It’s only one week since we announced the Not the Wellcome Prize winner, the culmination of a month-long project that was months more in the planning. I don’t think I’ll be coordinating another blog tour anytime soon, as it was a lot of work finding participants, working out a schedule and keeping on top of the publicizing via social media. Still, it was a lot of fun, and already I’m missing the buzz and ready to get stuck into more projects.
I’d love it if you joined me for one or more of these. Some could be combined with your 20 Books of Summer or other challenges, too.
Ongoing buddy reads
It would have been Richard Adams’s 100th birthday on the 9th. That night I started rereading his classic tale of rabbits in peril, Watership Down, which was my favorite book from childhood even though I only read it the once at age nine. I’m 80 pages in and enjoying all the local place names. Who would ever have predicted that that mousy tomboy from Silver Spring, Maryland would one day live just 6.5 miles from the real Watership Down?!
My husband is joining me for the Watership Down read (he’s not sure he ever read it before), and we’re also doing a buddy read of Arctic Dreams by Barry Lopez. In that case, we ended up with two free copies, one from the bookshop where I volunteer and the other from The Book Thing of Baltimore, so we each have a copy on the go. Lopez’s style, like Peter Matthiessen’s, lends itself to slower, reflective reading, so I’m only two chapters in. It’s novel to journey to the Arctic, especially as we approach the summer.
I plan to take my time over these two, so tell me if you have a copy of either and feel like picking it up at any point over the next few months.
The other day I got out my copy of The Novel Cure by School of Life bibliotherapists Ella Berthoud and Susan Elderkin and browsed through the categories for some prescriptions that might feel relevant to the current situation. I found four books I own that fit the bill:
From the list of “The Ten Best Novels to Lower Your Blood Pressure”: Your Presence Is Requested at Suvanto by Maile Chapman & The Waves by Virginia Woolf (and I’ve read another three of them, including, recently, Crossing to Safety).
One of several prescriptions for Loneliness: Tales of the City by Armistead Maupin.
The cure for Zestlessness: Ragtime by E. L. Doctorow.
If you have access to one of these, or have a copy of The Novel Cure and are keen on following up on another of the prescriptions, let me know.
And now for two memes that I (think I) have created. Although I’m sure something similar has been done in the past, I couldn’t find any specific blogs about them. I don’t know about you, but I always need encouragement to pick up books from my own shelves – even though libraries are currently closed, I’m still working my way through a library stack, and I’m tempted to make another order of new books from Hungerford Bookshop. It’s great to support libraries and independent bookstores, of course, but there could be no better time to mine your own bookshelves for treasures you bought ages ago but still have never read.
Journey through the Day with Books
I enjoyed picking out 18 books from my shelves that refer to particular times of day or meals or activities associated therewith. Four of these are books I’ve already read and four are ones I’m currently reading. You can piggyback on my selections if you wish, or find your own set.
Here’s my full list:
Zennor in Darkness by Helen Dunmore
Rise and Shine by Anna Quindlen
Up with the Larks by Tessa Hainsworth
Shine Shine Shine by Lydia Netzer
Three-Martini Lunch by Suzanne Rindell
The Shadow of the Sun by Ryszard Kapuściński
Eventide by Kent Haruf
Dinner at the Homesick Restaurant by Anne Tyler
Talk before Sleep by Elizabeth Berg
When the Lights Go Out by Carys Bray
Journey by Moonlight by Antal Szerb
Voyage in the Dark by Jean Rhys
Late Nights on Air by Elizabeth Hay
Sleeping Arrangements by Laura Shaine Cunningham
The House of Sleep by Jonathan Coe
Bodies in Motion and at Rest by Thomas Lynch
Silence by Shūsaku Endō
Arctic Dreams by Barry Lopez
The Four in a Row Challenge
I’ve been contemplating this one for quite a while. It’s inspired by Phyllis Rose’s The Shelf –from LEQ to LES: Adventures in Extreme Reading (one of Simon’s favourite books – see his review), for which she picked a shelf of the New York Society Library, eliminated duplicates and repeat entries from the same author, and read the remainder – whether she’d heard of them or not; whether they were awful or not. (“Hands down the worst book on the shelf is Le Queux’s Three Knots, a mystery that reads as if it were written by an eight-year-old on Percocet.”)
