The past two years I’ve done biannual roundups of the 30 or so new releases I’m most interested in reading in that half of the year. I’m a bit behind on this year’s preview, so in the interest of not missing my moment I’m giving it in pictorial format, and cheating a bit by not including in the 30 these books that I already own in print.
For a complete list of my 30 most anticipated titles, from which you can access full publication details by clicking on any cover image or title, see my dedicated Goodreads shelf.
Not pictured below but well worth mentioning are new novels from Elizabeth McCracken and Ian McEwan. THE book I’m most looking forward to, after so loving The Invisible Bridge over the summer, is Julie Orringer’s Flight Portfolio, another doorstopper that brings Holocaust history to life (coming from Knopf on May 7th).
Like a lot of book bloggers, I’m irresistibly drawn to the shiny new books released each year. However, I’ve noticed recently that many of my most memorable reads were published years or even decades ago. In 2018 I even came across a handful of books that are for me among the very best representatives of their genre, whether that’s nature, travel, family memoir, historical fiction or science fiction. The below selections are in alphabetical order by author name, and account for all the rest of my 4.5- and 5-star ratings of the year (another 27!).
March by Geraldine Brooks (2005): The best Civil War novel I’ve read. The best slavery novel I’ve read. One of the best historical novels I’ve ever read, period. Brooks’s second novel uses Little Women as its jumping-off point but is very much its own story. The whole is a perfect mixture of what’s familiar from history and literature and what Brooks has imagined.
Marlena by Julie Buntin (2017): The northern Michigan setting pairs perfectly with the novel’s tone of foreboding: you have a sense of these troubled teens being isolated in their clearing in the woods, and from one frigid winter through a steamy summer and into the chill of the impending autumn, they have to figure out what in the world they are going to do with their terrifying freedom. It’s basically a flawless debut, one I can’t recommend too highly.
Reading in the Dark by Seamus Deane (1996): Ireland’s internecine violence is the sinister backdrop to this family’s everyday sorrows, including the death of a child and the mother’s shaky mental health. The book captures all the magic, uncertainty and heartache of being a child, in crisp scenes I saw playing out in my mind.
The Life and Loves of Lena Gaunt by Tracy Farr (2013): Lena Gaunt: early theremin player, grande dame of electronic music, and opium addict. I loved how Farr evokes the strangeness and energy of theremin music, and how sound waves find a metaphorical echo in the ocean’s waves – swimming is Lena’s other great passion.
Late Nights on Air by Elizabeth Hay (2007): A tight-knit cast gathers around the local radio station in Yellowknife, a small city in Canada’s Northwest Territories: Harry and Gwen, refugees from Ontario starting new lives; Dido, an alluring Dutch newsreader; Ralph, the freelance book reviewer; menacing Eddie; and pious Eleanor. This is a marvellous story of quiet striving and dislocation; I saw bits of myself in each of the characters, and I loved the extreme setting, both mosquito-ridden summer and bitter winter.
The Leavers by Lisa Ko (2017): An ambitious and satisfying novel set in New York and China, with major themes of illegal immigration, searching for a mother and a sense of belonging, and deciding what to take with you from your past. This was hand-picked by Barbara Kingsolver for the 2016 PEN/Bellwether Prize for Socially Engaged Fiction.
The Invisible Bridge by Julie Orringer (2010): Hungarian Jew Andras Lévi travels from Budapest to Paris to study architecture, falls in love with an older woman who runs a ballet school, and – along with his parents, brothers, and friends – has to adjust to the increasingly strict constraints on Jews across Europe in 1937–45. It’s all too easy to burn out on World War II narratives these days, but this is among the very best I’ve read.
The Sparrow by Mary Doria Russell (1996): For someone like me who struggles with sci-fi at the best of times, this is just right: the alien beings are just different enough from humans for Russell to make fascinating points about gender roles, commerce and art, but not so peculiar that you have trouble believing in their existence. All of the crew members are wonderful, distinctive characters, and the novel leaves you with so much to think about: unrequited love, destiny, faith, despair, and the meaning to be found in life.
Salt Creek by Lucy Treloar (2015): Hester Finch is looking back from the 1870s – when she is a widowed teacher settled in England – to the eight ill-fated years her family spent at Salt Creek, a small (fictional) outpost in South Australia, in the 1850s–60s. This is one of the very best works of historical fiction I’ve read; it’s hard to believe it’s Treloar’s debut novel.
Christmas Days: 12 Stories and 12 Feasts for 12 Days by Jeanette Winterson (2016): I treated myself to this new paperback edition with part of my birthday book token and it was a perfect read for the week leading up to Christmas. The stories are often fable-like, some spooky and some funny. Most have fantastical elements and meaningful rhetorical questions. Winterson takes the theology of Christmas seriously. A gorgeous book I’ll return to year after year.
