Summer 2021 Reading, Part II & Transitioning into Autumn
In the past couple of weeks, we’ve taken advantage of the last gasp of summer with some rare chances at socializing, outdoors and in. Our closest friends came to visit us last weekend and accompanied us to a beer festival held in a local field, and this weekend we’ve celebrated birthdays with a formal-wear party at a local arts venue and a low-key family meal.
After my first installment of summer reads, I’ve also finished Klara and the Sun (a bust with me, alas) and the three below: a wildlife photographer’s memoir of lockdown summer spent filming in the New Forest, a record of searching for the summer’s remnants of snow in the Highlands, and an obscure 1950s novel about the psychological connections between four characters in one Irish summer. I close with a summer-into-autumn children’s book.
Goshawk Summer: A New Forest Season Unlike Any Other by James Aldred (2021)
My second nature book about the New Forest this year (after The Circling Sky by Neil Ansell) has only sharpened my hankering to get back there and have a good wander after many years away. In March 2020, Aldred had recently returned from filming cheetahs in Kenya when the UK went into its first national lockdown. He had the good fortune to obtain authorization from Forestry England that allowed him to travel regularly from his home in Somerset to the New Forest to gather footage for a documentary for the Smithsonian channel.
Zooming up on empty roads and staying in local cottages so he can start at 4 each morning, he marvels at the peace of a place when humans are taken out of the equation. His diary chronicles a few months of extraordinary wildlife encounters – not only with the goshawks across from whose nest he built a special treetop platform, but also with dragonflies, fox cubs, and rare birds like cuckoo and Dartford warbler. The descriptions of animal behaviour are superb, and the tone is well balanced: alongside the delight of nature watching is anger at human exploitation of the area after the reopening and despair at seemingly intractable declines – of 46 curlew pairs in the Forest, only three chicks survived that summer.
Despite the woe at nest failures and needless roadkill, Aldred is optimistic – in a similar way to Ansell – that sites like the New Forest can be a model of how light-handed management might allow animals to flourish. “I believe that a little space goes a long way and sometimes all we really need to do is take a step back to let nature do its thing. … It is nature’s ability to help itself, to survive in spite of us in fact, that give me tentative hope”. (Unsolicited review copy) 
With thanks to Elliott & Thompson for the free copy.
Among the Summer Snows by Christopher Nicholson (2017)
After the death from cancer of his wife Kitty, a botanical illustrator, Nicholson set off for Scotland’s Cairngorms and Ben Nevis in search of patches of snow that persist into summer. “Summer snow is a miracle, a piece of out-of-season magic: to see it is one thing, to make physical contact with it is another.” His account of his travels washed over me, leaving little impression. I appreciated the accompanying colour photographs, as the landscape is otherwise somewhat difficult to picture, but even in these it is often hard to get a sense of scale. I think I expected more philosophical reflection in the vein of The Snow Leopard, and, while Nicholson does express anxiety over what happens if one day the summer snows are no more, I found the books on snow by Charlie English and Marcus Sedgwick more varied and profound. (Secondhand, gifted) 
A Shower of Summer Days by May Sarton (1952)
Although I’m more a fan of Sarton’s autobiographical material, especially her journals, I’ve also enjoyed exploring her fiction. This was my seventh of her novels. It’s set in Ireland at Dene’s Court, the grand house Violet inherited. She and her husband Charles have lived in Burma for two decades, but with the Empire on the wane they decide to settle in Violet’s childhood home. Gardening and dressing for dinner fill their languid days until word comes that Violet’s 20-year-old niece, Sally, is coming to stay.
The summer is meant to cure Sally of her infatuation with an actor named Ian. Violet reluctantly goes along with the plan because she feels so badly about the lasting rivalry with her sister, Barbara. Sally is a “bolt of life” shaking up Violet and Charles’s marriage, and when Ian, too, flies out from America, a curious love triangle is refashioned as a quadrilateral. The house remains the one constant as the characters wrestle with their emotional bonds (“the kaleidoscope of feelings was being rather violently shaken up”) and reflect on the transitory splendour of the season (“a kind of timelessness, the warm sun in the enclosed garden in the morning, the hum of bees, and the long slow twilights”). This isn’t one of my favourites from Sarton, but it has low-key charm. I saw it as being on a continuum from Virginia Woolf to Tessa Hadley (e.g. The Past) via Elizabeth Bowen. (Secondhand purchase from Awesomebooks.com) 
And finally, one for the seasons’ transition:
Goodbye Summer, Hello Autumn by Kenard Pak (2016)
A child and dog pair set out from home, through the woods, by a river, and into town, greeting other creatures and marking the signs of the season. “Hello!” the beavers reply. “We have no time to play because we’re making cozy nests and dens. It will be cold soon, and we want to get ready.” The quaint Americana setting and papercut-style illustrations reminded me of Vermont college towns and Jon Klassen’s work. I liked the focus on nature. (Free from a neighbour)
What books are accompanying you from summer into autumn this year?
Short Stories in September, Part I
Each September I make a special effort to read short stories, which otherwise tend to languish on my shelves unread. In 2020 I read eight collections for this challenge. This year I hope to outdo myself. I’m knee-deep in seven more collections at the moment, including a couple from the library and two from my set-aside-temporarily shelf. Here’s my first four.
Medusa’s Ankles: Selected Stories by A.S. Byatt (2021)
I’ve long considered Byatt my favourite author, and have read all of her published short story collections before. One I even reread last year. So when approaching this chronological selection of 18 stories, I skipped the couple I’d read recently, even though that includes perhaps my favourite stand-alone story of all time (“Medusa’s Ankles”), plus a few more that I’d read before. This time around, I found I wasn’t as interested in the historical stories in the Angels and Insects or Possession vein – chiefly “Precipice-Encurled,” a long story about Robert Browning from her first collection – and instead focused on stories where fantasy or horror breaks into everyday life, and writerly or metafictional ones.
As David Mitchell notes in his introduction, Byatt’s range, from fairy tales to historical realism, is almost overwhelming; it’s hard to do it justice in a short review, but I’ll highlight five brilliant stories beyond the title one. “The July Ghost,” an early story, is another that has stuck with me over the years, turning up in one of my Six Degrees posts. It’s a straight-up ghost story but also a tale within a tale being recounted by a man at a party, and blends sex and death in a creepy way. “Racine and the Tablecloth” pits a clever boarding school girl and her literature professor against each other in a tacit psychological conflict. “Who won, you will ask, Emily or Miss Crichton-Walker, since the Reader is mythical and detached?”
“A Lamia in the Cévennes,” about a seductive snake-spirit living in a painter’s swimming pool, provides a delicious lick of magic. I’m surprised I didn’t remember “Raw Material,” as it was a favourite on this reread. A working-class author teaches his creative writing students to write what they know and avoid melodrama. Yet most of them craft over-the-top graphic tales of torture and revenge. Only an unassuming octogenarian follows his instructions, spinning lovingly meticulous accounts of polishing stoves and washing laundry by hand in the old days. He is captivated by her stories, reading them aloud to an unappreciative class and even entering them into a competition. But the old woman’s life holds a sordid surprise. It’s mind-blowing how Byatt turns all our expectations for this story on their head and forces us to question nostalgia and the therapeutic value of writing fiction.
