I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck.
The following are in roughly chronological order.
- Sufjan Stevens songs are mentioned in What Is a Dog? by Chloe Shaw and After the Storm by Emma Jane Unsworth.
- There’s a character with two different coloured eyes in The Mothers by Brit Bennett and Painting Time by Maylis de Kerangal.
- A description of a bathroom full of moisturizers and other ladylike products in The Mothers by Brit Bennett and The Interior Silence by Sarah Sands.
- A description of having to saw a piece of furniture in half to get it in or out of a room in A Braided Heart by Brenda Miller and After the Storm by Emma Jane Unsworth.
- The main character is named Esther Greenwood in the Charlotte Perkins Gilman short story “The Unnatural Mother” in the anthology Close Company and The Bell Jar by Sylvia Plath. Indeed, it seems Plath may have taken her protagonist’s name from the 1916 story. What a find!
- Reading two memoirs of being in a coma for weeks and on a ventilator, with a letter or letters written by the hospital staff: Many Different Kinds of Love by Michael Rosen and Coma by Zara Slattery.
- Reading two memoirs that mention being in hospital in Brighton: Coma by Zara Slattery and After the Storm by Emma Jane Unsworth.
- Reading two books with a character named Tam(b)lyn: My Cousin Rachel by Daphne du Maurier and Coma by Zara Slattery.
- A character says that they don’t miss a person who’s died so much as they miss the chance to have gotten to know them in Featherhood by Charlie Gilmour and In by Will McPhail.
- A man finds used condoms among his late father’s things in The Invention of Solitude by Paul Auster and Featherhood by Charlie Gilmour.
- An absent husband named David in Open House by Elizabeth Berg and Ruby by Ann Hood.
- The murder of Thomas à Becket featured in Murder in the Cathedral by T.S. Eliot (read in April) and Heavy Time by Sonia Overall (read in June).
- Adrienne Rich is quoted in (M)otherhood by Pragya Agarwal and Heavy Time by Sonia Overall.
- A brother named Danny in Immediate Family by Ashley Nelson Levy and Saint Maybe by Anne Tyler.
- The male lead is a carpenter in Early Morning Riser by Katherine Heiny and Saint Maybe by Anne Tyler.
- An overbearing, argumentative mother who is a notably bad driver in Early Morning Riser by Katherine Heiny and Blue Shoe by Anne Lamott.
- That dumb 1989 movie Look Who’s Talking is mentioned in (M)otherhood by Pragya Agarwal and Early Morning Riser by Katherine Heiny.
- In the same evening, I started two novels that open in 1983, the year of my birth: The Other Black Girl by Zakiya Dalila Harris and Malibu Rising by Taylor Jenkins Reid.
- “Autistic” is used as an unfortunate metaphor for uncontrollable or fearful behavior in Open House by Elizabeth Berg and Blue Shoe by Anne Lamott (from 2000 and 2002, so they’re dated references rather than mean-spirited ones).
- A secondary character mentions a bad experience in a primary school mathematics class as being formative to their later life in Blue Shoe by Anne Lamott and Saint Maybe by Anne Tyler (at least, I think it was in the Tyler; I couldn’t find the incident when I went back to look for it. I hope Liz will set me straight!).
- The panopticon and Foucault are referred to in Great Circle by Maggie Shipstead and I Live a Life Like Yours by Jan Grue. Specifically, Jeremy Bentham’s panopticon is the one mentioned in the Shipstead, and Bentham appears in The Cape Doctor by E.J. Levy.
What’s the weirdest reading coincidence you’ve had lately?
This latest batch of colour-themed summer reads took me from a depleted post-pandemic landscape to the heart of dysfunctional families in Rhode Island and California.
Under the Blue by Oana Aristide (2021)
Fans of Station Eleven, this one’s for you: the best dystopian novel I’ve read since Mandel’s. Aristide started writing this in 2017, and unknowingly predicted a much worse pandemic than Covid-19. In July 2020, Harry, a middle-aged painter inhabiting his late nephew’s apartment in London, finally twigs that something major is going on. He packs his car and heads to his Devon cottage, leaving its address under the door of the cute neighbour he sometimes flirts with. Hot days stack up and his new habits of rationing food and soap are deeply ingrained by the time the gal from #22, Ash – along with her sister, Jessie, a doctor who stocked up on medicine before fleeing her hospital – turn up. They quickly sink into his routines but have a bigger game plan: getting to Uganda, where their mum once worked and where they know they will be out of range of Europe’s at-risk nuclear reactors. An epic road trip ensues.