Available Light by Marge Piercy (1988): The subjects are diverse: travels in Europe, menstruation, identifying as a Jew as well as a feminist, scattering her father’s ashes, the stresses of daily life, and being in love. Some of my favorites were about selectively adhering to the lessons her mother taught her, how difficult it is for a workaholic to be idle, and wrestling the deity for words.
Deep Country: Five Years in the Welsh Hills by Neil Ansell (2011): One of the most memorable nature/travel books I’ve ever read; a modern-day Walden. Ansell’s memoir is packed with beautiful lines as well as philosophical reflections on the nature of the self and the difference between isolation and loneliness.
Boy by Roald Dahl (1984): Pranks and larks and holidays: these are all here; so is crushing homesickness and a bitter sense of injustice at being at the mercy of sadistic adults. Nearly 60 years later, Dahl could use memory and imagination to fully inhabit his childhood self and give a charming survey of the notable events of his life up to age 20.
This Cold Heaven: Seven Seasons in Greenland by Gretel Ehrlich (2001): I thoroughly enjoyed my armchair trek across a frigid island nation in the company of Gretel Ehrlich, who traveled here repeatedly between 1995 and 2001 and intersperses her journeys with those of her historical model, Inuit–Danish explorer Knud Rasmussen, whose seven Arctic expeditions took in the west coast of Greenland and the far north of the North American continent. Every time she finds a fresh way to write about ice and sun glare and frigid temperatures.
Ali: A Life by Jonathan Eig (2017): It’s a riveting account of outliving segregation and developing a personal style and world-beating confidence; it’s a sobering tale of facing consequences and having your own body fail you. I’m the furthest thing from a sports fan you could imagine, but I approached this as a book about a cultural icon and read it with a spirit of curiosity about how Eig would shape this life story and separate the facts from the legend. I loved it.
The Book of Forgotten Authors by Christopher Fowler (2017): A charming introduction to 99 more or less obscure writers. Each profile is a perfectly formed mini-biography with a survey of the author’s major work: in just two or three pages, Fowler is able to convey all a writer’s eccentricities and why their output is still worth remembering.
To the Is-Land: An Autobiography by Janet Frame (1982): This is some of the best writing about childhood and memory that I’ve ever read, infused with music, magic and mystery. The prose alternates between dreamy and matter-of-fact as Frame describes growing up in New Zealand one of five children in the Depression and interwar years.
Leaving Before the Rains Come by Alexandra Fuller (2015): This poignant sequel to Don’t Let’s Go to the Dogs Tonight is a portrait of Fuller’s two-decade marriage, from its hopeful beginnings to its acrimonious end. What I most appreciated about the book was Fuller’s sense of being displaced: she no longer feels African, but nor does she feel American.
West With the Night by Beryl Markham (1942): Markham writes so vividly about the many adventures of her life in Africa: hunting lions, training race horses, and becoming one of the continent’s first freelance pilots, delivering mail and locating elephant herds. Whether she’s reflecting on the many faces of Africa or the peculiar solitude of night flights, the prose is just stellar.
And When Did You Last See Your Father? by Blake Morrison (1993): An extraordinary memoir based around the author’s relationship with his father. Alternating chapters give glimpses into earlier family life and narrate Morrison’s father’s decline and death from cancer. This is simply marvelously written, not a bad line in the whole thing.
The Seabird’s Cry: The Lives and Loves of Puffins, Gannets and Other Ocean Voyagers by Adam Nicolson (2017): This is an extraordinarily well-written and -researched book (a worthy Wainwright Prize winner) about the behavior, cultural importance, and current plight of the world’s seabirds. Each chapter takes up a different species and dives deep into everything from its anatomy to the legends surrounding it, simultaneously conveying the playful, intimate real lives of the birds and their complete otherness.
The Long Goodbye: A Memoir of Grief by Meghan O’Rourke (2011): I read a whole lot of bereavement memoirs; this has been one of the very best. O’Rourke tells her story with absolute clarity – a robust, plain-speaking style that matches her emotional transparency. The heart of the book is her mother’s death from colorectal cancer on Christmas Day 2008, but we also get a full picture of the family life that preceded it and the first couple of years of aftermath.
Ghosts of the Tsunami: Death and Life in Japan’s Disaster Zone by Richard Lloyd Parry (2017): Eighteen and a half thousand people died in the earthquake and tsunami that hit Japan in March 2011. It’s not really possible to get your head around a tragedy on that scale so, wisely, Parry focuses on a smaller story within the story: 74 died at Okawa primary school because the administration didn’t have a sufficient disaster plan in place. This is a stunning portrait of a resilient people, but also a universal story of the human spirit facing the worst.
Lots of Candles, Plenty of Cake by Anna Quindlen (2012): A splendid memoir-in-essays that dwells on aging, parenting and female friendship. Some of its specific themes are marriage, solitude, the randomness of life, the process of growing into your own identity, and the special challenges her generation (roughly my mother’s) faced in seeking a work–life balance. Her words are witty and reassuring, and cut right to the heart of the matter in every case.