Five of the late stories were originally printed in other publications and had not previously been collected. Of these, I most liked “Dolls’ Eyes” (2013), which is available as a Comma Singles e-book and was in the anthology The New Uncanny. A schoolteacher who lives in a house full of dolls welcomes a new fellow teacher to be her lodger and trusts her with her love and her dolls, only to be betrayed and call down vengeance. “Sea Story,” which appeared in the Guardian, is a thoroughly depressing closer about the persistence of plastic (but how about that last line?!).
One of the things I most admire about Byatt is her use of colour, and visual detail in general. As Mitchell puts it, “It is not easy to think of another writer with so painterly and exact an eye for the colours, textures and appearances of things. The visual is in constant dialogue with the textual.” Witness in the autobiographical “Sugar” the descriptions of boiled sweets being made almost like blown glass in a grandfather’s factory, or the colourful minerals participating in the metamorphosis in “A Stone Woman.”
If you’re new to Byatt’s work, picking a handful of stories from this collection would be a great way of trying out her style and figuring out which of her full-length books you might like to read. Fans of Margaret Atwood, Julian Barnes and Michèle Roberts are specially invited to the feast. (Public library)
Some favourite lines:
“Such wonder, such amazement, are the opposite, the exact opposite, of boredom, and many people only know them after fear and loss. Once known, I believe, they cannot be completely forgotten; they cast flashes and floods of paradisal light in odd places and at odd times.”
“the world is full of light and life, and the true crime is not to be interested in it. You have a way in. Take it. It may incidentally be a way out, too, as all skills are.”
After that in-depth review, I’ll give just brief responses to the next three slim volumes.
Slaughter by Rosanna Hildyard (2021)
A debut trio of raw stories set in the Yorkshire countryside. In “Offcomers,” the 2001 foot and mouth disease outbreak threatens the happiness of a sheep-farming couple. The effects of rural isolation on a relationship resurface in “Outside Are the Dogs.” In “Cull Yaw,” a vegetarian gets involved with a butcher who’s keen on marketing mutton and ends up helping him with a grisly project. This was the stand-out for me. I appreciated the clear-eyed look at where food comes from. At the same time, narrator Star’s mother is ailing: a reminder that decay is inevitable and we are all naught but flesh and blood. I liked the prose well enough, but found the characterization a bit thin. One for readers of Andrew Michael Hurley and Cynan Jones. (See also Annabel’s review.)
A favourite passage:
“his mother silently spoons out second helpings of beef lasagne. Outside, the lasagne’s sisters cavort in the paddock.”
This story pamphlet was released by Broken Sleep Books, an indie publisher in Wales, in March. My thanks to Annabel for passing on her review copy.
This Hostel Life by Melatu Uche Okorie (2018)
Okorie emigrated from Nigeria to Ireland in 2005. Her time living in a direct provision hostel for asylum seekers informed the title story about women queuing for and squabbling over food rations, written in an African pidgin. In “Under the Awning,” a Black woman fictionalizes her experiences of racism into a second-person short story her classmates deem too bleak. The Author’s Note reveals that Okorie based this one on comments she herself got in a writers’ group. “The Egg Broke” returns to Nigeria and its old superstition about twins.
Fans of Chimamanda Ngozi Adichie will find a similar voice here, and enough variety to distract from the low page count (the book is padded out with an essay on refugees in Ireland) and so-so writing. (Little Free Library)
Dear George and Other Stories by Helen Simpson (1995)
This is the third time Simpson has made it into one of my September features (after Four Bare Legs in a Bed in 2018 and In the Driver’s Seat in 2019); safe to say she’s becoming one of my favourite short story writers. Deciding to have children (or not) looms large. In “When in Rome,” Geraldine is relieved to get her period as her relationship limps to an end. In “Last Orders,” the heavily pregnant protagonist, now 12 days overdue, fears the transformation ahead of her. “To Her Unready Boyfriend,” echoing Andrew Marvell’s “To His Coy Mistress,” has the narrator warn him time runs short for babymaking.
I also liked “Bed and Breakfast,” about a young couple hoping not to turn into their boring parents; “Caput Apri” and its magical twist on the story behind “The Boar’s Head Carol” (a Christmas story or two is a trademark of Simpson’s collections, like the focus on motherhood); and “Heavy Weather,” in which parents of two small children have a manic Dorset holiday that takes in some beloved sites like Hardy’s cottage and marvel at the simultaneous joys and tyranny of childrearing.
The gentle absurdity of “The Immaculate Bridegroom” reminded me of a previous Simpson story in which a woman marries herself, and “Creative Writing” connects back to two of the other collections I’ve featured here with its writers’ workshop setting. (Secondhand purchase from Oxfam Books, Hexham)
Some favourite lines:
“You will not be you any more, her ego told her id. Not only will you have produced somebody else from inside you, someone quite different and separate, but you yourself will change into somebody quite different, overnight – a Mother.”
“Children were petal-skinned ogres, Frances realized, callous and whimsical, holding autocratic sway over lower, larger vassals like herself.”
Are you a short story fan? Read any good ones recently?
Booker Prize 2021: Longlist Reading and Shortlist Predictions
The 2021 Booker Prize shortlist will be announced tomorrow, September 14th, at 4 p.m. via a livestream. I’ve managed to read or skim eight of 13 from the longlist, only one of which I sought out specifically after it was nominated (An Island – the one no one had heard of; it turns out it was released by a publisher based just 1.5 miles from my home!). I review my four most recent reads below, followed by excerpts of reviews of ones I read a while ago and my brief thoughts on the rest, including what I expect to see on tomorrow’s shortlist.
Klara and the Sun by Kazuo Ishiguro
Why ever did I put this on my Most Anticipated list of the year and pre-order a signed copy?! I’m a half-hearted Ishiguro fan at best (I love Nocturnes but am lukewarm on the other four I’ve read, including his Booker winner) and should have known that his take on AI would be no more inspiring than Ian McEwan’s (Machines Like Me) a couple of years back.
Klara is an Artificial Friend purchased as part of an effort to combat the epidemic of teenage loneliness – specifically, to cheer up her owner, Josie, who suffers from an unspecified illness and is in love with her neighbour, Rick, a bright boy who remains excluded. Klara thinks of the sun as a god, praying to it and eventually making a costly bargain to try to secure Josie’s future health.
Part One’s 45 pages are slow and tedious; the backstory could have been dispensed with in five fairy tale-like pages. There’s a YA air to the story: for much of the length I might have been rereading Everything, Everything. In fact, when I saw Ishiguro introduce the novel at a Guardian/Faber launch event, he revealed that it arose from a story he wrote for children. The further I got, the more I was sure I’d read it all before. That’s because the plot is pretty much identical to the final story in Mary South’s You Will Never Be Forgotten.
Klara’s highly precise diction, referring to everyone in the third person, also gives this the feeling of translated fiction. While that is part of Ishiguro’s aim, of course – to explore the necessarily limited perspective and speech of a nonhuman entity (“Her ability to absorb and blend everything she sees around her is quite amazing”) – it makes the prose dull and belaboured. The secondary characters include various campy villains, the ‘big reveals’ aren’t worth waiting for, and the ending is laughably reminiscent of Toy Story. This took me months and months to force myself through. What a slog! (New purchase) 
An Island by Karen Jennings (2019)
Seventy-year-old Samuel has been an island lighthouse keeper for 14 years when a brown-skinned stranger washes up on his beach. Sole survivor from a sunken refugee boat, the man has no English, so they communicate through gestures. Jennings convincingly details the rigors of the isolated life here: Samuel dug his own toilet pipes, burns his trash once a week, and gets regular deliveries from a supply boat. Nothing is wasted and everything is appreciated here, even the thirdhand magazines and videotapes he inherits from the mainland.