This is a variation in that you’re looking at your own TBR shelves and picking a set of four books in a row. For many, that will be four novels whose authors’ surnames all start with the same letter. But if you organize your books differently (especially within nonfiction), you may find that the set of four is more arbitrary. You never know what they might have in common, though (book serendipity!).
I’m no strict challenge host, so if you want to engineer your shelf order, or if you decide to swap a book in later on, that is no problem at all. My one firm rule is only one book per author.
I’ve picked out a few appealing sets, all from my fiction shelves. F, G, L and M had particularly rich pickings. I’ll report back as I finish each set, while the “Journey through a Day” may well take me the whole rest of the year.
Still ongoing (more here): Projects to read as many Bellwether Prize, Wellcome Book Prize and Women’s Prize winners as possible, as well as Wellcome long- and shortlistees.
Can I tempt you to take part in any of these reading projects?
[Journey through the Day: Sunrise in Pieniny, Poland (Pudelek / CC BY-SA (https://creativecommons.org/licenses/by-sa/4.0)) / Sunset (Alvesgaspar / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0))
Four in a Row: Four pelicans in a row (Sheba_Also 43,000 photos / CC BY-SA (https://creativecommons.org/licenses/by-sa/2.0)) / Phone boxes, Market Place, Ripon (Tim Green from Bradford / CC BY (https://creativecommons.org/licenses/by/2.0))]
According to the Sámi reindeer herders, there are actually eight seasons; we’d now be in “Spring-summer” (gidágiesse), which runs from May to June.
In recent weeks I’ve read some more books that engage with the spring and/or its metaphors of planting and resurrection. (The first installment was here.) Two fiction and two nonfiction selections this time.
The White Garden: A Novel of Virginia Woolf by Stephanie Barron (2009)
Barron is best known for her Jane Austen Mysteries series. Here she takes up the relationship between Virginia Woolf and Vita Sackville-West and crafts a conspiracy theory / alternative history in which Virginia did not commit suicide upon her disappearance in March 1941 but hid with Vita at Sissinghurst, her Kent home with the famous gardens. Investigating this in the autumn of 2008 are Jo Bellamy, an American garden designer who has been tasked with recreating Sackville-West’s famous White Garden at her wealthy client’s upstate New York estate, and Peter Llewelyn, a Sotheby’s employee who helps Jo authenticate a journal she finds hidden in a gardener’s shed at Sissinghurst.
Jo has a secret connection: her grandfather, Jock, who recently committed suicide, was a gardener here at the time of Woolf’s visit, and she believes the notebook may shed light on Virginia’s true fate and what led Jock to kill himself. Romantic complications ensue. This is fun escapism for Americans after an armchair trip to England (including Oxford and Cambridge for research), but so obviously written by an outsider. I had to correct what felt like dozens of errors (e.g. the indoor smoking ban came into effect in July 2007, so the hotel dining room wouldn’t have been filled with cigarette smoke; “pulling a few” is not slang for having a few drinks – rather, “pulling” has the connotation of making a romantic conquest).
I’ve visited Sissinghurst and Knole and had enough of an interest in the historical figures involved to keep me going through a slightly silly, frothy novel.
Greenery: Journeys in Springtime by Tim Dee (2020)
From the Cape of Good Hope to the Arctic Circle, Dee tracks the spring as it travels north. From first glimpse to last gasp, moving between his homes in two hemispheres, he makes the season last nearly half the year. His harbingers are chiefly migrating birds – starting with swallows. Here’s how he states his aim:
Knowing those annually recurring gifts of nature, and registering them alongside our own one-way journey through life, why not try to travel with the season and be in springtime for as long as possible, why not try to start where the season starts, and then to keep up with it, in step, walking a moving green room, travelling under the sun, like swallows out of Africa?
Starting in February in the Sahara Desert, he sees an abundance of the songbirds and raptors he’s used to finding in Europe, as well as more exotic species endemic to Africa. Any fear that this will turn out to be some plodding ‘I went here and saw this, then there and saw that’ nature/travel narrative dissipates instantly; although the book has a strong geographical and chronological through line, it flits between times and places as effortlessly as any bird, with the poetic quality of Dee’s observations lifting mundane moments into sharp focus. For instance, at their Ethiopian hotel, a wedding photography mecca, “a waiting wedding dress collapsed on a black cane chair, like an ostrich suicide.” A nightjar startled in the New Forest is “a bandaged balsa-wood model: a great moth’s head with the wings of a dark dragonfly.”
