Tag Archives: Andrew Holgate

Young Writer of the Year Award 2021 Shortlist: Reactions and Prediction

Being on the shadow panel for the Sunday Times Young Writer of the Year Award was a bookish highlight of 2017 for me and, looking back, still one of the best things I’ve achieved in my time as a book blogger. Each year I eagerly keep an eye out for the award shortlist to see how many I’ve read and who I think the judges will choose as the winner. The prize has a higher profile and cash fund this year thanks to new sponsorship from the Charlotte Aitken Trust and partnership with Waterstones.

Last May I started a list of books and authors I expected would be eligible, and continued updating it throughout the year. I was certainly expecting Open Water to make the cut, but I had a lot of other wishes that didn’t come true, particularly Charlie Gilmour for Featherhood, Daisy Johnson for Sisters, Will McPhail for In, Merlin Sheldrake for Entangled Life, and Eley Williams for The Liar’s Dictionary.

Yesterday the five nominees – three debut novels, one work of nonfiction, and one poetry collection – were announced in the Sunday Times and on the website. I happen to have already read three of them. I was vaguely interested in Megan Nolan’s novel already so will get it out from the library to read soon; I had not heard of Anna Beecher’s at all but would be willing to read a review copy if one came my way.

 

Here Comes the Miracle by Anna Beecher: Sounds potentially mawkish in a Jodi Picoult or Sarah Winman way. Publisher’s blurb: “It begins with a miracle: a baby born too small and too early, but defiantly alive. This is Joe. Decades before, another miracle. In a patch of nettle-infested wilderness, a seventeen-year-old boy falls in love with his best friend, Jack. This is Edward. Joe gains a sister, Emily. From the outset, her life is framed by his. She watches him grow into a young man who plays the violin magnificently and longs for a boyfriend. A young man who is ready to begin. Edward, after being separated from Jack, builds a life with Eleanor. They start a family and he finds himself a grandfather to Joe and Emily. When Joe is diagnosed with stage 4 cancer, Emily and the rest of the family are left waiting for a miracle.”

 

Islands of Abandonment by Cal Flyn: One of my top nonfiction books of 2021, but I’ll confess I hadn’t realized Flyn was eligible. (Now that I’m, ahem, a few years past the cutoff age myself, I can find it difficult to gauge the difference between early 30s and late 30s in appearance.) Flyn travels to neglected and derelict places, looking for the traces of human impact and noting how landscapes restore themselves – how life goes on without us. Places like a wasteland where there was once mining, nuclear exclusion zones, the depopulated city of Detroit, and areas that have been altered by natural disasters and conflict. The writing is literary and evocative, at times reminiscent of Peter Matthiessen’s. It’s a nature/travel book with a difference, and the poetic eye helps you to see things anew.

 

My Darling from the Lions by Rachel Long: I read this when it was shortlisted for last year’s Costa Awards and reviewed it when it was shortlisted for the Folio Prize. It’s had a lot of critical attention now, but wasn’t my cup of tea. Race, sex, and religion come into play, but the focus is on memories of coming of age, with the voice sometimes a girl’s and sometimes a grown woman’s. Her course veers between innocence and hazard. She must make her way beyond the world’s either/or distinctions and figure out how to be multiple people at once (biracial, bisexual). Her Black mother is a forceful presence; “Red Hoover” is a funny account of trying to date a Nigerian man to please her mother. Much of the rest of the book failed to click with me, but the experience of poetry is so subjective that I find it hard to give any specific reasons why that’s the case.

 

Open Water by Caleb Azumah Nelson: I always enjoy the use of second person narration. It works pretty well in this love story between two young Black British people in South London. The title is a metaphor for the possibilities and fear of intimacy. The protagonist, a photographer, doesn’t know what to do with his anger about how young Black men are treated. I felt Nelson was a little heavy-handed in his treatment of this theme, though I did love that the pivotal scene is set in a barbershop, a place where men reveal more of themselves than usual – I was reminded of a terrific play I saw a few years ago, Barber Shop Chronicles. Ultimately, I wasn’t convinced that fiction was the right vehicle for this story, especially with all the references to other authors, from Hanif Abdurraqib to Zadie Smith (NW, in particular); I think a memoir with cultural criticism was what Nelson really intended. I’ll keep an eye out for him, though – with his next book he might truly find his voice.