Although the core action takes place in just four days, Samuel is so mentally shaky that his memories start getting mixed up with real life. We learn that he has been a father, a prisoner and a beggar. Jennings is South African, and in this parallel Africa, racial hierarchy still holds sway and a general became a dictator through a military coup. Samuel’s father was involved in the independence movement, while Samuel himself was arrested for resisting the dictator.
The novella’s themes – jealousy, mistrust, possessiveness, suspicion, and a return to primitive violence – are of perennial relevance. Somehow, it didn’t particularly resonate for me. It’s not dissimilar in style to J. M. Coetzee’s vague but brutal detachment, and it’s a highly male vision à la Doggerland. Though highly readable, it’s ultimately a somewhat thin fable with a predictable message about xenophobia. Still, I’m glad I discovered it through the Booker longlist.
My thanks to Holland House for the free copy for review.
Bewilderment by Richard Powers
This has just as much of an environmentalist conscience as The Overstory, but a more intimate scope, focusing on a father and son who journey together in memory and imagination as well as in real life. The novel leaps between spheres: between the public eye, where neurodivergent Robin is a scientific marvel and an environmental activist, and the privacy of family life; between an ailing Earth and the other planets Theo studies; and between the humdrum of daily existence and the magic of another state where Robin can reconnect with his late mother. When I came to the end, I felt despondent and overwhelmed. But as time has passed, the book’s feral beauty has stuck with me. The pure sense of wonder Robin embodies is worth imitating. (Review forthcoming for BookBrowse.) 
China Room by Sunjeev Sahota
Sahota appeared on Granta’s list of Best Young British Novelists in 2013 and was previously shortlisted for The Year of the Runaways, a beautiful novel tracking the difficult paths of four Indian immigrants seeking a new life in Sheffield.
Three brides for three brothers: as Laura notes, it sounds like the setup of a folk tale, and there’s a timeless feel to this short novel set in the Punjab in the late 1920s and 1990s – it also reminded me of biblical stories like those of Jacob and Leah and David and Bathsheba. Mehar is one of three teenage girls married off to a set of brothers. The twist is that, because they wear heavy veils and only meet with their husbands at night for procreation, they don’t know which is which. Mehar is sure she’s worked out which brother is her husband, but her well-meaning curiosity has lasting consequences.
In the later storyline, a teenage addict returns from England to his ancestral estate to try to get clean before going to university and becomes captivated by the story of his great-grandmother and her sister wives, who were confined to the china room. The characters are real enough to touch, and the period and place details make the setting vivid. The two threads both explore limitations and desire, and the way the historical narrative keeps surging back in makes things surprisingly taut. See also Susan’s review. (Read via NetGalley)
Other reads, in brief:
(Links to my full reviews)
Second Place by Rachel Cusk: Significantly more readable than the Outline trilogy and with psychological depths worth pondering, though Freudian symbolism makes it old-fashioned. M’s voice is appealing, as is the marshy setting and its isolated dwellings. This feels like a place outside of time. The characters act and speak in ways that no real person ever would – the novel is most like a play: melodramatic and full of lofty pronouncements. Interesting, but nothing to take to heart; Cusk’s work is always intimidating in its cleverness.
A Town Called Solace by Mary Lawson: In 1972, Clara, a plucky seven-year-old, sits vigil for the return of her sixteen-year-old sister, who ran away from home; and their neighbour, who’s in the hospital. One day Clara sees a strange man moving boxes in next door. This is Liam Kane, who inherited the house from a family friend. Like Lawson’s other works, this is a slow burner featuring troubled families. It’s a tender and inviting story I’d recommend to readers of Tessa Hadley, Elizabeth Strout and Anne Tyler.
No One Is Talking About This by Patricia Lockwood: This starts as a flippant skewering of modern life. A woman who became a social media star by tweeting quips like “Can a dog be twins?” reflects on life on “the portal” and under “the dictator.” Midway through the book, she gets a wake-up call when her mother summons her back to the Midwest for a family emergency. It’s the about-face that makes this novel, forcing readers to question the value of a digital existence based on glib pretence. Funny, but with an ache behind it.
Light Perpetual by Francis Spufford: While I loved the premise, the execution didn’t live up to it. Spufford calls this an act of “literary resurrection” of five figures who survive a South London bombing. But these particular characters don’t seem worth spending time with; their narratives don’t connect up tightly, as expected, and feel derivative, serving only as ways to introduce issues (e.g. mental illness, sexual assault, racial violence, eating disorders) and try out different time periods. I would have taken a whole novel about Ben.
This leaves five more: Great Circle (by Maggie Shipstead) I found bloated and slow when I tried it in early July, but I’m going to give it another go when my library hold comes in. The Sweetness of Water (Nathan Harris) I might try if my library acquired it, but I’m not too bothered – from Eric’s review on Lonesome Reader, it sounds like it’s a slavery narrative by the numbers. I’m not at all interested in the novels by Anuk Arudpragasam, Damon Galgut, or Nadifa Mohamed but can’t say precisely why; their descriptions just don’t excite me.
Here’s what I expect to still be in the running after tomorrow. Clear-eyed, profound, international; bridging historical and contemporary; much that’s unabashedly highbrow.
- Second Place by Rachel Cusk
The Promise by Damon Galgut (will win)- No One Is Talking About This by Patricia Lockwood
- Bewilderment by Richard Powers
- China Room by Sunjeev Sahota
- Light Perpetual by Francis Spufford
What have you read from the longlist? What do you expect to be shortlisted?
Readings for the 20th Anniversary of 9/11
Like the assassination of John F. Kennedy for a previous generation, September 11, 2001 was a landmark day in our shared history. I was two weeks into my freshman year of college and getting ready to head out to a 9:30 seminar when my roommate returned early from her first class. “All these planes flying into buildings – I’m freaking out!” she cried, and turned our tiny desktop TV set to a news station.
At that point it was unclear what was going on, so I dutifully trudged out across the quad linking the residence halls to the academic buildings, anticipating a normal day of classes. On the way I encountered small groups of somber students, and was alarmed to see my friend and “Big Sister” from the junior class weeping onto her boyfriend’s shoulder – her dad worked at the Pentagon, and she hadn’t yet heard that he was okay. When I entered the lecture hall it was clear no regular work was going to happen that day; I was one of only a handful of students who’d shown up, and our English professor, too, was engrossed by the rippling montage of rubble and smoke being projected onto a screen behind him.
As the anniversary approached this year, I picked up a coffee table book of photos, Reuters’ September 11: A Testimony from the library and was struck by how dated everything appeared. For an event so fresh in my memory, it actually looks like something that happened a long time ago thanks to everything from the fashions and car designs to the photographic quality. You also get the sense that, even in the early Internet age, things like missing person posters and public tributes to the dead were primarily paper-based then. The photos barely capture the scope of the devastation. One image of firefighters among the wreckage looks like a film set or architect’s model, the human figures like ants among the dusty girders. This was published in late 2001, so it was put together quickly. Photographs tell the story, with extremely brief captions on facing pages. Nearly half of the length is devoted to documenting the three crash sites, with the rest chronicling memorial services, national and international commemorations, and New York City gradually returning to business as usual.
