, In the Days of Rain by Rebecca Stott, Implosion by Elizabeth W. Garber, Little Women by Louisa May Alcott & March by Geraldine Brooks, The Unmapped Mind by Christian Donlan, Never Mind and Bad News by Edward St. Aubyn, The Reading Promise by Alice Ozma, How to Build a Boat by Jonathan Gornall, Lake Success by Gary Shteyngart, Normal People by Sally Rooney, Rosie by Rose Tremain, My Father and Myself by J.R. Ackerley, Everything Under by Daisy Johnson, Ghost Wall by Sarah Moss, Surfacing by Margaret Atwood, Heart Berries by Terese Marie Mailhot, Blood Ties by Ben Crane, To Throw Away Unopened by Viv Albertine, Small Fry by Lisa Brennan-Jobs

 

Addiction: The Leavers by Lisa Ko, Mayhem by Sigrid Rausing, The Only Story by Julian Barnes, The Small Door of Your Death by Sheryl St. Germain, Writing and Madness in a Time of Terror by Afarin Majidi, Marlena by Julie Buntin, Ninety Days by Bill Clegg, Bad News by Edward St. Aubyn, Pretend I’m Dead by Jen Beagin, Heart Berries by Terese Marie Mailhot

 

Greenland: A Wilder Time by William E. Glassley, This Cold Heaven by Gretel Ehrlich, Miss Smilla’s Feeling for Snow by Peter Høeg, On Balance by Sinéad Morrissey (the poem “Whitelessness”), Cold Earth by Sarah Moss, Crimson by Niviaq Korneliussen, The Library of Ice by Nancy Campbell

 

Cults: Educated by Tara Westover, Harmony by Carolyn Parkhurst, In the Days of Rain by Rebecca Stott, The Incendiaries by R.O. Kwon, A River Could Be a Tree by Angela Himsel

 

Trees: Ladders to Heaven by Mike Shanahan, The Overstory by Richard Powers, The Man Who Planted Trees by Jean Giono, The Wood and The Secret Life of the Oak by John Lewis-Stempel

 

Flying: Skybound by Rebecca Loncraine, West With the Night by Beryl Markham, Going Solo by Roald Dahl, Skyfaring by Mark Vanhoenacker

 

The Anglo experience in Africa: Free Woman: Life, Love and Doris Lessing by Lara Feigel, Leaving Before the Rains Come by Alexandra Fuller, West With the Night by Beryl Markham, Going Solo by Roald Dahl

 

Korean-American women: The Incendiaries by R.O. Kwon, If You Leave Me by Crystal Hana Kim, All You Can Ever Know by Nicole Chung, Famous Adopted People by Alice Stephens, Digging to America by Anne Tyler

 

New Zealand: The Garden Party and Other Stories by Katherine Mansfield, To the Is-Land by Janet Frame, Dunedin by Shena Mackay

 

Life in the White House: Living History by Hillary Rodham Clinton, All the Presidents’ Pastries by Roland Mesnier, Becoming by Michelle Obama

 

Lighthouses: Stargazing: Memoirs of a Young Lighthouse Keeper by Peter Hill, The Bird Artist by Howard Norman, Under the Wide and Starry Sky by Nancy Horan (about Robert Louis Stevenson, whose family built lighthouses)

More lighthouse books ready for next year.

 

Butterflies: Four Wings and a Prayer by Sue Halpern, Magdalena Mountain by Robert Michael Pyle, Mama Amazonica by Pascale Petit

More butterfly books ready for next year.

 

What were some of the highlights of your bookish year?

What odd coincidences and recurring themes have you spotted in your year’s reading?