 

Acts of Desperation by Megan Nolan: Another debut from an Irish writer – heir to Sally Rooney? Publisher’s blurb: “In the first scene of this provocative gut-punch of a novel, our unnamed narrator meets a magnetic writer named Ciaran and falls, against her better judgment, completely in his power. After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. … Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it?”


You can read more about these books and the judges’ reactions to them on the website. This year’s judges are authors Tahmima Anam, Sarah Moss, and Andrew O’Hagan; critic Claire Lowdon; and creative writing teacher Gonzalo C. Garcia. The chair, as always, is Sunday Times literary editor Andrew Holgate.

 

Reasoning and Prediction

  • Poetry has won the last two years in a row.
  • Nelson has just won the Costa First Novel Award (though the judges chose Raymond Antrobus, at that time already a recipient of multiple major awards).
  • We haven’t had a female winner since 2017, so it’s past time.
  • We haven’t had a nonfiction winner since Adam Weymouth in 2018 for Kings of the Yukon.

So, I’d love for Cal Flyn to win for the excellent and timely Islands of Abandonment. She’s had a few nominations (the Baillie Gifford Prize, the Saltire Award, the Wainwright Prize) but not won anything, and richly deserves to.

I haven’t heard yet if there will be a shadow panel this year. Anyone got any intel on this? If it goes ahead in person this year, I’ll hope to attend the awards ceremony in London on 24 February. In any case, I’ll be looking out for the winner announcement.

Have you read anything from this year’s shortlist?

Booker and Young Writer Ceremonies & Tracy Chevalier Book Club

This year I correctly predicted Shuggie Bain by Douglas Stuart and Surge by Jay Bernard as the winners of the Booker Prize and the Sunday Times Young Writer of the Year Award, respectively. Patting myself on the back!

(Earlier in the year, I had a feeling Maggie O’Farrell would win the Women’s Prize, but wasn’t confident enough to single her out; and I got the Wainwright Prizes all wrong.)


I watched both the Booker Prize (live) and Young Writer of the Year Award (pre-recorded) ceremonies online; not having to secure an invitation or pay £30 for the train into London has been an ongoing bonus of pandemic arrangements.

The Booker ceremony was nicely tailored to viewers at home, incorporating brief, informal pre-recorded interviews with each nominated author and a video chat between last year’s winners, Margaret Atwood and Bernardine Evaristo. When Evaristo asked Atwood about the difference between winning the Booker in 2019 versus in 2000, she replied, deadpan, “I was older.” I especially liked the short monologues that well-known UK actors performed from each shortlisted book. Only a few people – the presenter, Evaristo, chair of judges and publisher Margaret Busby, and a string quartet – appeared in the studio, while all the other participants beamed in from other times and places. Stuart is only the second Scottish winner of the Booker, and seemed genuinely touched for this recognition of his tribute to his mother.


I’ve attended the Young Writer ceremony at the London Library twice: in 2017, when I was on the shadow panel, and again last year. It was a shame not to be able to meet up with fellow bloggers and the shortlisted authors, but I appreciated hearing the judges’ thoughts on each nominee. Tessa Hadley said the whole shortlist was “so full of young energy.” Kit de Waal called Catherine Cho’s Inferno “an absolute page-turner.” All the judges remarked at how funny, cutting and original Naoise Dolan’s Exciting Times is. Critic Houman Barekat referred to Seán Hewitt’s Tongues of Fire as “unabashedly earnest.” Hadley said Marina Kemp’s Nightingale is just the kind of novel she loves, a “delicate, full notation,” and Barekat observed that it is a timely reminder of the value of care work.

It was clear that, for the judges, all five books were terrifically accomplished and would be worthy winners. Still, the unanimous decision was in favor of Surge, which Sunday Times literary editor Andrew Holgate said is “remarkable for its passionate engagement and diversity of voices.” Bernard read “Hiss” (also up on the Granta website) and said that “poems can take on another life” through performance and short films, so the poet can’t predict whether they will stay in poetry or branch out into other genres.