Dee’s wanderings take him from Scandinavia to central Europe and back. Wherever he happens to be, he is fully present, alive to a place and to all its echoes in memory and literature. He recalls a lonely year spent in Budapest studying Hungarian poetry in the 1980s, and how the sight and sound of birds like black woodpeckers and eagle owls revived him. Visits to migration hotspots like Gibraltar and Heligoland alternate with everyday jaunts in Ireland or the Bristol and Cambridgeshire environs he knows best.
Each vignette is headed with a place name and latitude, but many are undated, recalling springs from decades past or from the work of admired writers. Some of his walking companions and mentioned friends are celebrated nature or travel writers in their own right (like Julia Blackburn, Mark Cocker, Patrick McGuinness and Adam Nicolson; there’s also his cousin, fiction writer Tessa Hadley), while Samuel Taylor Coleridge, Seamus Heaney, D. H. Lawrence and Gilbert White are some of the book’s presiding spirits.
Greenery is steeped in allusions and profound thinking about deep time and what it means to be alive in an era when nature’s rhythms are becoming distorted. It is so gorgeously literary, so far from nature and travel writing as usual, that it should attract readers who wouldn’t normally dip into those genres. While Dee’s writing reminds me somewhat of Barry Lopez’s, closer comparisons could be made with Helen Macdonald’s H Is for Hawk and Peter Matthiessen’s The Snow Leopard: quest narratives that nestle their nature writing within a substrate of memoir and philosophy. The last few pages, in which Dee, now in his late fifties, loses a close friend (Greg Poole, who painted the book’s cover) and receives a diagnosis of Parkinson’s disease but also learns he is to become a father again, are achingly beautiful.
I find I’ve written more about this book than I intended to in a reviews roundup, but it’s so extraordinary it deserves this much and more. It’s not just one of the few best nonfiction books of the year, but a fresh, masterful model of how to write about nature.
In the Springtime of the Year by Susan Hill (1975)
This is my favorite of the six books I’ve now read by Hill. Early one spring, Ruth Bryce’s husband, Ben, dies in a forestry accident. They had been only married a year and now here she is, aged 20 and a widow. Ben’s little brother, 14-year-old Jo, is a faithful visitor, but after the funeral many simply leave Ruth alone. Ben’s death is a “stone cast into still water,” whose ripples spread out beyond his immediate family.
There is little plot as such, yet this is a lovely, quiet meditation on grief and solitude amid the rhythms of country life. Ruth vacillates between suicidal despair and epiphanies of exaltation at how all of life is connected. Religious imagery coinciding with Easter describes a cycle of death and renewal. Very late on in the book, as winter comes round again, she has the chance to be of help to another local family that has suffered a loss, and to a member of Ben’s remaining family.
It took me two whole springs to read this. For those who think of Hill as a writer of crime novels (the Simon Serrailler series) and compact thrillers (The Woman in Black et al.), this may seem very low on action in comparison, but there is something hypnotic about the oddly punctuated prose and the ebb and flow of emotions.
Plant Dreaming Deep by May Sarton (1968)
This serves as a prelude to the eight journals for which Sarton would become famous. It’s a low-key memoir about setting up home in the tiny town of Nelson, New Hampshire, making a garden and meeting the salt-of-the-earth locals who provided her support system and are immortalized in fictional form in the novel she published two years later, Kinds of Love. At the time of publication, she’d been in Nelson for 10 years; she would live there for 15 years in all, and (after seeing out her days in a rented house by the coast in Maine) be buried there.
Sarton was nearing 50 by the time she bought this, her first home, and for her it represented many things: a retreat from the world; a place for silence and solitude; and somewhere she could bring together the many aspects of herself, even if just by displaying her parents’ furniture, long in storage, and the souvenirs from her travels – “all the threads I hold in my hands have at last been woven together into a whole—the threads of the English and Belgian families from which I spring … the threads of my own wanderings”.
Nelson feels like a place outside of time. It holds annual Town Meetings, as it has for nearly two centuries. Her man-of-all-work, Perley Cole, still cuts the meadow with a scythe. After years of drought, she has to have water-drillers come and find her a new source. An ancient maple tree has to be cut down, reminding her of other deaths close to home. Through it all, her beloved garden is a reminder that new life floods back every year and the routines of hard work will be rewarded.
