The Best Books from the First Half of 2022

Yes, it’s that time of year already! At first I thought I wouldn’t have enough 2022-released standouts to fill a post, but the more I looked through my list the more I realized that, actually, it has been a pretty good reading year. It remains to be seen, of course, how many of these will make it onto my overall best-of year list, but for now, these are my highlights. I made it up to an even 20 by including one that doesn’t release until July. Fiction is winning thus far! I give review excerpts below and link to the full text here or elsewhere.



Our Wives under the Sea by Julia Armfield: Miri is relieved to have her wife back when Leah returns from an extended deep-sea expedition. Something went wrong with the craft when it was too late to evacuate, though. Chapters alternate between Miri describing their new abnormal and Leah recalling the voyage. As Miri tries to tackle life admin for both of them, she feels increasingly alone. This is a sensitive study of love, grief and dependency. Armfield gives an increasingly eerie story line a solid emotional foundation.


These Days by Lucy Caldwell: A beautiful novel set in Belfast in April 1941. We see the Second World War mostly through the eyes of the Bell family – especially daughters Audrey, engaged to be married to a young doctor, and Emma, in love with a fellow female first aider. The evocation of a time of crisis is excellent. The lack of speech marks, fluid shifting between perspectives, and alternation between past and present tense keep the story from seeming too familiar or generic. All of the female characters have hidden depths.


Groundskeeping by Lee Cole: In Cole’s debut novel, two aspiring writers meet on a Kentucky college campus and form a romantic connection despite very different backgrounds. There are stereotypes to be overcome as Owen introduces Alma to Kentucky culture and slang. Trump’s election divides families and colleagues. The gentle satire on the pretensions of writing programs is another enjoyable element. Three-dimensional characters, vivid scenes ripe for the Netflix treatment, timely themes and touching relationships: alright!


Days of Sand by Aimée de Jongh: This Great Depression-era story was inspired by the work of photographers such as Dorothea Lange. John Clark is following in his father’s footsteps as a photographer, leaving NYC for the Oklahoma panhandle. Locals are suspicious of John as an outsider, especially when they learn he is working to a checklist. Whether a cityscape or the midst of a dust storm, de Jongh’s scenes are stark and evocative. It’s rare for me to find the story and images equally powerful in a graphic novel, but that’s definitely the case here.


Dance Move by Wendy Erskine: The 11 stories in Erskine’s second collection do just what short fiction needs to: dramatize an encounter, or a moment, that changes life forever. Her characters are ordinary, moving through the dead-end work and family friction that constitute daily existence, until something happens, or rises up in the memory, that disrupts the tedium. Erskine being from Belfast, evidence of the Troubles is never far away. Her writing is blunt and edgy, with no speech marks plus flat dialogue and slang.


Antipodes by Holly Goddard Jones: Riveting stories of contemporary life in the American South and Midwest. Some have pandemic settings; others are gently magical. All are true to the anxieties of modern careers, marriage and parenthood. Endings elicit a gasp, particularly the audacious inconclusiveness of “Exhaust,” a tense tale of a quarreling couple driving through a blizzard. Worry over environmental crises fuels “Ark,” about a pyramid scheme for doomsday preppers. Nickolas Butler and Lorrie Moore fans will find much to admire.


Sea of Tranquility by Emily St. John Mandel: This dazzlingly intricate novel blends historical fiction, up-to-the-minute commentary and science-fiction predictions. In 2401, the Time Institute hires Gaspery-Jacques Roberts to investigate a recurring blip in time. Fans of The Glass Hotel will recognize some characters, and those familiar with Station Eleven will find similarities in a pandemic plot that resonates with the Covid-19 experience. How does Mandel do it? One compulsively readable hit after another.


Very Cold People by Sarah Manguso: The aphoristic style of some of Manguso’s previous books continues here as discrete paragraphs and brief vignettes build to a gloomy portrait of Ruthie’s archetypical affection-starved childhood in the fictional Massachusetts town of Waitsfield in the 1980s and 90s. The depiction of Ruthie’s narcissistic mother is especially acute. So much resonated with me. This is the stuff of girlhood – if not universally, then certainly for the (largely pre-tech) American 1990s as I experienced them.


How High We Go in the Dark by Sequoia Nagamatsu: Just the right blend of literary fiction and science fiction. Opening in 2031 and stretching another 70 years into the future, this linked short story collection imagines how a pandemic reshapes the world and how communication and connection might continue after death. All but one story are in the first person, so they feel like personal testimonies. The whole is greater than the sum of the parts. The focus on illness and bereavement, but also on the love that survives, made this a winner.