The Happiness Project: Or, Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun by Gretchen Rubin (2009): Probably the best self-help book I’ve read; dense (in the best possible way) with philosophy, experience and advice. What I appreciated most is that her approach is not about undertaking extreme actions to try to achieve happiness, but about finding contentment in the life you already have by adding or tweaking small habits – especially useful for pessimists like me.
In the Days of Rain: A daughter. A father. A cult by Rebecca Stott (2017): This was a perfect book for my interests, and just the kind of thing I would love to write someday. It’s a bereavement memoir that opens with Stott’s father succumbing to pancreatic cancer and eliciting her promise to help finish his languishing memoir; it’s a family memoir that tracks generations through England, Scotland and Australia; and it’s a story of faith and doubt, of the absolute certainty experienced inside the Exclusive Brethren (a Christian sect that numbers 45,000 worldwide) and how that cracked until there was no choice but to leave.
Writers & Company by Eleanor Wachtel (1993): Erudite and fascinating author interviews from Wachtel’s weekly Canadian Broadcasting Corporation radio program. Whether I’d read anything by these authors (or even heard of them) or not, I found each Q&A chock-full of priceless nuggets of wisdom about creativity, mothers and daughters, drawing on autobiographical material, the writing process, and much more.
And if I really had to limit myself to just two books – my very best fiction and nonfiction reads of the year – they would be March by Geraldine Brooks and And When Did You Last See Your Father? by Blake Morrison.
Across my four best-of posts (Nonfiction was on Wednesday and Fiction on Thursday; Backlist reads are coming up tomorrow), I will have spotlighted roughly the top 20% of my year’s reading. The 15 runners-up below – 5 fiction and 10 nonfiction – are in alphabetical order by author. The ones marked with an asterisk are my Best 2018 Books You Probably Never Heard Of (Unless You Heard about Them from Me!).
*Frieda by Annabel Abbs: If you rely only on the words of D.H. Lawrence, you’d think Frieda was lucky to shed a dull family life and embark on an exciting set of bohemian travels with him as he built his name as a writer; Abbs adds nuance to that picture by revealing just how much Frieda was giving up, and the sorrow she left behind her. Frieda’s determination to live according to her own rules makes her a captivating character.
A Ladder to the Sky by John Boyne: A delicious piece of literary suspense with a Tom Ripley-like hero you’ll love to hate: Maurice Swift, who wants nothing more than to be a writer but doesn’t have any ideas of his own, so steals them from other people. I loved how we see this character from several outside points of view before getting Maurice’s own perspective; by this point we know enough to understand just how unreliable a narrator he is.
The Overstory by Richard Powers: A sprawling novel about regular people who through various unpredictable routes become so devoted to trees that they turn to acts, large and small, of civil disobedience to protest the clear-cutting of everything from suburban gardens to redwood forests. I admired pretty much every sentence, whether it’s expository or prophetic.
You Think It, I’ll Say It by Curtis Sittenfeld: Sittenfeld describes families and romantic relationships expertly, in prose so deliciously smooth it slides right down. These 11 stories are about marriage, parenting, authenticity, celebrity and social media in Trump’s America. Overall, this is a whip-smart, current and relatable book, ideal for readers who don’t think they like short stories.
*Meet Me at the Museum by Anne Youngson: A charming, bittersweet novel composed entirely of the letters that pass between Tina Hopgood, a 60-year-old farmer’s wife in East Anglia, and Anders Larsen, a curator at the Silkeborg Museum in Denmark. It’s a novel about second chances in the second half of life, and has an open but hopeful ending. I found it very touching and wish it hadn’t been given the women’s fiction treatment.
Rough Beauty: Forty Seasons of Mountain Living by Karen Auvinen: An excellent memoir that will have broad appeal with its themes of domestic violence, illness, grief, travel, wilderness, solitude, pets, wildlife, and relationships. A great example of how unchronological autobiographical essays can together build a picture of a life.
*Heal Me: In Search of a Cure by Julia Buckley: Buckley takes readers along on a rollercoaster ride of new treatment ideas and periodically dashed hopes during four years of chronic pain. I was morbidly fascinated with this story, which is so bizarre and eventful that it reads like a great novel.
*This Really Isn’t About You by Jean Hannah Edelstein: A wry, bittersweet look at the unpredictability of life as an idealistic young woman in the world’s major cities. Another great example of life writing that’s not comprehensive or strictly chronological yet gives a clear sense of the self in the context of a family and in the face of an uncertain future.
*The Pull of the River: Tales of Escape and Adventure on Britain’s Waterways by Matt Gaw: This jolly yet reflective book traces canoe trips down Britain’s rivers, a quest to (re)discover the country by sensing the currents of history and escaping to the edge of danger. Gaw’s expressive writing renders even rubbish- and sewage-strewn landscapes beautiful.