Back on 18 November, I attended another online event to which I’d gotten a last-minute invitation: a “book club” featuring Tracy Chevalier in conversation with her literary agent, Jonny Geller, on Girl with a Pearl Earring at 20 and her new novel, A Single Thread. In 1996 she sent Geller a letter asking if he’d read Virgin Blue, which she’d written for the MA at the University of East Anglia – the only UK Creative Writing course out there at the time. After VB, she started a contemporary novel set at Highgate Cemetery, where she was a tour guide. It was to be called Live a Little (since a Howard Jacobson title). But shortly thereafter, she was lying in bed one day, looking at a Vermeer print on the wall, and asked herself what the look on the girl’s face meant and who she was. She sent Geller one page of thoughts and he immediately told her to stick Live a Little in a drawer and focus on the Vermeer idea.

Intriguingly, Chevalier stated that the deadline of her pregnancy determined the form of Girl with a Pearl Earring: she knew she had to keep things simple, with a linear narrative, one point of view, and spare prose. While the novel had a quiet publication in August 1999, a good review from Deborah Moggach helped, and it became a “word of mouth success,” never hitting #1 but selling continuously. Chevalier believes this was due to a rare coming together of story and writing; sometimes good stories are hampered by mediocre writing, or vice versa. She and Geller discussed the strange coincidence of two other Vermeer novels coming out at the same time (e.g. Girl in Hyacinth Blue by Susan Vreeland); she had the good luck of being the victor. The film version is “lovely,” she said. Geller has never forgotten Scarlett Johansson, who turned 18 on set, leaving her gum in during a cast supper of spaghetti.

Chevalier’s actual Highgate novel, Falling Angels, didn’t borrow at all from her contemporary-set draft as it was set in 1900. Incorporating suffragette history, it felt like an untold story ripe for the plucking. Falling Angels has long been the one I consider my favorite Chevalier – as of last month, when we did The Last Runaway in book club, I’ve read all her work – but after this event I’m eager to reread it and GwaPE to see what I think.

Lastly, Chevalier and Geller talked about her new novel, A Single Thread, which was conceived before Trump and Brexit but had its central themes reinforced by the constant references back to 1930s fascism during the Trump presidency. She showed off the needlepoint spectacles case she’d embroidered for the novel. This wasn’t the first time she’d taken up a craft featured in her fiction: for The Last Runaway she learned to quilt, and indeed still quilts today. Geller likened her to a “method actor,” and jokingly fretted that they’ll lose her to one of these hobbies one day. Chevalier’s work in progress features Venetian glass. I’m already looking forward to it.

Like me, she moved to England from the Washington, D.C. area and has never lost the ‘accent’, so I feel like she’s a kindred spirit.

Bookish online events coming up soon: Penguin book quiz, followed by book club holiday social (a Zoom meeting with glasses of wine in hand!), on the 15th

Have you taken advantage of any online literary events recently?

Young Writer of the Year Award Ceremony

It was great to be back at the London Library for last night’s Young Writer of the Year Award prize-giving ceremony. I got to meet Anne Cater (Random Things through my Letterbox) from the shadow panel, who’s coordinated a few blog tours I’ve participated in, as well as Ova Ceren (Excuse My Reading). It was also good to see shadow panelist Linda (Linda’s Book Bag) again and hang out with Clare (A Little Blog of Books), also on the shadow panel in my year, and Eric (Lonesome Reader), who seems to get around to every London literary event.

In case you haven’t heard, the shadow panel chose Salt Slow by Julia Armfield as their very deserving winner, but the official winner was Raymond Antrobus for his poetry collection The Perseverance. In all honesty, I’d given no thought to the possibility of it winning, mostly because Antrobus has already won several major prizes for the book, including this year’s £30,000 Rathbones Folio Prize (I reviewed it for the Prize’s blog tour). Now, there’s no rule saying you can’t win multiple prizes for the same book, but what struck me strangely about this case is that Kate Clanchy was a judge for both the Folio Prize and the Young Writer Award.

Antrobus seemed genuinely taken aback by his win and gave a very gracious speech in which he said that he looked forward to all the shortlistees contributing to the canon of English literature. He was quickly whisked away for a photo shoot, so I didn’t get a chance to congratulate him or have my book signed, but I did get to meet Julia Armfield and Yara Rodrigues Fowler and get their autographs.

Some interesting statistics for you: in three of the past four years the shadow panel has chosen a short story collection as its winner (and they say no one likes short stories these days!). In none of those four years did the shadow panel correctly predict the official winner – so, gosh, is it the kiss of death to be the shadow panel winner?!