On the way back from our mother’s wedding this summer, my sister and brother-in-law and I passed the entrance to the Flight 93 Memorial in Shanksville, Pennsylvania so drove in for a look. The 1,000-acre site is administered by the National Park Service. On the airless June day we were there, the Tower of Voices was not making its eerie music, but it was still a peaceful spot for reflection. You can listen to a recording of the windchimes on the website. There is also a visitor center with a permanent exhibition that we will have to go back and see another time.
I also recently reread Rowan Williams’s superb book-length essay Writing in the Dust (2002), which I’d read twice before. Williams, then Archbishop of Wales and soon to become Archbishop of Canterbury, was in New York City on 9/11. He was, in fact, just a few blocks from the World Trade Center, at Trinity Church, Wall Street, where he was part of a group recording theological conversations to be used for educational purposes. When the planes hit and the air filled with dust and smoke, he did the same as everyone else: he quickly evacuated, ensured everyone was safe, and then watched, listened, and prayed. And in the months that followed he thought about what he’d seen that day, and what his experience had taught him about suffering, peacemaking, and the ways of God.
Writing well before military action against Iraq began, Williams cautioned against labeling the Other as Evil and responding in a simple spirit of retribution. Prophets’ words are never welcome, of course, and time has shown that Western policies have only made things worse. I must have read this from a university library; I then did a peculiar (and probably illegal, in copyright terms) thing and typed out every single word of it into a Word file so I could keep it forever.
Here are some of Williams’s words of wisdom:
“The hardest thing in the world is to know how to act so as to make the difference that can be made; to know how and why that differs from the act that only releases or expresses the basic impotence of resentment.”
My original rating (2013): 
My rating now:
Other 9/11-themed reading I have done:
The Second Plane by Martin Amis (2008)
A famously bad-tempered English novelist who now lives in New York, Amis here presents a collection of 14 fictional and factual responses to 9/11. The essays are much stronger than the stories (a tale about Saddam Hussein’s son’s body double is downright weird), although it might be argued that Amis’s general understanding of Islam is fatally skewed. Opinionated, bold, and polarizing, these pieces ponder the symbolism and ideology of a day that changed the world.
The wonderful Annie Dillard’s post-9/11 essay “This is the Life,” available to read here, is another perceptive look at our response to tragedy, asking whether we are going to accept what “everyone” thinks about us vs. them and the value of human lives: “Everyone knows…the enemies are barbarians [but] our lives and our deaths count equally.”
Extremely Loud and Incredibly Close by Jonathan Safran Foer (2005)
Oskar Schell is a tremendously precocious nine-year-old who’s trying to come to terms with his father’s death in the World Trade Center on 9/11. He sets off on a quest to find the lock that takes the key he found in his dad’s closet. This light-hearted search takes him all over New York’s five boroughs, but in the end Oskar is little closer to discovering who his dad really was or how exactly he died. All he has left of him is that same panicked message on the answering machine, left sometime during the morning of September 11th. By denying neat narrative closure, Foer avoids sentimentality at the same time as he affirms the tragedy’s effect on a nation and on individuals.
Small Wonder by Barbara Kingsolver (2002)
On September 12th, 2001, Kingsolver sat down at her computer to write up some thoughts about the previous day’s tragedy. A newspaper had asked her for a short response, but as she sat and typed she found that the words kept coming, in essay after essay. The title piece in this collection, and several others like it, might make for occasionally uncomfortable reading, as Kingsolver questions automatic all-American responses like indiscriminate flag-waving and “we’ll hunt those terrorists down” vigilante justice. She asks how someone who loves her country can criticize its tenets and actions without being branded a traitor. “My country, right or wrong,” the saying goes – fair enough, but the truest patriot is one who loves her country enough to hold it to the highest moral standards, demanding it live up to its democratic ideals.
The Submission by Amy Waldman (2011)
Waldman’s debut imagines what would have happened had New Yorkers chosen a 9/11 memorial design as soon as 2003 and – crucially – had the anonymous selection turned out to be by a Muslim architect named Mohammad Khan. His memorial garden is rich in possible meanings and influences. When a member of the memorial selection jury leaks the information about the designer’s name to the press, however, all hell breaks loose, and perfectly nice, reasonable people start to display some ugly bigotry. As the clever double meaning of the title suggests, Waldman has educated herself about Islam’s doctrines. She includes an impressive range of characters and opinions in this canny psychological exploration.
(Most of the above text is recycled from an article I wrote for Bookkaholic web magazine (now defunct) in 2013.)
I can think of at least six more novels I’ve read that would be appropriate for this list, yet even including them here would be a spoiler. Generally, if you’re reading a novel set in New York City in 2000 or so, you should be prepared…
This year I meant to read Mitchell Zuckoff’s comprehensive journalistic study, Fall and Rise: The Story of 9/11, but ran out of time. Eleanor highly recommends the audiobook of the oral history The Only Plane in the Sky by Garrett M. Graff. This Kirkus list has two additional nonfiction suggestions.
Where were you on 9/11?
Have you read anything related to it?
Finishing 20 Books of Summer: The Anthropocene Reviewed by John Green
The final choice for my colour-themed 20 Books of Summer, a terrific essay collection about the best and worst of the modern human experience, also happened to be the only one where the colour was part of the author’s name rather than the book’s title. I also have a bonus rainbow-covered read and a look back at the highlights of my summer reading.
The Anthropocene Reviewed: Essays on a Human-Centered Planet by John Green (2021)
(20 Books of Summer, #20) How Have You Enjoyed the Anthropocene So Far? That’s the literal translation of the book’s German title, but also a tidy summary of its approach. John Green is not only a YA author but also a new media star – he and his brother Hank are popular vlogging co-hosts, and this book arose from a podcast of the same name. Some of the essays first appeared on his various video projects, too. In about 5–10 pages, he takes a phenomenon experienced in the modern age, whether miraculous (sunsets, the Lascaux cave paintings, favourite films or songs), regrettable (Staph infections, CNN, our obsession with grass lawns), or just plain weird, and riffs on it, exploring its backstory, cultural manifestations and personal resonance.
Indeed, the essays reveal a lot about Green himself. I didn’t know of his struggles with anxiety and depression. “Harvey,” one of the standout essays, is about a breakdown he had in his early twenties when living in Chicago and working for Booklist magazine. His boss told him to take as much time as he needed, and urged him to watch Harvey, the Jimmy Stewart film about a man with an imaginary friend that happens to be a six-foot rabbit. It was the perfect prescription. In “Auld Lang Syne,” Green toggles between the history of the song and a friendship from his own old times, with an author and mentor who has since died. “Googling Strangers” prides itself on a very 21st-century skill by which he discovers that a critically injured boy from his time as a student chaplain at a children’s hospital lived to adulthood.
Green is well aware of the state of things: “Humans are already an ecological catastrophe … for many forms of life, humanity is the apocalypse.” He plays up the contradictions in everyday objects: air-conditioning is an environmental disaster, yet makes everyday life tolerable in vast swathes of the USA; Canada geese are still, to many, a symbol of wildness, but are almost frighteningly ubiquitous – one of the winners in the species roulette we’ve initiated. And although he’s clued in, he knows that in many respects he’s still living as if the world isn’t falling apart. “In the daily grind of a human life, there’s a lawn to mow, soccer practices to drive to, a mortgage to pay. And so I go on living the way I feel like people always have.” A sentiment that rings true for many of us: despite the background dread about where everything is headed, we just have to get on with our day-to-day obligations, right?