The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century by Kirk Wallace Johnson: A delightful read that successfully combines many genres – biography, true crime, ornithology, history, travel and memoir – to tell the story of an audacious heist of rare bird skins from the Natural History Museum at Tring in 2009. This is the very best sort of nonfiction: wide-ranging, intelligent and gripping.
*No One Tells You This by Glynnis MacNicol: There was a lot of appeal for me in how MacNicol sets out her 40th year as an adventure into the unknown. She is daring and candid in examining her preconceptions and asking what she really wants from her life. And she tells a darn good story: I read this much faster than I generally do with a memoir.
The Library Book by Susan Orlean: This is really two books in one. The first is a record of the devastating fire at the Los Angeles Central Library on April 29, 1986 and how the city and library service recovered. The second is a paean to libraries in general: what they offer to society, and how they work, in a digital age. Sure to appeal to any book-lover.
Help Me!: One Woman’s Quest to Find Out if Self-Help Really Can Change Her Life by Marianne Power: I have a particular weakness for year-challenge books, and Power’s is written in an easy, chatty style, as if Bridget Jones had given over her diary to testing self-help books for 16 months. Help Me! is self-deprecating and relatable, with some sweary Irish swagger thrown in. I can recommend it to self-help junkies and skeptics alike.
Mrs Gaskell & Me: Two Women, Two Love Stories, Two Centuries Apart by Nell Stevens: Stevens has a light touch, and flits between Gaskell’s story and her own in alternating chapters. This is a whimsical, sentimental, wry book that will ring true for anyone who’s ever been fixated on an idea or put too much stock in a relationship that failed to thrive.
The Language of Kindness: A Nurse’s Story by Christie Watson: Watson presents her book as a roughly chronological tour through the stages of nursing – from pediatrics through to elderly care and the tending to dead bodies – but also through her own career. With its message of empathy for suffering and vulnerable humanity, it’s a book that anyone and everyone should read.
Coming tomorrow: My best backlist reads of the year.
Below I’ve chosen my top 12 fiction releases from 2018 (eight of them happen to be by women!). Many of these books have already featured on my blog in some way over the course of the year. To keep things simple, as with my nonfiction selections, I’m limiting myself to two sentences per title: the first is a potted summary; the second tells you why you should read it. I’ve also highlighted my three favorites from the year’s poetry releases.
Orchid & the Wasp by Caoilinn Hughes: From the Iraq War protests to the Occupy movement in New York City, we follow antiheroine Gael Foess as she tries to get her brother’s art recognized. This debut novel is a potent reminder that money and skills don’t get distributed fairly in this life.
Bitter Orange by Claire Fuller: Fuller’s third novel tells the suspenseful story of the profligate summer of 1969 spent at a dilapidated English country house. The characters and atmosphere are top-notch; this is an absorbing, satisfying novel to swallow down in big gulps.
The Only Story by Julian Barnes: It may be a familiar story – a May–December romance that fizzles out – but, as Paul believes, we only really get one love story, the defining story of our lives. The picture of romantic youth shading into cynical but still hopeful middle age really resonates, as do the themes of unconventionality, memory, addiction and pity.
The Immortalists by Chloe Benjamin: Summer 1969: four young siblings escape a sweltering New York City morning by visiting a fortune teller who can tell you the day you’ll die; in the decades that follow, they have to decide what to do with this advance knowledge: will it spur them to live courageous lives, or drive them to desperation? This compelling family story lives up to the hype.
An American Marriage by Tayari Jones: Roy and Celestial only get a year of happy marriage before he’s falsely accused of rape and sentenced to 12 years in prison in Louisiana. This would make a great book club pick: I ached for all the main characters in their impossible situation; there’s a lot to probe about their personalities and motivations, and about how they reveal or disguise themselves through their narration and letters.
The Italian Teacher by Tom Rachman: Charles “Pinch” Bavinsky is an Italian teacher; as a boy in Rome in the 1950s–60s he believed he’d follow in the footsteps of his sculptor mother and his moderately famous father, Bear Bavinsky, who paints close-ups of body parts, but along the way something went wrong. This is a rewarding novel about the desperation to please, or perhaps exceed, one’s parents and the legacy of artists in a fickle market.
The Incendiaries by R. O. Kwon: A sophisticated, unsettling debut novel about faith and its aftermath, fractured through the experience of three people coming to terms with painful circumstances. Kwon spent 10 years writing this book, and that time and diligence come through in how carefully honed the prose is: such precise images; not a single excess word.
Unsheltered by Barbara Kingsolver: Kingsolver’s bold eighth novel has a dual timeline that compares the America of the 1870s and the recent past and finds that they are linked by distrust and displacement. There’s so much going on that it feels like it encompasses all of human life; it’s by no means a subtle book, but it’s an important one for our time, with many issues worth pondering and discussing.