Some favorite lines:
“Experience is the fuel; I would live my life burning it up as I go along, so that at the end nothing is left unused, so that every piece of it has been consumed in the work.”
“gardening is one of the late joys, for youth is too impatient, too self-absorbed, and usually not rooted deeply enough to create a garden. Gardening is one of the rewards of middle age, when one is ready for an impersonal passion, a passion that demands patience, acute awareness of a world outside oneself, and the power to keep on growing through all the times of drought, through the cold snows, toward those moments of pure joy when all failures are forgotten and the plum tree flowers.”
Note: I discovered I’ve always misunderstood this title, thinking it whimsically imagined a plant having dreams; instead, “plant” is an imperative verb, as in Sarton’s adaptation of Joachim du Bellay: “Happy the man who can long roaming reap, / Like old Ulysses when he shaped his course / Homeward at last toward the native source, / Seasoned and stretched to plant his dreaming deep.” It’s about a place where one can root one’s work and intentions.
Have you been reading anything springlike this year?
I’m continuing a Nonfiction November focus with reviews of two recently (re-)released memoirs about women spending time in the Arctic north of Norway. I enjoy reading about survival in extreme situations – it’s the best kind of armchair traveling because you don’t have to experience the cold and privation for yourself.
A Woman in the Polar Night by Christiane Ritter (1938; English text, 1954)
[Translated by Jane Degras]
In 1934, Ritter, an Austrian painter, joined her husband Hermann for a year in Spitsbergen. He’d participated in a scientific expedition and caught the Arctic bug, it seems, for he stayed on to fish and hunt. They shared a small, remote hut with a Norwegian trapper, Karl. Ritter was utterly unprepared for the daily struggle, having expected a year’s cozy retreat: “I could stay by the warm stove in the hut, knit socks, paint from the window, read thick books in the remote quiet and, not least, sleep to my heart’s content.” Before long she was disabused of her rosy vision. “It’s a ghastly country, I think to myself. Nothing but water, fog, and rain.” The stove failed. Dry goods ran out; they relied on fresh seal meat. Would they get enough vitamins? she worried. Every time Hermann and Karl set off hunting, leaving her alone in the hut, she feared they wouldn’t return. And soon the 132 straight days of darkness set in.
I was fascinated by the details of Ritter’s daily tasks, but also by how her perspective on the landscape changed. No longer a bleak wilderness, it became a tableau of grandeur. “A deep blue-green, the mountains rear up into a turquoise-coloured sky. From the mountaintops broad glaciers glittering in the sun flow down into the fjord.” She thought of the Arctic almost as a site of spiritual pilgrimage, where all that isn’t elemental falls away. “Forgotten are all externals; here everything is concerned with simple being.” The year is as if outside of time: she never reminisces about her life back home, and barely mentions their daughter. By the end you see that the experience has changed her: she’ll never fret over trivial things again. She lived to age 103 (only dying in 2000), so clearly the time in the Arctic did her no harm.
Ritter wrote only this one book. A travel classic, it has never been out of print in German but has been for 50 years in the UK. Pushkin Press is reissuing the English text on the 21st with a foreword by Sara Wheeler, a few period photographs and a hand-drawn map by Neil Gower.
With thanks to Pushkin Press for the free copy for review.
Notes: Michelle Paver drew heavily on this book when creating the setting for Dark Matter. (There’s even a bear post outside the Ritters’ hut.)
I found some photos of the Ritters’ hut here.
(Although I did not plan it this way, this book also ties in with German Literature Month!)
An Ode to Darkness by Sigri Sandberg (2019)
[Translated by Siân Mackie]
Ritter’s book is a jumping-off point for Norwegian journalist Sandberg’s investigation of darkness as both a physical fact and a cultural construct. She travels alone from her home in Oslo to her cabin in the mountains at Finse, 400 miles south of the Arctic Circle. Ninety percent of Norway’s wildlife sleeps through the winter, and she often wishes she could hibernate as well. Although she only commits to five days in the far north compared to Ritter’s year, she experiences the same range of emotions, starting with a primitive fear of nature and the dark.
It is a fundamental truth that darkness does not exist from an astronomical standpoint. Happy fact. I’m willing to accept this. I try to find it comforting, helpful. But I still struggle to completely believe that darkness does not actually exist. Because what does it matter to a small, poorly designed human whether darkness is real or perceived? And what about the black holes in the universe, what about dark matter, what about the night sky and the threats against it, and … and now I’m exhausted. I’m done for the day. I feel so small, and I’m tired of being afraid.