Although he’s from Indianapolis, a not particularly well regarded city of the Midwest, Green is far from the conservative, insular stereotype of that region. There are pockets of liberal, hipster culture all across the Midwest, in fact, and while he does joke about Indy in the vein of “well, you’ve gotta live somewhere,” it’s clear that he’s come to love the place – enough to set climactic scenes from two of his novels there. However, he’s also cosmopolitan enough – he’s a Liverpool FC fan, and one essay is set on a trip to Iceland – to be able to see America’s faults (which, to an extent, are shared by many Western countries) of greed and militarism and gluttony and more.
In any book like this, one might quibble with the particular items selected. I mostly skipped over the handful of pieces on sports and video games, for instance. But even when the phenomena were completely unknown to me, I was still tickled by Green’s take. For example, here he is rhapsodizing on Diet Dr Pepper: “Look at what humans can do! They can make ice-cold, sugary-sweet, zero-calorie soda that tastes like everything and also like nothing.” He veers between the funny and the heartfelt: “I want to be earnest, even if it’s embarrassing.”
Each essay closes with a star rating. What value does a numerical assessment have when he’s making such apples-and-oranges comparisons (a sporting performance vs. sycamore trees vs. hot dog eating contests)? Not all that much. (Of course, some might make that very argument about rating books, but I persist!) At first I thought the setup was a silly gimmick, but since reviewing anything and everything on Amazon/TripAdvisor/wherever is as much a characteristic of our era as everything he’s writing about, why not? Calamities get 1–1.5 stars, things that seemed good but have turned out to be mixed blessings might get 2–3 stars, and whatever he unabashedly loves gets 4.5–5 stars.
As Green astutely remarks, “when people write reviews, they are really writing a kind of memoir—here’s what my experience was.” So, because I found a lot that resonated with me and a lot that made me laugh, and admired his openness on mental health à la Matt Haig, but also found the choices random such that a few essays didn’t interest me and the whole doesn’t necessarily build a cohesive argument, I give The Anthropocene Reviewed four stars. I’d only ever read The Fault in Our Stars, one of the first YA books I loved, so this was a good reminder to try more of Green’s fiction soon.
(Public library) 
Initially, I thought I might struggle to find 20 appealing colour-associated books, so I gave myself latitude to include books with different coloured covers. As it happens, I didn’t have to resort to choosing by cover, but I’ve thrown in this rainbow cover as an extra.
Songs in Ursa Major by Emma Brodie (2021)
A Daisy Jones and the Six wannabe for sure, and a fun enough summer read even though the writing doesn’t nearly live up to Reid’s. Set largely between 1969 and 1971, the novel stars Jane Quinn, who lives on New England’s Bayleen Island with her aunt, grandmother and cousin – her aspiring singer mother having disappeared when Jane was nine. Nursing and bartending keep Jane going while she tries to make her name with her band, the Breakers. Aunt Grace, also a nurse, cares for local folk rocker Jesse Reid during his convalescence from a motorcycle accident. He then invites the Breakers to open for him on his tour and he and Jane embark on a turbulent affair. After Jane splits from both Jesse and the Breakers, she shrugs off her sexist producer and pours her soul into landmark album Songs in Ursa Major. (I got the Sufjan Stevens song “Ursa Major” in my head nearly every time I picked this up.)
There are some soap opera twists and turns to the plot, and I would say the novel is at least 100 pages too long, with an unnecessary interlude on a Greek island. Everyone loves a good sex, drugs and rock ’n roll tale, but here the sex scenes were kind of cringey, and the lyrics and descriptions of musical styles seemed laboured. Also, I thought from the beginning that the novel could use the intimacy of a first-person narrator, but late on realized it had to be in the third person to conceal a secret of Jane’s – which ended up feeling like a trick. There are also a few potential anachronisms (e.g. I found myself googling “how much did a pitcher of beer cost in 1969?”) that took me out of the period. Brodie is a debut novelist who has worked in book publishing in the USA for a decade. Her Instagram has a photo of her reading Daisy Jones and the Six in March 2019! That and the shout-out to Mandy Moore, of all the musical inspirations, in her acknowledgments, had me seriously doubting her bona fides to write this story. Maybe take it as a beach read if you aren’t too picky.
(Twitter giveaway win) 
Looking back, my favourite read from this project was Nothing but Blue Sky by Kathleen MacMahon, closely followed by the novels Under the Blue by Oana Aristide and Ruby by Ann Hood, the essay collection The Anthropocene Reviewed by John Green (above), the travel book The Glitter in the Green by Jon Dunn, and the memoirs Darkness Visible by William Styron and Direct Red by Gabriel Weston. A varied and mostly great selection, all told! I read six books from the library and the rest from my shelves. Maybe next year I’ll not pick a theme but allow myself completely free choice – so long as they’re all books I own.
What was the highlight of your summer reading?
Reading with the Seasons: Summer 2021, Part I
I’m more likely to choose lighter reads and dip into genre fiction in the summer than at other times of year. The past few weeks have felt more like autumn here in southern England, but summer doesn’t officially end until September 22nd. So, if I get a chance (there’s always a vague danger to labelling something “Part I”!), before then I’ll follow up with another batch of summery reads I have on the go: Goshawk Summer, Klara and the Sun, Among the Summer Snows, A Shower of Summer Days, and a few summer-into-autumn children’s books.
For this installment I have a quaint picture book, a mystery, a travel book featured for its title, and a very English classic. I’ve chosen a representative quote from each.
Summer Story by Jill Barklem (1980)
One of a quartet of seasonal “Brambly Hedge” stories in small hardbacks. It wouldn’t be summer without weddings, and here one takes place between two mice, Poppy Eyebright and Dusty Dogwood (who work in the dairy and the flour mill, respectively), on Midsummer’s Day. I loved the little details about the mice preparing their outfits and the wedding feast: “Cool summer foods were being made. There was cold watercress soup, fresh dandelion salad, honey creams, syllabubs and meringues.” We’re given cutaway views of various tree stumps, like dollhouses, and the industrious activity going on within them. Like any wedding, this one has its mishaps, but all is ultimately well, like in a classical comedy. This reminded me of the Church Mice books or Beatrix Potter’s works: very sweet, quaint and English.
Source: Public library
My rating: 
These next two give a real sense of how heat affects people, physically and emotionally.
Heatstroke by Hazel Barkworth (2020)
“In the heat, just having a human body was a chore. Just keeping it suitable for public approval was a job”
From the first word (“Languid”) on, this novel drips with hot summer atmosphere, with its opposing connotations of discomfort and sweaty sexuality. Rachel is a teacher of adolescents as well as the mother of a 15-year-old, Mia. When Lily, a pupil who also happens to be one of Mia’s best friends, goes missing, Rachel is put in a tough spot. I mostly noted how Barkworth chose to construct the plot, especially when to reveal what. By the one-quarter point, Rachel works out what’s happened to Lily; by halfway, we know why Rachel isn’t telling the police everything.