Southernmost by Silas House: In House’s sixth novel, a Tennessee preacher’s family life falls apart when he accepts a gay couple into his church. We go on a long journey with Asher Sharp: not just a literal road trip from Tennessee to Florida, but also a spiritual passage from judgment to grace in this beautiful, quietly moving novel of redemption and openness to what life might teach us.
Little by Edward Carey: This is a deliciously macabre, Dickensian novel about Madame Tussaud, who started life as Anne Marie Grosholtz in Switzerland in 1761. From a former monkey house to the Versailles palace and back, Marie must tread carefully as the French Revolution advances and a desire for wax heads is replaced by that for decapitated ones.
Motherhood by Sheila Heti: Chance, inheritance, and choice vie for pride of place in this relentless, audacious inquiry into the purpose of a woman’s life. The book encapsulates nearly every thought that has gone through my mind over the last decade as I’ve faced the intractable question of whether to have children.
Florida by Lauren Groff: There’s an oppressive atmosphere throughout these 11 short stories, with violent storms reminding the characters of an uncaring universe, falling-apart relationships, and the threat of environmental catastrophe. Florida feels innovative and terrifyingly relevant; any one of its stories is a bracing read; together they form a masterpiece. (I never would have predicted that a short story collection would be my favorite fiction read of the year!)
Three Poems by Hannah Sullivan: These poem-essays give fragmentary images of city life and question the notion of progress and what meaning a life leaves behind. “The Sandpit after Rain” stylishly but grimly juxtaposes her father’s death and her son’s birth.
Comfort Measures Only: New and Selected Poems, 1994–2016 by Rafael Campo: Superb, poignant poetry about illness and the physician’s duty. A good bit of this was composed in response to the AIDS crisis; it’s remarkable how Campo wrings beauty out of clinical terminology and tragic situations.
The Small Door of Your Death by Sheryl St. Germain: St. Germain’s seventh collection is in memory of her son Gray, who died of a drug overdose in 2014, aged 30. She turns her family history of alcohol and drug use into a touchpoint and affirms life’s sensual pleasures – everything from the smell of brand-new cowboy boots to luscious fruits.
What were some of your top fiction (or poetry) reads of the year?
Tomorrow I’ll be naming some runners-up (both fiction and nonfiction).
Below I’ve chosen my 12 favorite nonfiction books published in 2018. You’ll be unsurprised to learn that half of them have a medical theme. Many have already featured on my blog in some way over the course of the year. To keep things simple, as I’ve done in previous years, I’m limiting myself to two sentences per title: a potted summary plus why you should read it. Let the countdown begin!
12. The Line Becomes a River by Francisco Cantú: Francisco Cantú was a U.S. Border Patrol agent for four years in Arizona and Texas. Impressionistic rather than journalistic, his book is a loosely thematic scrapbook that, in giving faces to an abstract struggle, argues passionately that people should not be divided by walls but united in common humanity.
11. Bookworm by Lucy Mangan: Mangan takes us along on a nostalgic chronological tour through the books she loved most as a child and adolescent. No matter how much or how little of your early reading overlaps with hers, you’ll appreciate her picture of the intensity of children’s relationship with books – they can completely shut out the world and devour their favorite stories over and over, almost living inside them, they love and believe in them so much – and her tongue-in-cheek responses to them upon rereading them decades later.
10. Everything Happens for a Reason: And Other Lies I’ve Loved by Kate Bowler: An assistant professor at Duke Divinity School, Bowler was fascinated by the idea that you can claim God’s blessings, financial and otherwise, as a reward for righteous behavior and generosity to the church (“the prosperity gospel”), but if she’d been tempted to set store by this notion, that certainty was permanently fractured when she was diagnosed with stage IV colon cancer in her mid-thirties. Bowler writes tenderly about suffering and surrender, about living in the moment with her husband and son while being uncertain of the future.
9. Gross Anatomy by Mara Altman: Through a snappy blend of personal anecdotes and intensive research, Altman exposes the cultural expectations that make us dislike our bodies, suggesting that a better knowledge of anatomy might help us feel normal. It’s funny, it’s feminist, and it’s a cracking good read.
8. The Unmapped Mind by Christian Donlan: Donlan, a Brighton-area video games journalist, was diagnosed with (relapsing, remitting) multiple sclerosis in 2014; he approaches his disease with good humor and curiosity, using metaphors of maps to depict himself as an explorer into uncharted territory. This is some of the best medical writing from a layman’s perspective I’ve ever read.
7. Skybound by Rebecca Loncraine: For Rebecca Loncraine, after treatment for breast cancer in her early thirties, taking flying lessons in an unpowered glider (everywhere from Wales to Nepal) was a way of rediscovering joy and experiencing freedom by facing her fears in the sky. Each year seems to bring one exquisite posthumous memoir about facing death with dignity; this is a worthwhile successor to When Breath Becomes Air et al.