Over the course of the book she talks to scientists about the human need for sleep and sunshine, discusses solitude and dark sky initiatives, and quotes from a number of poets, especially Jon Fosse, “Norway’s greatest writer,” who often employs metaphors of light and dark: “Deep inside me / … it was like the empty darkness was shining”.
In occasional passages labeled “Christiane” Sandberg also recounts fragments of Ritter’s experiences. I read Sandberg’s book first, so these served as a tantalizing introduction to A Woman in the Polar Night. “Is there anywhere as silent as a white winter plateau on a windless day? And how long can anyone spend alone before they start to feel, like Christiane did, as if their very being is disintegrating?”
This is just the sort of wide-ranging nonfiction I love; it intersperses biographical and autobiographical information with scientific and cultural observations.
[Another recent book tries to do a similar thing but is less successful – partially due to the author’s youthful optimism, but also due to the rambly, shallow nature of the writing. (My review will be in the November 29th issue of the Times Literary Supplement.)]
With thanks to Sphere for the free copy for review.
Related reading: This Cold Heaven: Seven Seasons in Greenland by Gretel Ehrlich
Do you like reading about polar exploration, or life’s extremes in general?
This is my second year participating in R.I.P. – Readers Imbibing Peril, now in its 14th year. I assembled a lovely pile of magical or spooky reads to last me through October and noticed they were almost all by women, so I decided to make it an all-female challenge (yes, even with a Dahl title – see below) this year. I’m in the middle of another book and have a few more awaiting me, but with just two weeks left in the month I don’t know if I’ll manage to follow up this post with a Part II. At any rate, these first four were solid selections: classic ghost stories, children’s fantasy, a horror novella about an evil child, and an Arctic chiller.
Fear: Tales of Terror and Suspense (selected by Roald Dahl) (2017)
“Spookiness is, after all, the real purpose of the ghost story. It should give you the creeps and disturb your thoughts.”
I was sent this selection of Dahl-curated ghost stories as part of a book bundle in advance of a blog tour for Roald Dahl Day last year. For now I’ve read just the five stories by women, and will polish off the rest next year.
This collection originated from a television series on ghost stories that Dahl proposed for the American market in 1958 (the pilot was poorly received and it never got made). For his research he read nearly 750 ghost stories and whittled them down to the top 24. Women authors dominated early on in the selection process, but by the end the genders came out nearly even, with 13 men and 11 women. It’s disappointing, then, that only five of the 14 stories included here are by women – one of whom gets two entries, so there’s just four female authors recognized. And this even though Dahl claims that, when it comes to ghost stories, “it is the women who have written some of the very best ones.”
Any road, these are the five stories I read, all of which I found suitably creepy, though the Wharton is overlong. Each one pivots on a moment when the narrator realizes that a character they have been interacting with is actually dead. Even if you’ve seen the twist coming, there’s still a little clench of the heart when you have it confirmed by a third party.
“Harry” and “Christmas Meeting” by Rosemary Timperley: A little girl who survived a murder attempt is reclaimed by her late brother; a woman meets a century-dead author one lonely holiday – I liked that in this one each character penetrates the other’s time period.
“The Corner Shop” by Cynthia Asquith: An inviting antique shop is run by two young women during the day, but by a somber old man in the evenings. He likes to give his customers a good deal to atone for his miserly actions of the past.
“The Telephone” by Mary Treadgold: A man continues communicating with his dead ex-wife via the phone line.
“Afterward” by Edith Wharton: An American couple settles in a home in Dorset, and the husband disappears, after a dodgy business deal, in the company of a mysterious stranger.
A Wizard of Earthsea by Ursula K. Le Guin (1968)
This was my second attempt with the late Le Guin, who would be turning 90 on the 21st; I didn’t get far at all with a buddy read of The Left Hand of Darkness last year. I enjoyed this a fair bit more, perhaps because it’s meant for children – I reckon I would have liked it most when I was ages nine to 11 and obsessed with various series of fantasy novels featuring dragons.