It gradually becomes clear that Harry, Ash and Jessie are among mere thousands of survivors worldwide, somehow immune to a novel disease that spread like wildfire. There are echoes of Cormac McCarthy’s The Road in the way that they ransack the homes of the dead for supplies, and yet there’s lightness to their journey. Jessie has a sharp sense of humour, provoking much banter, and the places they pass through in France and Italy are gorgeous despite the circumstances. It would be a privilege to wander empty tourist destinations were it not for fear of nuclear winter and not finding sufficient food – and petrol to keep “the Lioness” (the replacement car they steal; it becomes their refuge) going. While the vague sexual tension between Harry and Ash persists, all three bonds are intriguing.
In an alternating storyline starting in 2017, Lisa and Paul, two computer scientists based in a lab at the Arctic Circle, are programming an AI, Talos XI. Based on reams of data on history and human nature, Talos is asked to predict what will happen next. But when it comes to questions like the purpose of art and whether humans are worth saving, the conclusions he comes to aren’t the ones his creators were hoping for. These sections are set out as transcripts of dialogues, and provide a change of pace and perspective. Initially, I was less sure about this strand, worrying that it would resort to that well-worn trope of machines gone bad. Luckily, Aristide avoids sci-fi clichés, and presents a believable vision of life after the collapse of civilization.
The novel is full of memorable lines (“This absurd overkill, this baroque wedding cake of an apocalypse: plague and then nuclear meltdowns”) and scenes, from Harry burying a dead cow to the trio acting out a dinner party – just in case it’s their last. There’s an environmentalist message here, but it’s subtly conveyed via a propulsive cautionary tale that also reminded me of work by Louisa Hall and Maja Lunde. (Public library)
Ruby by Ann Hood (1998)
Olivia had the perfect life: fulfilling, creative work as a milliner; a place in New York City and a bolthole in Rhode Island; a new husband and plans to try for a baby right away. But then, in a fluke accident, David was hit by a car while jogging near their vacation home less than a year into their marriage. As the novel opens, 37-year-old Olivia is trying to formulate a letter to the college girl who struck and killed her husband. She has returned to Rhode Island to get the house ready to sell but changes her mind when a pregnant 15-year-old, Ruby, wanders in one day.
At first, I worried that the setup would be too neat: Olivia wants a baby but didn’t get a chance to have one with David before he died; Ruby didn’t intend to get pregnant and looks forward to getting back her figure and her life of soft drugs and petty crime. And indeed, Olivia suggests an adoption arrangement early on. But the outworkings of the plot are not straightforward, and the characters, both main and secondary (including Olivia’s magazine writer friend, Winnie; David’s friend, Rex; Olivia’s mother and sister; a local lawyer who becomes a love interest), are charming.
It’s a low-key, small-town affair reminiscent of the work of Anne Tyler, and I appreciated how it sensitively explores grief, its effects on the protagonist’s decision-making, and how daunting it is to start over (“The idea of that, of beginning again from nothing, made Olivia feel tired.”). It was also a neat touch that Olivia is the same age as me, so in some ways I could easily imagine myself into her position.
This was the ninth book I’ve read by Hood, an author little known outside of the USA – everything from grief memoirs to a novel about knitting. Ironically, its main themes of adoption and bereavement were to become hallmarks of her later work: she lost her daughter in 2002 and then adopted a little girl from China. (Secondhand purchase, June 2021)
[I’ve read another novel titled Ruby – Cynthia Bond’s from 2014.]
Blue Shoe by Anne Lamott (2002)
I’m a devoted reader of Lamott’s autobiographical essays about faith against the odds (see here), but have been wary of trying her fiction, suspecting I wouldn’t enjoy it as much. Well, it’s true that I prefer her nonfiction on the whole, but this was an enjoyably offbeat novel featuring the kind of frazzled antiheroine who wouldn’t be out of place in Anne Tyler’s work.