6. Face to Face by Jim McCaul: Eighty percent of a facial surgeon’s work is the removal of face, mouth and neck tumors in surgeries lasting eight hours or more; McCaul also restores patients’ appearance as much as possible after disfiguring accidents. This is a book that inspires wonder at all that modern medicine can achieve.
5. That Was When People Started to Worry by Nancy Tucker: Tucker interviewed 70 women aged 16 to 25 for a total of more than 100 hours and chose to anonymize their stories by creating seven composite characters who represent various mental illnesses: depression, bipolar disorder, self-harm, anxiety, eating disorders, PTSD and borderline personality disorder. Reading this has helped me to understand friends’ and acquaintances’ behavior; I’ll keep it on the shelf as an invaluable reference book in the years to come.
4. Free Woman by Lara Feigel: A familiarity with the works of Doris Lessing is not a prerequisite to enjoying this richly satisfying hybrid of biography, literary criticism and memoir. Lessing’s The Golden Notebook is about the ways in which women compartmentalize their lives and the struggle to bring various strands into harmony; that’s what Free Woman is all about as well.
3. Implosion by Elizabeth W. Garber: The author endured sexual and psychological abuse while growing up in a glass house designed by her father, Modernist architect Woodie Garber – a fascinating, flawed figure – outside Cincinnati in the 1960s to 1970s. This is definitely not a boring tome just for architecture buffs; it’s a masterful memoir for everyone.
2. Educated by Tara Westover: Westover writes with calm authority, channeling the style of the scriptures and history books that were formative in her upbringing and education as she tells of a young woman’s off-grid upbringing in Idaho and the hard work that took her from almost complete ignorance to a Cambridge PhD. This is one of the most powerful and well-written memoirs I’ve ever read.
It was a real toss-up between Westover and this one, but since Educated has already gotten a ton of attention this year, I’ve awarded the title of nonfiction book of the year to:
1. Under the Rock by Benjamin Myers: A spell-bindingly lyrical book that ranges from literature and geology to true crime but has an underlying autobiographical vein. Its every sentence is well-crafted and memorable; this isn’t old-style nature writing in search of unspoiled places, but part of a growing interest in the ‘edgelands’ where human impact is undeniable but nature is creeping back in.
What were some of your top nonfiction reads of the year?
27th: Best fiction of the year
29th: Best backlist reads
30th: Other superlatives and some early 2019 recommendations
31st: Library Checkout & Final statistics on my 2018 reading
This week of the month-long challenge is hosted by JulzReads. I’m a total memoir junkie and gravitate towards ones written by women: sometimes those whose lives are completely different to mine (medical crises, parenting, etc.) and sometimes those who’ve had experiences similar to mine (moving to a new country, illness and dysfunction in the family, etc.).
In my late teens I fell into a crisis of faith that lasted for many years – or maybe is still ongoing – and planted the seed for my Master’s thesis on women’s faith and doubt narratives in Victorian fiction. I’m always looking out for memoirs that discuss religious conversion, doubt, or loss of faith.
I know we don’t all share the same obsessions. (The bookish world would be boring if we did!) It’s possible this topic doesn’t interest you at all. But if it does, or if you’d like to test the waters, here are 15 or so relevant reads that have stood out for me; I think I’ve only written about a few of them on here in the past.
[Note: I highly recommend any autobiographical writing by Anne Lamott, Madeleine L’Engle, and Kathleen Norris; although all three write/wrote about faith, their engagement with doubt doesn’t quite feel specific enough to get them a spot on this list.]
Recommended from This Year’s Reading
Everything Happens for a Reason, and Other Lies I’ve Loved by Kate Bowler: An assistant professor at Duke Divinity School, Bowler was fascinated by prosperity theology: the idea that God’s blessings reward righteous living and generous giving to the church. If she’d been tempted to set store by this notion, that certainty was permanently fractured when she was diagnosed with stage IV colon cancer in her mid-thirties. Bowler writes tenderly about suffering and surrender, and about living in the moment with her husband and son while being uncertain of the future, in a style reminiscent of Anne Lamott and Nina Riggs.
The Most Beautiful Thing I’ve Seen: Opening Your Eyes to Wonder by Lisa Gungor: Like many Gungor listeners, Lisa grew up in, and soon outgrew, a fundamentalist Christian setting. She married Michael Gungor at the absurdly young age of 19 and they struggled with infertility and world events. When their second daughter was born with Down syndrome and required urgent heart surgery, it sparked further soul searching and a return to God, but this time within a much more open spirituality that encircles and values everyone – her gay neighbors, her disabled daughter; the ones society overlooks.