The dynamic between Rachel and Mia as they decide whether to divulge what they know is interesting. This is not the missing person mystery it at first appears to be, and I didn’t sense enough literary quality to keep me wanting to know what would happen next. I ended up skimming the last third. It would be suitable for readers of Rosamund Lupton, but novels about teenage consent are a dime a dozen these days and this paled in comparison to My Dark Vanessa. For a better sun-drenched novel, I recommend A Crime in the Neighborhood.
Source: Public library
My rating:
The Shadow of the Sun: My African Life by Ryszard Kapuściński (1998; 2001)
[Translated from the Polish by Klara Glowczewska]
“Dawn and dusk—these are the most pleasant hours in Africa. The sun is either not yet scorching, or it is no longer so—it lets you be, lets you live.”
The Polish Kapuściński was a foreign correspondent in Africa for 40 years and lent his name to an international prize for literary reportage. This collection of essays spans decades and lots of countries, yet feels like a cohesive narrative. The author sees many places right on the cusp of independence or in the midst of coup d’états. Living among Africans rather than removed in a white enclave, he develops a voice that is surprisingly undated and non-colonialist. While his presence as the observer is undeniable – especially when he falls ill with malaria and then tuberculosis – he lets the situation on the ground take precedence over the memoir aspect. I read the first half last year and then picked the book back up again to finish this year. The last piece, “In the Shade of a Tree, in Africa” especially stood out. In murderously hot conditions, shade and water are two essentials. A large mango tree serves as an epicenter of activities: schooling, conversation, resting the herds, and so on. I appreciated how Kapuściński never resorts to stereotypes or flattens differences: “Africa is a thousand situations, varied, distinct, even contradictory … everything depends on where and when.”
Along with Patrick Leigh Fermor’s A Time of Gifts and the Jan Morris anthology A Writer’s World, this is one of the best few travel books I’ve ever read.
Source: Free bookshop
My rating:
August Folly by Angela Thirkell (1936)
“The sun was benignantly hot, the newly mown grass smelt sweet, bees were humming in a stupefying way, Gunnar was purring beside him, and Richard could hardly keep awake.”
I’d been curious to try Thirkell, and this fourth Barsetshire novel seemed as good a place to start as any. Richard Tebben, not the best and brightest that Oxford has to offer, is back in his parents’ village of Worsted for the summer and dreading the boredom to come. That is, until he meets beautiful Rachel Dean and is smitten – even though she’s mother to a brood of nine, most of them here with her for the holidays. He sets out to impress her by offering their donkey, Modestine, for rides for the children, and rather accidentally saving her daughter from a raging bull. Meanwhile, Richard’s sister Margaret can’t decide if she likes being wooed, and the villagers are trying to avoid being roped into Mrs Palmer’s performance of a Greek play. The dialogue can be laughably absurd. There are also a few bizarre passages that seem to come out nowhere: when no humans are around, the cat and the donkey converse.
This was enjoyable enough, in the same vein as books I’ve read by Barbara Pym, Miss Read, and P.G. Wodehouse, though I don’t expect I’ll pick up more by Thirkell. (No judgment intended on anyone who enjoys these authors. I got so much flak and fansplaining when I gave Pym and Wodehouse 3 stars and dared to call them fluffy or forgettable, respectively! There are times when a lighter read is just what you want, and these would also serve as quintessential English books revealing a particular era and class.)
Source: Public library
My rating:
As a bonus, I have a book about how climate change is altering familiar signs of the seasons.
Forecast: A Diary of the Lost Seasons by Joe Shute (2021)
“So many records are these days being broken that perhaps it is time to rewrite the record books, and accept the aberration has become the norm.”
Shute writes a weather column for the Telegraph, and in recent years has reported on alarming fires and flooding. He probes how the seasons are bound up with memories, conceding the danger of giving in to nostalgia for a gloried past that may never have existed. However, he provides hard evidence in the form of long-term observations (phenology) such as temperature data and photo archives that reveal that natural events like leaf fall and bud break are now occurring weeks later/earlier than they used to. He also meets farmers, hunts for cuckoos and wildflowers, and recalls journalistic assignments.
The book deftly recreates its many scenes and conversations, and inserts statistics naturally. It also delicately weaves in a storyline about infertility: he and his wife long for a child and have tried for years to conceive, but just as the seasons are out of kilter, there seems to be something off with their bodies such that something that comes so easily for others will not for them. A male perspective on infertility is rare – I can only remember encountering it before in Native by Patrick Laurie – and these passages are really touching. The tone is of a piece with the rest of the book: thoughtful and gently melancholy, but never hopeless (alas, I found The Eternal Season by Stephen Rutt, on a rather similar topic, depressing).
Forecast is wide-ranging and so relevant – the topics it covers kept coming up and I would say to my husband, “oh yes, that’s in Joe Shute’s book.” (For example, he writes about the Ladybird What to Look For series and then we happened on an exhibit of the artwork at Mottisfont Abbey.) I can see how some might say it crams in too much or veers too much between threads, but I thought Shute handled his material admirably.
Source: Public library
My rating:
Have you been reading anything particularly fitting for summer this year?
Lana Bastašić for WIT Month 2021 & September Reading Plans
My literature in translation statistics for 2021 have been abysmal so far, but here’s my token contribution to Women in Translation Month: Catch the Rabbit by Lana Bastašić, originally published in 2018 and translated from the Serbo-Croatian by the author herself.
Sara has made a new life for herself in Dublin, with a boyfriend and an avocado tree. She rarely thinks about her past in Bosnia or hears her mother tongue. It’s a rude awakening, then, when she gets a phone call from her childhood best friend, Lejla Begić. Her bold, brassy pal says she needs Sara to pick her up in Mostar and drive her to Vienna to find her brother, Armin. No matter that Sara and Lejla haven’t been in contact in 12 years. But Lejla still has such a hold over Sara that she books a plane ticket right away.
Alternating chapters, with the text enclosed in brackets, dive into the friends’ past: school days, losing their virginity, and burying Lejla’s pet white rabbit, Bunny. Sara often writes as if to Lejla: “I can’t beautify those days, I can’t give them some special, big meaning. You would despise me for it. Besides, I don’t know how to write those two kids: you keep shrinking and growing in my memory, like illusive land to desperate sailors.”
In the road trip scenes, we have to shake our heads at how outrageous Lejla is: peeing in a cornfield, throwing her used tampons out the window, and orchestrating a farcical situation when she lies and tells their host that Sara only speaks English. A lovable rogue, she drives the book’s action. Indeed, Sara realizes, “both the car and I were nothing but an extension of Lejla’s will, she moved us with her words, and we followed obediently.”
This offbeat novel struck me, bizarrely, as a cross between Asylum Road and When God Was a Rabbit. I sometimes find that work in translation, particularly Eastern European, has too much quirkiness for the sake of it. That’s probably true here, and although the nostalgia element was appealing the emotional payoff wasn’t enough to satisfy me. However, I did love a late scene where Sara gazes at Albrecht Dürer’s famous Young Hare painting, and keep an eye out for how the ending connects back to the beginning.
(Simon appreciated this European Union Prize for Literature winner more than I did: his review compares the picture of asymmetrical female friendship favourably to that in Elena Ferrante’s Neapolitan Novels.)
With thanks to Picador for the free copy for review.
Did you do any special reading for Women in Translation month this year?