Mattie Ryder has left her husband and returned to her Bay Area family home with her young son and daughter. She promptly falls for Daniel, the handyman she hires to exterminate the rats, but he’s married, so she keeps falling into bed with her ex, Nicky, even after he acquires a new wife and baby. Her mother, Isa, is drifting ever further into dementia. A blue rubber shoe that Mattie finds serves as a totem of her late father – and his secret life. She takes a gamble that telling the truth, no matter what the circumstances, will see her right.
As in Ruby, I found the protagonist relatable and the ensemble cast of supporting characters amusing. Lamott crafts some memorable potted descriptions: “She was Jewish, expansive and yeasty and uncontained, as if she had a birthright for outrageousness” and “He seemed so constrained, so neatly trimmed, someone who’d been doing topiary with his soul all his life.” She turns a good phrase, and adopts the same self-deprecating attitude towards Mattie that she has towards herself in her memoirs: “She usually hoped to look more like Myrna Loy than an organ grinder’s monkey when a man finally proclaimed his adoration.”
At a certain point – maybe two-thirds of the way through – my inward reply to a lot of the novel’s threads was “okay, I get it; can we move on?” Yes, the situation with Isa is awful; yes, something’s gotta give with Daniel and his wife; yes, the revelations about her father seem unbearable. But with a four-year time span, it felt like Mattie was stuck in the middle for far too long. It’s also curious that she doesn’t apply her zany faith (a replica of Lamott’s) to questions of sexual morality – though that’s true of more liberal Christian approaches. All in all, I had some trouble valuing this as a novel because of how much I know about Lamott’s life and how closely I saw the storyline replicating her family dynamic. (Secondhand purchase, c. 2006 – I found a signed hardback in a library book sale back in my U.S. hometown for $1.)
Hmm, altogether too much blue in my selections thus far (4 out of 8!). I’ll have to try to come up with some more interesting colours for my upcoming choices.
Next books in progress: The Other’s Gold by Elizabeth Ames and God Is Not a White Man by Chine McDonald.
Read any of these? Interested?
We’ve been back from our European trip for over a week already, but I haven’t been up to writing until now. Partially this is because I’ve had a mild stomach bug that has left me feeling yucky and like I don’t want to spend any more time at a computer than is absolutely necessary for my work; partially it’s because I’ve just been a bit blue. Granted, it’s nice to be back where all the signs and announcements are in English and I don’t have to worry about making myself understood. Still, gloom over Brexit has combined with the usual letdown of coming back from an amazing vacation and resuming normal life to make this a ho-hum sort of week. Nonetheless, I want to get back into the rhythm of blogging and give a quick rundown of the books I read while I was away.
But first, some of the highlights of the trip:
- the grand architecture of the center of Brussels; live jazz emanating from a side street café
- cycling to the zoo in Freiburg with our friends and their kids
- ascending into the mountains by cable car and then on foot to circle Switzerland’s Lake Oeschinensee
- traipsing through meadows of Alpine flowers
- exploring the Engadine Valley of southeast Switzerland, an off-the-beaten track, Romansh-speaking area where the stone buildings are covered in engravings, paintings and sayings
- our one big splurge of the trip (Switzerland is ridiculously expensive; we had to live off of supermarket food): a Swiss dessert buffet followed by a horse carriage ride
- spotting ibex and chamois at Oeschinensee and marmots in the Swiss National Park
- miming “The Hills Are Alive” in fields near our accommodation in Austria (very close to where scenes from The Sound of Music were filmed)
- the sun coming out for our afternoon in Salzburg
- daily coffee and cake in Austrian coffeehouses
- riding the underground and trams of Vienna’s public transport network
- finding famous musicians’ graves in Vienna’s Zentralfriedhof cemetery
- discovering tasty vegan food at a hole-in-the-wall Chinese restaurant in Vienna that makes its own noodles
- going to Slovakia for the afternoon on a whim (its capital, Bratislava, is only 1 hour from Vienna by train – why not?!)