In the Days of Rain: A Daughter, a Father, a Cult by Rebecca Stott: This is several things: a bereavement memoir that opens with Stott’s father succumbing to cancer and eliciting her promise to finish his languishing memoirs; a family memoir tracking generations in England, Scotland and Australia; and a story of faith and doubt, of the absolute certainty experienced inside the Exclusive Brethren (a sect that numbers 45,000 worldwide) and how that cracked until there was no choice but to leave. Stott grew up with an apocalyptic mindset. It wasn’t until she was a teenager that she learned to trust her intellect and admit doubts.
Educated by Tara Westover: You might be tired of hearing about this book, but it really does deserve the hype. Westover’s is an incredible story of testing the limits of perseverance and sanity. After an off-grid, extremist Mormon upbringing in Idaho, hard work took her from almost complete ignorance to a Cambridge PhD. She writes with calm authority, channeling the style of the scriptures and history books that were formative in her upbringing and education. This is one of the most powerful and well-written memoirs I’ve ever read.
Recent Releases (all came out on Nov. 13th)
A River Could Be a Tree by Angela Himsel: From rural Indiana and an apocalyptic Christian cult to New York City and Orthodox Judaism by way of studies in Jerusalem: Himsel has made quite the religious leap. She was one of 11 children and grew up in the Worldwide Church of God (reminiscent of the Exclusive Brethren from Stott’s book). Although leaving a cult is easy to understand, what happens next feels more like a random sequence of events than a conscious choice; maybe I needed some more climactic scenes.
Why Religion?A Personal Story by Elaine Pagels: Pagels is a religion scholar known for her work on the Gnostic Gospels. As a teen she joined a friend’s youth group and answered the altar call at a Billy Graham rally. Although she didn’t stick with Evangelicalism, spirituality provided some comfort when her son died of pulmonary hypertension at age six and her physicist husband Heinz fell to his death on a hike in Colorado little more than a year later. She sees religion’s endurance as proof that it plays a necessary role in human life.
When I Spoke in Tongues: A Story of Faith and Its Loss by Jessica Wilbanks: Like me, Wilbanks grew up attending a Pentecostal-style church in southern Maryland. I recognized the emotional tumult of her trajectory – the lure of power and certainty; the threat of punishment and ostracism – as well as some of the specifics of her experience. Captivated by the story of Enoch Adeboye and his millions-strong Redemption Camps, she traveled to Nigeria to research the possible Yoruba roots of Pentecostalism in the summer of 2010.
Read Some Time Ago
Not That Kind of Girl by Carlene Bauer: A bookish, introspective adolescent, Bauer was troubled by how fundamentalism denied the validity of secular art. All the same, Christian notions of purity and purpose stuck with her throughout her college days in Baltimore and then when she was trying to make it in publishing in New York City. Along the way she flirted with converting to Catholicism. What Bauer does best is to capture a fleeting mindset and its evolution into a broader way of thinking.
The Book of Separation by Tova Mirvis: In a graceful and painfully honest memoir, Mirvis goes back and forth in time to contrast the simplicity – but discontentment – of her early years of marriage with the disorientation she felt after divorcing her husband and leaving Orthodox Judaism. Anyone who has wrestled with faith or other people’s expectations will appreciate this story of finding the courage to be true to yourself.
Between Gods by Alison Pick: At a time of transition – preparing for her wedding and finishing her first novel, set during her Holocaust – the author decided to convert to Judaism, the faith of her father’s Czech family. Ritual was her way into Judaism: she fasted for Yom Kippur and took her father to synagogue on the anniversary of her grandfather’s death, but also had the fun of getting ready for a Purim costume party.
Post-Traumatic Church Syndrome: A Memoir of Humor and Healing by Reba Riley: Riley was a Pentecostal-leaning fundamentalist through high school, but turned her back on it in college. Yet she retained a strong spiritual compass that helped her tap into the energy of the “Godiverse.” She concocted the idea of experiencing 30 different religious traditions before she turned 30, and spent 2011–12 visiting a Hindu temple, a Buddhist meditation center, a mosque, a synagogue, a gathering of witches, and a range of Christian churches.
Girl Meets God: A Memoir by Lauren F. Winner: Some people just seem to have the religion gene. That’s definitely true of Winner, who was as enthusiastic an Orthodox Jew as she later was a Christian after the conversion that began in her college years. Like Anne Lamott, Winner draws on anecdotes from everyday life and very much portrays herself as a “bad Christian,” one who struggles with the basics like praying and finding a church community and is endlessly grateful for the grace that covers her shortcomings.
When We Were on Fire by Addie Zierman: Zierman was a poster girl for Evangelicalism in her high school years. After attending Christian college, she and her husband spent a lonely year teaching English in Pinghu, China. Things got worse before they got better, but eventually she made her way out of depression through therapy, antidepressants and EMDR treatments, marriage counselling, a dog, a home of their own, and – despite the many ways she’d been hurt and let down by “Church People” over the years – a good-enough church.