In the official press release, chair of judges and Sunday Times literary editor Andrew Holgate writes that The Perseverance is “both very personal and immensely resonant. The result is a memoir in verse very, very affecting and fresh.” Poet Kate Clanchy adds, “we wanted to find a writer who both speaks for now and who we were confident would continue to produce valuable, central work. … it was the humanity of the book, its tempered kindness, and the commitment not just to recognising difference but to the difficult act of forgiveness that made us confident we had found a winner for this extraordinary year.”

Also present at the ceremony were Sarah Moss (who teaches at the University of Warwick, the Award’s new co-sponsor) and Katya Taylor. I could have sworn I spotted Deborah Levy, too, but after conferring with other book bloggers we decided it was just someone who looked a lot like her.

In any event, it was lovely to see London all lit up with Christmas lights and to spend a couple of hours celebrating up-and-coming writing talent. (And I just managed to catch the last train home and avoid a rail replacement bus nightmare.)

Looking forward to next year already!

Young Writer of the Year Award Ceremony

Yesterday evening all of us on the Sunday Times / Peters Fraser + Dunlop Young Writer of the Year Award shadow panel met up again for the official prize-giving ceremony at the London Library.

My train arrived late and then I got lost, twice (I don’t own a smartphone and hadn’t brought a map – foolish!), so I walked through the door just moments before the prize announcement, but as that was the most important part of the event it didn’t matter in the end. If you haven’t already heard, the prize went to Sally Rooney for Conversations with Friends. She’s the first Irish winner and the joint youngest along with Zadie Smith.

This did not really come as a surprise to the shadow panel, even though we unanimously chose Julianne Pachico’s The Lucky Ones as our winner.

Julianne Pachico is third from left.

Three of us had chosen Rooney’s novel as our runner-up, and when I saw it appear in the Times’ Books of the Year feature, I thought to myself that this was probably a clue. In the official press release, judge and Sunday Times literary editor Andrew Holgate writes, “for line by line quality, emotional complexity, sly sophistication and sheer brio and enjoyment, Sally Rooney’s Conversations with Friends really stood out.”

Judge Elif Shafak states, “I salute Rooney’s intelligent prose, lucid style, and fierce intensity.” Judge Lucy Hughes-Hallett says, “This book stood out for its glittering intelligence, its formal elegance and its capacity to grip the reader. At first reading I was looking forward to bus journeys so that I could read some more. Second time round I was still delighted by the sophistication of its erotic quadrille.”

Being a part of the shadow panel was a wonderful experience and one of the highlights of my literary year.

Sunday Times Young Writer of the Year Award shadow panel

I’m delighted to announce that I’ve been invited to be on the official shadow panel for the Sunday Times / Peters Fraser + Dunlop Young Writer of the Year Award, in association with The University of Warwick (to give it its full and proper title). Here’s a bit of background on the prize, from its website:

The prize “is awarded annually to the best work of published or self-published fiction, non-fiction or poetry by a British or Irish author aged between 18 and 35, and has gained attention and acclaim across the publishing industry and press. £5,000 is given to the overall winner and £500 to each of the three runners-up.

“Since it began in 1991, the award has had a striking impact, boasting a stellar list of alumni that have gone on to become leading lights of contemporary literature.  The 2016 Award was presented to Max Porter for his extraordinary debut, Grief Is the Thing with Feathers. Following a five-year break, the prestigious award returned with a bang in 2015, awarding debut poet Sarah Howe the top prize for her phenomenal first collection, Loop of Jade.

Past winners include Ross Raisin, Adam Foulds, Naomi Alderman, Robert Macfarlane, William Fiennes, Zadie Smith, Sarah Waters, Francis Spufford, Simon Armitage and Helen Simpson.

This year’s official judging panel is made up of Andrew Holgate, literary editor of the Sunday Times, and writers Lucy Hughes-Hallett and Elif Shafak.

I’m joined on the shadow panel by four other book bloggers, several of whom you will recognize as long-time friends of this blog:

 

Here are some key upcoming dates:

  • Sunday October 29th: shortlist announced in Sunday Times
  • November 18th: book bloggers event with readings from the shortlisted authors (Groucho Club, London)
  • November 27th: deadline for shadow panel winner decision
  • November 29th: shadow panel winner announced on STPFD website
  • December 3rd: shadow panel winner announced in Sunday Times
  • December 7th: prize-giving ceremony and winner announcement (London Library)

 

I’m so looking forward to getting stuck into the shortlisted books and discussing them! I’ll be posting a review of each one in November.