The Swimmers by Julie Otsuka: Otsuka’s third novel of the Japanese American experience again employs the first-person plural, as well as the second person – rarer perspectives that provide stylistic novelty. The first two chapters are set at a pool that, for the title swimmers, serves as a locus of escape and safety. On the first page we’re introduced to Alice, whose struggle with dementia becomes central. I admired Otsuka’s techniques for moving readers through the minds of the characters, alternating range with profundity and irony with sadness.


French Braid by Anne Tyler: My 17th from Tyler, and easily her best new work in 18 years. It joins my other favourites such as Dinner at the Homesick Restaurant which reveal a dysfunctional family’s quirks through a close look, in turn, at the various members. Mercy is a painter and essentially moves into her studio, but without announcing it, and her husband Robin spends the next 25+ years pretending they still share a home. Other surprises from Tyler this time: a mild sex scene and a gay character. A return to form. Brava!



In Love by Amy Bloom: Bloom’s husband, Brian Ameche, was diagnosed with early-onset Alzheimer’s in his mid-60s, having exhibited mild cognitive impairment for several years. Brian quickly resolved to make a dignified exit while he still, mostly, had his faculties. This achieves the perfect tone, mixing black humour with teeth-gritted practicality as Bloom chronicles their relationship, the final preparations, his assisted suicide at Dignitas in Switzerland, and the aftermath. An essential, compelling read.


Everything Is True by Roopa Farooki: Second-person, present-tense narration drops readers right into the life of a junior doctor. In February 2020, Farooki’s sister Kiron died of breast cancer. During the first 40 days of the initial UK lockdown, she continues to talk to Kiron. Grief opens the door for magic realism. There is also wry humour, wordplay, slang and cursing. A hybrid work that reads as fluidly as a novel while dramatizing real events, this is sure to appeal to people who wouldn’t normally pick up a bereavement or medical memoir.


Body Work by Melissa Febos: A boldly feminist essay collection that explores how autobiographical writing can help one face regrets and trauma and extract meaning from the “pliable material” of memory. “In Praise of Navel Gazing” affirms the importance of women airing their stories of abuse and thereby challenging the power structures that aim to keep victims silent. “A Big Shitty Party” warns of the dangers of writing about real people. “The Return” employs religious language for the transformation writing can achieve.


All Down Darkness Wide by Seán Hewitt: This poetic memoir about love and loss in the shadow of mental illness blends biography, queer history and raw personal experience. The book opens, unforgettably, in a Liverpool graveyard where Hewitt has assignations with anonymous men. His secret self, suppressed during teenage years in the closet, flies out to meet other ghosts: of his college boyfriend; of men lost to AIDS during his 1990s childhood; of English poet George Manley Hopkins; and of a former partner who was suicidal. (Coming out on July 12th from Penguin/Vintage (USA) and July 14th from Jonathan Cape (UK). My full review is forthcoming for Shelf Awareness.)



Thorpeness by Alison Brackenbury: This tenth collection features abundant imagery of animals and the seasons. Alliteration is prominent, but there is also a handful of rhymes. Family history and the perhaps-idyllic rural underpin the verse set in Lincolnshire and Gloucestershire as Brackenbury searches for ancestral graves and delivers elegies. I especially loved “Aunt Margaret’s Pudding,” a multipart poem about her grandmother’s life. There are also playful meetings between historical figures.


Some Integrity by Padraig Regan: The sensual poems in this debut collection are driven by curiosity, hunger and queer desire. Flora and foods are described as teasing mystery, with cheeky detail. An unusual devotion to ampersands; an erotic response to statuary; alternating between bold sexuality and masochism to the point of not even wanting to exist; a central essay on the Orlando nightclub shooting and videogames – the book kept surprising me. I loved the fertile imagery, and appreciated Regan’s exploration of a nonbinary identity.


Love Poems in Quarantine by Sarah Ruhl: Having read Ruhl’s memoir Smile, I recognized the contours of her life and the members of her family. Cooking and laundry recur: everyday duties mark time as she tries to write and supervises virtual learning for three children. “Let this all be poetry,” she incants. Part 2 contains poems written after George Floyd’s murder, the structure mimicking the abrupt change in focus for a nation. Part 3’s haiku and tanka culminate in a series on the seasons. A welcome addition to the body of Covid-19 literature.


Rise and Float by Brian Tierney: Although it tackles heavy subjects like grief and mental health, the collection’s candor and stunning images transform the melancholy into the sublime. Much of the verse is in the first person, building an intimate portrait of the poet and his relationships. A family history of mental illness and electroshock treatment occasions a visit to a derelict psychiatric hospital. Recurring metaphors of holes dramatize a struggle against the void. Tierney’s close attention lends beauty to bleak scenes.


Vinegar Hill by Colm Tóibín: I didn’t realize when I started that this was Tóibín’s debut collection; so confident is his verse, I assumed he’d been publishing poetry for decades. There’s a wide range of tone, structures and topics. Bereavements and chemotherapy are part of a relatable current events background. Irish-Catholic nostalgia animates a witty sequence from “The Nun” to “Vatican II.” Come along on armchair travels. Poems are based around anecdotes or painterly observations. The line breaks are unfailingly fascinating.