Read but Not Reviewed
Fleeing Fundamentalism by Carlene Cross
Leaving Church by Barbara Brown Taylor
On my TBR Stack
Not pictured: (on Nook) Girl at the End of the World by Elizabeth Esther; (on Kindle) Shunned by Linda A. Curtis and Cut Me Loose by Leah Vincent. Also, I got a copy of Priestdaddy by Patricia Lockwood for my birthday, but I’m not clear to what extent it’s actually about her religious experiences.
Could you see yourself reading any of these books?
I’d never participated in Nonfiction November before because I tend to read at least 40% nonfiction anyway, but I couldn’t resist the temptation to put together some fiction and nonfiction pairings based on books I’ve read this year and last. (This week of the month-long challenge is posted by Sarah’s Book Shelves, a blog I love for its no-nonsense recommendations of what to read – and what not to read – from the recent U.S. releases.)
My primary example is two books that reveal what it’s really like to have Alzheimer’s disease. Mitchell’s, in particular, is a book that deserves more attention. When it came out earlier this year, it was billed as the first-ever “dementia memoir” (is that an oxymoron?) – except, actually, there had been one the previous year (whoops!): Memory’s Last Breath by Gerda Saunders, which I have on my Kindle and still intend to read. [See also Kate W.’s picks, which include a pair of books with a dementia theme.]
Still Alice by Lisa Genova (2007)
Genova’s writing, Jodi Picoult-like, keeps you turning the pages; I read 225+ pages in an afternoon. There’s true plotting skill to how Genova uses a close third-person perspective to track the mental decline of Harvard psychology professor Alice Howland, who has early-onset Alzheimer’s disease. “Everything she did and loved, everything she was, required language,” yet her grasp of language becomes ever more slippery even as her thought life remains largely intact. I also particularly enjoyed the descriptions of Cambridge and its weather, and family meals and rituals. There’s a certain amount of suspension of disbelief required – Would the disease really progress this quickly? Would Alice really be able to miss certain abilities and experiences once they were gone? – and ultimately I preferred the 2014 movie version, but this would be a great book to thrust at any caregiver or family member who’s had to cope with dementia in someone close to them.
Somebody I Used to Know by Wendy Mitchell with Anna Wharton (2018)
A remarkable insider’s look at the early stages of Alzheimer’s. Mitchell took several falls while running near her Yorkshire home, but it wasn’t until she had a minor stroke in 2012 that she and her doctors started taking her health problems seriously. In July 2014 she got the dementia diagnosis that finally explained her recurring brain fog. She was 58 years old, a single mother with two grown daughters and a 20-year career in NHS administration. Having prided herself on her good memory and her efficiency at everything from work scheduling to DIY, she was distressed that she couldn’t cope with a new computer system and was unlikely to recognize the faces or voices of colleagues she’d worked with for years. Less than a year after her diagnosis, she took early retirement – a decision that she feels was forced on her by a system that wasn’t willing to make accommodations for her.
The book, put together with the help of ghostwriter Anna Wharton, gives a clear sense of progression, of past versus present, and of the workarounds Mitchell uses to outwit her disease. The details and incidents are well chosen to present the everyday challenges of dementia. For instance, baking used to be one of Mitchell’s favorite hobbies, but in an early scene she’s making a cake for a homeless shelter and forgets she’s already added sugar; she weighs in the sugar twice, and the result is inedible. By the time the book ends, not only can she not prepare herself a meal; she can’t remember to eat unless she sets an alarm and barricades herself into the room so she won’t wander off partway through.
In occasional italicized passages Mitchell addresses her past self, running through bittersweet memories of all that she used to be able to do: “It amazes me now how you did it, because you didn’t have anyone to help you. You were Mum, Dad, taxi, chef, counsellor, gardener and housekeeper, all rolled into one.” Yet it’s also amazing how much she still manages to do as an ambassador for the Alzheimer’s Society and Dementia Friends. She crisscrosses the country to give speeches, attend conferences, and advise universities; she writes a blog and has appeared on radio to promote this book. Like many retired people, she’s found she’s busier than ever, and her engagements help her to feel purposeful and like she’s giving a positive impression of early-stage dementia. No matter that she has to rely on dozens of reminders to self in the form of Post-It notes, iPad alarms and a wall of photographs.
The story lines of this and Still Alice are very similar in places – the incidents while running, the inability to keep baking, and so on. And in fact, Mitchell reviewed the film and attended its London premiere, where she met Julianne Moore. Her book is a quick and enjoyable read, and will be so valuable to people looking to understand the experience of dementia. She is such an inspiring woman. I thank her for her efforts, and wish her well. This is one of my personal favorites for the shortlist of next year’s Wellcome Book Prize for medical reads.
Glimpses into the high-class world of fine dining – and fine wine.
Dear Fahrenheit 451: Love and Heartbreak in the Stacks by Annie Spence is chock-full of recommendations and reading pairs. The Novel Cure is also good for this sort of thing, though it is (no surprise) overwhelmingly composed of fiction suggestions.