We went to such a variety of places and had so many different experiences. Weather and language were hugely variable, too: it rained nine days in a row; some mornings in Switzerland I wore my winter coat and hat; in Bratislava it was 95 °F. Even in the ostensibly German-speaking countries of the trip, we found that greetings and farewells changed everywhere we went (doubly true in the Romansh-speaking Engadine). Most of the time we had no idea what shopkeepers were saying to us. Just smile and nod. It was more difficult at the farm where we stayed in Austria. Thanks to Google Translate, we had no idea that the owner spoke no English; her e-mails were all in unusual but serviceable English. We speak virtually no German, so fellow farm guests, including a Dutch couple, had to translate between us. (The rest of Europe puts us to shame with their knowledge of languages!)
Train travel was, for the most part, easy and stress-free. Especially enjoyable were the small lines through the Engadine, which include the highest regular-service station in Europe (Ospizia Bernina, where we found fresh snowfall). The little town where we stayed in an Airbnb cabin, Lavin, was a request stop on the line, meaning you always had to press a button to get the train to stop and then walk across the tracks (!) to board. Contrary to expectations, we found that nearly all of our European trains were running late. However, they were noticeably more comfortable than British trains, especially the German ones. Thanks to train rides of an hour or more on most days, I ended up getting a ton of reading done.
On the journey out I finished The Accidental Tourist by Anne Tyler. This is the first “classic” Tyler I’ve read, after her three most recent novels, and although I kept being plagued by odd feelings of ‘reverse déjà vu’, I really enjoyed it. This story of staid, reluctant traveler Macon Leary and how his life is turned upside down by a flighty dog trainer is all about the patterns of behavior we get stuck in. Tyler suggests that occasionally journeying into someone else’s unpredictable life might change ours for the good.
Diary of a Pilgrimage by Jerome K. Jerome was just what I expected: a very silly book about the travails of international travel. It’s much more about the luckless journey and the endurance of national stereotypes than it is about the Passion Play the travelers see once they get to Germany. It was amusing to see the ways in which some things have hardly changed in 125 years.
A Whole Life by Robert Seethaler, a novella set in the Austrian Alps, is the story of Andreas Egger – at various times a farmer, a prisoner of war, and a tourist guide. Various things happen to him, most of them bad. I have trouble pinpointing why Stoner is a masterpiece whereas this is just kind of boring. There’s a great avalanche scene, though.
The Book that Matters Most by Ann Hood releases on August 9th. A new book club helps Ava cope with her divorce, her daughter Maggie’s rebelliousness, and tragic events from her past. Each month one club member picks the book that has mattered most to them in life. I thought the choices were all pretty clichéd and Ava was unrealistically passive. Although what happens to her in Paris is rather melodramatic, I most enjoyed Maggie’s sections.
Me and Kaminski was my second novel from Daniel Kehlmann. Know-nothing art critic Sebastian Zöllner interviews reclusive artist Manuel Kaminski and then accompanies the older man on a road trip to find his lost sweetheart. Zöllner is an amusingly odious narrator, but I found the plot a bit thin. This is a rare case where I would argue the book needs to be 100 pages longer.
About midway through the trip I finished another I’d started earlier in the month, This Is Where You Belong by Melody Warnick. The average American moves 11.7 times in their life. I’m long past that already. The book collects an interesting set of ideas about how to feel at home wherever you are: things like learning the place on foot, shopping and eating locally, and getting to know your neighbors. I am bad about integrating into a new community every time we move, so I picked up some good tips. Warnick uses examples from all over (though mostly U.S. locations), but also makes it specific to her home of Blacksburg, Virginia.
“A cabinet of fantasies, a source of knowledge, a collection of lore from past and present, a place to dream… A bookshop can be so many things.” In A Very Special Year by Thomas Montasser, Valerie takes over Ringelnatz & Co. bookshop when the owner, her Aunt Charlotte, disappears. She has the entrepreneurial skills to run a business and gradually develops a love of books, too. The title book is a magical tome with blank pages that reveal the reader’s destination when the time is right. Twee but enjoyable; a quick read.
Eleven Hours by Pamela Erens is a taut thriller set during one woman’s experience of childbirth in New York City in 2004. Flashbacks to how the patient and her Caribbean nurse got where they are now add emotional depth. Another very quick read.