September Reading Plans
Each September I make a bit more of an effort to read short stories, which otherwise tend to sit on my shelves and Kindle unread. Last year I managed to read eight collections for this challenge. How many will I get to this year?! Here’s my shelf of potential reads:
I’ll reread selections from the Byatt anthology (I’ve read all of her published short story collections before and own two of them, one of which I reread last year) and will otherwise focus on books by women. I’ve had good success with Amy Bloom and Helen Simpson stories in previous years, so I’ll definitely plan to read those plus Bloodchild by Octavia E. Butler (from the university library).
Since I own THREE unread collections by Alice Munro, it’s time to tackle one, probably Dear Life since I’ve owned it the longest – it’s a review copy that arrived before her Nobel Prize win and I’ve (oops) never reviewed it. The World Does Not Require You is also a long-languishing review copy, so might be my one male-penned title.
What are your September reading plans? Any short story collections you’ve read recently and would recommend to me?
20 Books of Summer, #18–19: The Other’s Gold and Black Dogs
Today’s entries in my colour-themed summer reading are a novel about a quartet of college friends and the mistakes that mar their lives and a novella about the enduring impact of war set just after the fall of the Berlin Wall.
The Other’s Gold by Elizabeth Ames (2019)
Make new friends but keep the old,
One is silver and the other’s gold.
Do you know that little tune? We would sing it as a round at summer camp. It provides a clever title for this story of four college roommates whose lives are marked by the threat of sexual violence and ambivalent feelings about motherhood. Alice, Ji Sun, Lainey and Margaret first meet as freshmen in 2002 when they’re assigned to the same suite (with a window seat! how envious am I?) at Quincy-Hawthorn College.
They live together for the whole four years – a highly unusual situation – and see each other through crises at college and in the years to come as they find partners and meander into motherhood. Iraq War protests and the Occupy movement form a turbulent background, but the friends’ overriding concerns are more personal. One girl was molested by her brother as a child and has kept secret her act of revenge; one has a crush on a professor until she learns he has sexual harassment charges being filed against him by multiple female students. Infertility later provokes jealousy between the young women, and mental health issues come to the fore.
As in Expectation by Anna Hope, the book starts to be all about babies at a certain point. That’s not a problem if you’re prepared for and interested in this theme, but I love campus novels so much that my engagement waned as the characters left university behind. Also, the characters seemed too artificially manufactured to inject diversity (Ji Sun is a wealthy Korean; adopted Lainey is of mixed Latina heritage, and bisexual; Margaret has Native American blood) and embody certain experiences. And, unfortunately, any #MeToo-themed read encountered in the wake of My Dark Vanessa is going to pale by comparison.
Part One held my interest, but after that I skimmed to the end. Ideally, I would have chosen replacements and not included skims like this and Green Mansions, but it’s not the first summer that I’ve had to count DNFs and skimmed books – my time and attention are always being diverted by paid review work, review copies and library books with imminent deadlines. I’ve read lots of fiction about groups of female friends this summer, partly by accident and partly by design, and will likely do a feature on it in an upcoming month. For now, I’d recommend Lara Feigel’s The Group instead of this. 
With thanks to Pushkin Press (ONE imprint) for the free e-copy for review.
Black Dogs by Ian McEwan (1992)
When I read the blurb, I worried I’d read this before and forgotten it: all it mentions is a young couple setting off on honeymoon and having an encounter with evil. Isn’t that the plot of The Comfort of Strangers? I thought. In fact, this only happens to have the vacation detail in common, and has a very different setup and theme overall.
Jeremy lost his parents in a car accident (my least favourite fictional trope – far too convenient a way of setting a character off on their own!) when he was eight years old, and is self-aware enough to realize that he has been seeking for parental figures ever after. He becomes deeply immersed in the story of his wife’s parents, Bernard and June, even embarking on writing a memoir based on what June, from her nursing home bed, tells him of their early life (Part One).
After June’s death, Jeremy takes Bernard to Berlin (Part Two) to soak up the atmosphere just after the Wall comes down, but the elderly man is kicked by a skinhead. The other key thing that happens on this trip is that he refutes June’s account of their honeymoon. At June’s old house in France (Part Three), Jeremy feels her presence and seems to hear the couple’s voices. Only in Part Four do we learn what happened on their 1946 honeymoon trip to France: an encounter with literal black dogs that also has a metaphorical dimension, bringing back the horrors of World War II.
I think the novel is also meant to contrast Communist ideals – Bernard and June were members of the Party in their youth – with how Communism has played out in history. It was shortlisted for the Booker, which made me feel that I must be missing something. A fairly interesting read, most similar in his oeuvre (at least of the 15 I’ve read so far) to The Child in Time. (Secondhand purchase from a now-defunct Newbury charity shop)
Coming up next: The latest book by John Green – it’s due back at the library on the 31st so I’ll aim to review it before then, possibly with a rainbow-covered novel as a bonus read.
20 Books of Summer, #16–17, GREEN: Jon Dunn and W.H. Hudson
Today’s entries in my colour-themed summer reading are a travelogue tracking the world’s endangered hummingbirds and a bizarre classic novel that blends nature writing and fantasy. Though very different books, they have in common lush South American forest settings.
The Glitter in the Green: In Search of Hummingbirds by Jon Dunn (2021)
As a wildlife writer and photographer, Jon Dunn has come to focus on small and secretive but indelible wonders. His previous book, which I still need to catch up on, was all about orchids, and in this new one he travels the length of the Americas, from Alaska to Tierra del Fuego, to see as many hummingbirds as he can. He provides a thorough survey of the history, science and cultural relevance (from a mini handgun to an indie pop band) of this most jewel-like of bird families. The ruby-throated hummingbirds I grew up seeing in suburban Maryland are gorgeous enough, but from there the names and corresponding colourful markings just get more magnificent: Glittering-throated Emeralds, Tourmaline Sunangels, Violet-capped woodnymphs, and so on. I’ll have to get a look at the photos in a finished copy of the book!
Dunn is equally good at describing birds and their habitats and at constructing a charming travelogue out of his sometimes fraught journeys. He has only a narrow weather of fog-free weather to get from Chile to Isla Robinson Crusoe and the plane has to turn back once before it successfully lands; a planned excursion in Bolivia is a non-starter after political protestors block some main routes. There are moments when the thrill of the chase is rewarded – as when he sees 24 hummingbird species in a day in Costa Rica – and many instances of lavish hospitality from locals who serve as guides or open their gardens to birdwatchers.
Like so many creatures, hummingbirds are in dire straits due to human activity: deforestation, invasive species, pesticide use and climate change are reducing the areas where they can live to pockets here and there; some species number in the hundreds and are considered critically endangered. Dunn juxtaposes the exploitative practices of (white, male) 19th- and 20th-century bird artists, collectors and hunters with indigenous birdwatching and environmental initiatives that are rising up to combat ecological damage in Latin America. Although society has moved past the use of hummingbird feathers in crafts and fashion, he learns that the troubling practice of dead hummingbirds being sold as love charms (chuparosas) persists in Mexico.
Whether you’re familiar with hummingbirds or not, if you have even a passing interest in nature and travel writing, I recommend The Glitter in the Green for how it invites readers into a personal passion, recreates an adventurous odyssey, and reinforces our collective responsibility for threatened wildlife. (Proof copy passed on by Paul of Halfman, Halfbook)
A lovely folk tale I’ll quote in full:
A hummingbird as a symbol of hope, strength and endurance is a recurrent one in South American folklore. An Ecuadorian folk tale tells of a forest on fire – a hummingbird picks up single droplets of water in its beak and lets them fall on the fire. The other animals in the forest laugh, and ask the hummingbird what difference this can possibly make. They say, ‘Don’t bother, it is too much, you are too little, your wings will burn, your beak is too tiny, it’s only a drop, you can’t put out this fire. What do you think you are doing?’ To which the hummingbird is said to reply, ‘I’m just doing what I can.’