Long before Harry Potter was a glimmer, this was the archetypal story of a boy wizard learning magic at school. Ged meets many cryptic mentors and realizes that naming a thing gives you power over it. In his rivalry with the other boys, he accidentally releases a shadow beast and has to try to gain back control of it. It’s slightly difficult to keep on top of all the names and places (Le Guin created a whole archipelago, which you can see in the opening map) and I found my interest waning after the halfway point, but I did love the scene of Ged fighting with a dragon.
A favorite passage: “But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on the act. … A wizard’s power of Changing and of Summoning can shake the balance of the world.”
The Fifth Child by Doris Lessing (1988)
Shelve this alongside We Need to Talk about Kevin as a book to make you rethink having kids. Harriet and David Lovatt buy a large Victorian house within commuting distance of London and dream of filling it with children – six, eight; however many. Their first four children are all they’d hoped for, if not spaced out as much as they intended. The Lovatts enjoy hosting the extended family at Easter and Christmas and during the summer holidays. Although there are good-natured jokes about the couple’s fertility, everyone enjoys the cozy, bustling atmosphere. “The Lovatts were a happy family. It was what they had chosen and what they deserved.”
[MILD SPOILERS ENSUE]
Everything changes with pregnancy #5, which is different right from the off. This “savage thing inside her” is kicking Harriet black and blue from the inside and grown to full term by eight months. When Ben is born Harriet thinks, “He’s like a troll, or a goblin.” Like a succubus, he sucks her dry, biting her nipples black and blue; he screams and thrashes non-stop; he’s freakishly strong and insatiably hungry. He strangles house pets and eats a raw chicken with his bare hands. Although he learns basic language and social skills from watching his older siblings and mimicking his idols from a motorcycle gang, something in him is not human. Yet Harriet cannot bear to leave Ben to rot in an institution.
At first I wondered if this was a picture of an extremely autistic child, but Lessing makes the supernatural element clear. “We are being punished,” Harriet says to David. “For presuming … we could be happy.” I think I was waiting for a few more horrific moments and a climactic ending, whereas Lessing almost normalizes Ben, making him part of a gang of half-feral youths who rampage around late-1980s Britain (and she took up his story in a sequel, Ben in the World). But I raced through this in just a few days and enjoyed the way dread overlays the fable-like simplicity of the family’s early life.
Dark Matter: A Ghost Story by Michelle Paver (2010)
I read Paver’s Thin Air as part of last year’s R.I.P. challenge and it was very similar: a 1930s setting, an all-male adventure, an extreme climate (in that case: the Himalayas). Most of Dark Matter is presented as a journal written by Jack Miller, a lower-class lad who wanted to become a physicist but had to make a living as a clerk instead. He feels he doesn’t truly belong among the wealthier chaps on this Arctic expedition, but decides this is his big chance and he’s not going to give it up.
Even as the others drop out due to bereavement and illness, he stays the course, continuing to gather meteorological data and radio it back to England from this bleak settlement in the far north of Norway. For weeks his only company is a pack of sled dogs, and his grasp on reality becomes shaky as he begins to be visited by the ghost of a trapper who was tortured to death nearby – “the one who walks again.” Paver’s historical thrillers are extremely readable. I tore through this, yet never really found it scary.
Note: This book is the subject of the Bookshop Band song “Steady On” (video here).
And, alas, three DNFs:
The Wych Elm by Tana French – French writes really fluid prose and inhabits the mind of a young man with admirable imagination. I read the first 100 pages and skimmed another 50 and STILL hadn’t gotten to the main event the blurb heralds: finding a skull in the wych elm in the garden at Ivy House. I kept thinking, “Can we get on with it? Let’s cut to the chase!” I have had French’s work highly recommended so may well try her again.
The Hoarder by Jess Kidd – Things in Jars was terrific; I thought Kidd’s back catalogue couldn’t fail to draw me in. This was entertaining enough that I made it to page 152, if far too similar to Jars (vice versa, really, as this came first; ghosts/saints only the main character sees; a transgender landlady/housekeeper); I then found that picking it back up didn’t appeal at all. Maud Drennan is a carer to a grumpy giant of a man named Cathal Flood whose home is chock-a-block with stuff. What happened to his wife? And to Maud’s sister? Who cares!
The Silent Companions by Laura Purcell – Purcell is now on her third Gothic novel in three years. I had a stab at her first and it was distinctly okay. I read the first 24 pages and skimmed to p. 87. Reminiscent of The Shadow Hour, The Familiars, etc.