Burning Secret by Stefan Zweig is a psychologically astute novella in which a 12-year-old tries to interpret what’s happening between his mother and a fellow hotel guest, a baron he looks up to. For this naïve boy, many things come as a shock, including the threat of sex and the possibility of deception. This reminded me most of Thomas Mann’s Death in Venice. (On a hill above Salzburg we discovered a strange disembodied bust of Stefan Zweig, along with a plaque and a road sign.)
Playing Dead by Elizabeth Greenwood (releases August 9th) was great fun. Thinking of the six-figure education debt weighing on her shoulders, she surveys various cases of people who faked their own death or simply tried to disappear. Death fraud/“pseudocide” is not as easy to get away with as you might think. Fake drownings are especially suspect. I found most ironic the case of a man who lived successfully for 20 years under an assumed name but was caught when police stopped him for having a license plate light out. I particularly liked the chapter in which Greenwood travels to the Philippines, a great place to fake your death, and comes back with a copy of her own death certificate.
Miss Jane by Brad Watson (releases July 12th) is a historical novel loosely based on the story of the author’s great-aunt. Born in Mississippi in 1915, she had malformed genitals, which led to lifelong incontinence. Jane is a wonderfully plucky protagonist, and her friendship with her doctor, Ed Thompson, is particularly touching. “You would not think someone so afflicted would or could be cheerful, not prone to melancholy or the miseries.” This reminded me most of What Is Visible by Kimberly Elkins, an excellent novel about living a full life and finding romance in spite of disability.
I also left two novels unfinished (that’ll be for another post) and made progress in two other nonfiction titles. All in all, a great set of reading!
I’m supposed to be making my way through just the books we already own for the rest of the summer, but when I got back of course I couldn’t resist volunteering for a few new books available through Nudge and The Bookbag. Apart from a few blog reviews I’m bound to, my summer plan will be to give the occasional quick roundup of what I’ve read of late.
What have you been reading recently?
In June my husband and I will be off to Europe for two weeks of train travel, making stops in Brussels, Freiburg (Germany), two towns in Switzerland and another two in Austria. I like picking appropriate reading material for my vacations whenever possible (even though I’ll never forget Jan Morris’s account of reading the works of Jane Austen on a houseboat in Sri Lanka – a case of the context being so wrong it’s right), so I’ve been thinking about what to take with me and what to read ahead of time.
Back in October I picked up a lovely little secondhand hardback of Jerome K. Jerome’s Diary of a Pilgrimage for £1. Given that it’s a novel about a journey by train and boat from England to Germany to see the Oberammergau Passion Play and that Jerome is a safe bet for a funny read, this one is definitely going in my luggage. I also plan to take along a library paperback of A Whole Life by Robert Seethaler, a novella set in the Austrian Alps at the time of the Second World War.
Last year I discovered Austrian writer Daniel Kehlmann through the brilliant F: A Novel, and now have two more of his waiting: Me and Kaminski and Measuring the World, which sound completely different from each other but equally appealing (see Naomi’s review of the latter). What I might do is read one just before the trip and the other soon after we get back.
There are a few thin classics I have on my shelves and might be tempted to slip into a backpack, but for the most part I’ll plan to save space by taking a well-loaded Kindle. (It currently houses 300 books, so there’s no risk of running out of reading material!) I think I’ll treat myself to a few July/August books from my priority advanced reads list, like (fiction) The Hemingway Thief by Shaun Harris and The Book that Matters Most by Ann Hood, and (nonfiction) Playing Dead by Elizabeth Greenwood and On Trails by Robert Moor.
Once we get back to England, my self-imposed restriction for the rest of the summer will be reading only my own books. That means no library books, NetGalley/Edelweiss ARCs, or unpaid review books. This should work out well because it looks like we’ll be moving on August 18th, so I’ll be able to cull some books after reading them to reduce the packing load.
In any case, it will be a good chance to reassess my collection and get through some doorstoppers like A Suitable Boy, City on Fire, and This Thing of Darkness. During moving week itself I may have to stick to Kindle books while the print ones are inaccessible, but then as I rediscover them through unpacking I can try to push myself through a few more.
What are your summer and/or vacation reading strategies?