What are some of the best books you’ve read so far this year?

What 2022 releases do I need to catch up on right away?

25 responses

  1. Goodness. From your list, I’ve only read Our Wives under the Sea, which I didn’t get on with at all. More successful have been Georgina Harding’s Harvest; Mary Lawson’s A Town called Solace; One half of a Yellow Sun (yes, I know everyone else had read it ages ago); Annie Garthwaite’s Cecily; Donal Ryan’s Strange Flowers … and many others. I’ve had a good year, with not too many duds, all things considered

    Liked by 1 person

    1. I loved the Adichie and Lawson! However, I’ve only included books published in 2022 here, whereas at the end of the year I do a “best of backlist reads” post as well.

      Liked by 1 person

      1. Ah yes, I’d noticed that. I tend not to get onto recent releases in the speedy way you do. I don’t need to – it’s not my job!


  2. I’ve got Armfield, Mandel and Mangusobin my pile. Some good reading ahead of me I hope.

    Liked by 1 person

    1. Treats there! Especially the Mandel — you’ll gobble it up.


  3. Some of my favourites here Rebecca – Sea of Tranquility, Dance Move, These Days and In Love. I wasn’t entirely sold on the new Manguso but you’ve made me think that I should give it a go, along with How High We Go in the Dark.

    Liked by 1 person

    1. I know you weren’t keen on her 300 Arguments (neither was I), but this is different enough for me to recommend.

      Liked by 1 person

  4. Great to see Lucy Caldwell and Wendy Erskine on your list, two I enjoyed. My own favourite this year is probably Trespasses by Louise Kennedy. Irish fiction is certainly in rude health at the moment, some especially strong female writing around. Just recently finished station eleven so looking forward to Sea of Tranquility.

    Liked by 1 person

    1. Other bloggers have praised the Kennedy as well. She’d be a new author for me. I have another collection of Irish short stories awaiting me soon: Hearts and Bones by Niamh Mulvey.


  5. Pleased to see Groundskeeping, Very Cold People, Dance Move and In Love on your list. Of the others, I’m most keen to read The Swimmers.

    Liked by 1 person

    1. The Swimmers would be right up your street: novella length (but almost like linked short stories) with crisp writing.

      Liked by 1 person

  6. Good choices. People don’t always understand my humor so my review of Groundskeeping left people thinking I hated it–I didn’t! I couldn’t stand the pretentiousness of the characters lol. That’s excellent writing. The Swimmers, too, was so good I had to quit reading it–it was too real and too good at bringing my 85 year old swimmer Mom to mind. I really liked French Braid–Tyler was back on form in it (but what an awful cover on your version!). I’ll check out a few of the others–thanks for bringing them to my attention.

    Liked by 1 person

    1. Yes, I think Cole did a good job of skewering his characters’ pretensions. I can see how The Swimmers would have hit too close to home for you. And I completely agree about the Tyler cover; I much prefer the U.S. cover (as is usually the case).


  7. Of your extensive list, I only have French Braid in my pile, but it is coming up!

    Liked by 1 person

    1. I hope you enjoy it, Kay — it’s a very interesting portrait of a marriage (I know you’ve done a Tyler novel for Literary Wives before).

      Liked by 1 person

      1. Yes, I’ve read several of hers.


  8. Not read a single one of those, though I want to read Mandell!

    Liked by 1 person

    1. I think you’ll like that one — she hits the sweet spot between lit fic and SF for me.

      Liked by 1 person

  9. Nice ones. My stand out was Richard King’s Brittle With Relics, but I also loved Maud Cairns’ Strange Journey, Cat Jarman’s River Kings and Jude Rogers’ The Sound of Being Human.

    Liked by 1 person

      1. Strange Journey is a mid-20th century body swap novel, the others are NF.

        Liked by 1 person

  10. Hooray for Groundskeeping and Our Wives Under The Sea! I liked The Swimmers a lot – not enough for it to make my best of the year list, but I thought I’d hate it so it was a nice surprise.

    Liked by 1 person

    1. I’d previously found Otsuka’s work too slight and subtle, but I think she achieved something superior here. I have a second 2022 novel entitled The Swimmers on my pile now (this one by Chloe Lane)!

      Liked by 1 person

  11. […] Delighted that Thorpeness has been chosen as one of The Best Books from the First Half of 2022 by Rebecca Foster, the excellent books-blogger known as ‘Bookish Beck’… […]


  12. […] 13 current-year releases that stood out to me the most. (No rankings this time; anything from my Best of First Half post that didn’t make it through to here can be considered a […]


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