Links between the books: Hudson is quoted in Dunn’s introduction. In Chapter 7 of the below, Hudson describes a hummingbird as “a living prismatic gem that changes its colour with every change of position … it catches the sunshine on its burnished neck and gorget plumes—green and gold and flame-coloured, the beams changing to visible flakes as they fall”
Green Mansions: A Romance of the Tropical Forest by W.H. Hudson (1904)
Like Heart of Darkness, this is a long recounted tale about a journey among ‘savages’. After a prologue, the narrator soon cedes storytelling duties to Mr. Abel, whom he met in Georgetown, Guyana in 1887. Searching for gold and fighting off illness, the 23-year-old Abel took up the habit of wandering the Venezuelan forest. The indigenous people were superstitious and refused to hunt in that forest. Abel began to hear strange noises – magical bird calls or laughter – that, siren-like, drew him deeper in. His native friend warned him it was the daughter of an evil spirit.
One day, after being bitten by a snake, Abel woke up in the dwelling of an old man and his 17-year-old granddaughter, Rima – the very wood sprite he’d sensed all these times in the forest; she saved his life. Recovering in their home and helping Rima investigate her origins, he romanticizes this tree spirit in a way that struck me as smarmy. It’s possible this could be appreciated as a fable of connection with nature, but I found it vague and old-fashioned. (Not to mention Abel’s condescending attitude to the indigenous people and to women.) I ended up skimming the last three-quarters.
My husband has read nonfiction by Hudson; I think I was under the impression that this was a memoir, in fact. Perhaps I’d enjoy Hudson’s writing in another genre. But I was surprised to read high praise from John Galsworthy in the foreword (“For of all living authors—now that Tolstoi has gone—I could least dispense with W. H. Hudson”) and to note how many of my Goodreads friends have read this; I don’t see it as a classic that stands the test of time.
My 1944 hardback once belonged to one Mary Marcilliat of Louisville, Kentucky, and has strange abstract illustrations by E. McKnight Kauffer. (Free from the Book Thing of Baltimore)
Coming up next: One black and one gold on Wednesday; a Green author and a rainbow bonus (probably on the very last day).
Would you be interested in reading one of these?
The Amateur Marriage by Anne Tyler (2004)
This year I’ve been joining in Liz’s Anne Tyler readalong for most of the novels I own and hadn’t read yet. Just this summer, I’ve discovered two new favourites: Saint Maybe and now The Amateur Marriage – which surprised me because it was her sixteenth novel and not part of what I consider to be her golden mid-period of the 1980s-90s. Both Saint Maybe and The Amateur Marriage are, like Dinner at the Homesick Restaurant (my absolute favourite and, I was gratified to discover, Tyler’s favourite, too), effectively linked short story collections in which the chapters are self-contained narratives set at a particular point in a dysfunctional family’s life, with each one often focusing on a different character.
The Amateur Marriage feels unique in Tyler’s oeuvre for how it bridges historical fiction and her more typical contemporary commentary. Spanning 60 years precisely, it opens with the Pearl Harbor attack in 1941. In this Baltimore neighbourhood full of Polish immigrants, a spontaneous patriotic parade breaks out. In the excitement, Pauline jumps off a tram and hits her head on a lamppost. Her friends rush her to the Antons’ general store for a bandage and when Michael Anton meets her their fate is sealed. Pauline assumes Michael is bound for war and, so as not to disappoint her, he signs up. After his discharge, they marry – though Pauline had a near change of heart because they have so little in common and do nothing but fight.
{SPOILERS FOLLOW}
“Not quite forever”
The Antons’ marriage continues in the same volatile vein – until it doesn’t. I was taken aback that a story about marriage kept going even when Michael + Pauline ended, and even after one of them was no more. About two-thirds of the way through the book, on their 30th wedding anniversary, they find that their reminiscences are mostly of bitter arguments. Pauline wryly shakes her head over their antics, but Michael says to Pauline, “It has not been fun. It’s been hell.” She goads him into leaving, and he does.
I’ve jokingly heard women saying of their husbands, “I’m training him for his second wife,” and that seems to me to be the spirit of the title. These two characters had no idea that ‘opposites attract’ but don’t make for a stable marriage, and have muddled their way through for decades without figuring out how to change anything for the better. I sensed Tyler’s deep compassion for their foibles and how they affect the next generation.
A major thread of the novel is their eldest daughter Lindy’s teenage rebellion and eventual disappearance, reminding me a lot of Mary Lawson’s A Town Called Solace. Michael and Pauline retrieve her young son, Pagan, from San Francisco and raise him themselves, partly via shared custody. This theme of unexpected grandparent responsibility is a link to Saint Maybe and especially (along with the West as a setting) Clock Dance. There is no rapturous reunion to come, but the remnant of the family does eventually get back together.
Michael and Pauline are quintessential Tyler characters: the one easygoing if slightly useless (“He wished he had inhabited more of his life, used it better, filled it fuller”); the other highly strung and contrary, yet strong and efficient – “the ones who kept the planet spinning.” Michael never ceases to admire Pauline, even when he stops being married to her. In the penultimate chapter, the family swaps “Pauline stories” that exemplify how maddening but lovable she could be. You have someone in your family who’s just like that, right?
{END OF SPOILERS}
My U.S. paperback appends an interview with Tyler that I found illuminating. She knows that she doesn’t tend to break new ground with her fiction: “face it, I always write more or less the same sort of story,” she admits. During this reading project I’ve been debating whether this is a bad thing. Does it make her later work redundant? Does it mean she only had a limited store of good ideas? Are her characters types rather than three-dimensional creations? Marcie at Buried in Print loves the connections between the novels. I’m sure Liz does, too, but she’s also acknowledged that she finds individual plots strangely unmemorable.
I haven’t fully answered the above questions for myself. There are certainly Tyler books that I like more than others, but they have all been comforting and (mostly) compulsive reading. Her characters and situations feel so true to life that we don’t observe from the outside, but journey alongside and within them. (Secondhand purchase from 2nd & Charles, Hagerstown, MD, USA) See also Liz’s review.
Favourite lines:
“Was it possible to dislike your own wife? Well, no, of course not. This was just one of those ups-and-downs that every couple experienced.”
“so much about their parents had been embarrassing. Or did all children feel that way? But it seemed to George that the Antons’ lives were more extreme than other people’s. … People didn’t stay on an even keel in the Anton family. They did exaggerated things like throwing out their clothes or running away from home”
Another readalike: Larry’s Party by Carol Shields
My rating:
The 15 Tyler novels I’ve read, in order of preference (greatest to least), are:
Dinner at the Homesick Restaurant
Saint Maybe
The Amateur Marriage
Ladder of Years
The Accidental Tourist
Earthly Possessions
Breathing Lessons
Digging to America
Vinegar Girl
Back When We Were Grown-ups
Clock Dance
A Blue Spool of Thread
The Beginner’s Goodbye
Redhead by the Side of the Road
The Clock Winder
Next up for me will be Noah’s Compass later in September.
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.