The Not the Wellcome Prize Blog Tour: Francesca Segal and Ian Williams

It’s my stop on the “Not the Wellcome Prize” blog tour. With two dozen reviews of health-themed 2019 books to choose from, I decided to nominate these two for the longlist because they’re under the radar compared to some other medical releases, plus they showcase the breadth of the books that the Prize recognizes: from a heartfelt memoir of a mother welcoming premature babies to a laugh-out-loud graphic novel about a doctor practicing in a small town in Wales. (The Prize website says “picture-led books are not eligible,” so in fact it is likely that graphic novels have never been considered, but we’ve been flexible with the rules for this unofficial blog tour.)

 

Mother Ship by Francesca Segal

This first work of nonfiction from the author of the exquisite The Innocents is a visceral diary of the first eight weeks in the lives of her twin daughters, who were born by Caesarean section at 29 weeks in October 2015 and spent the next two months in the NICU, “an extremely well-funded prison or perhaps more accurately a high-tech zoo.” In Mother Ship, she strives to come to terms with this unnatural start to motherhood. “Taking my unready daughters from within me felt not like a birth but an evisceration,” she writes. “My children do not appear to require mothering. Instead they need sophisticated medical intervention.”

Segal describes with tender precision the feeling of being torn: between the second novel she’d been in the middle of writing and the all-consuming nature of early parenthood; and between her two girls (known for much of the book as “A-lette” and “B-lette”), who are at one point separated in different hospitals. Her attitude towards the NHS is pure gratitude.

As well as portraying her own state of mind, she crafts twinkly pen portraits of the others she encountered in the NICU, including the staff but especially her fellow preemie mums, who met in a “milking shed” where they pumped breast milk for the babies they were so afraid of losing that they resisted naming. (Though it was touch and go for a while, A-lette and B-lette finally earned the names Raffaella and Celeste and came home safely.) Female friendship is thus a subsidiary theme in this exploration of desperate love and helplessness.

 

The Lady Doctor by Ian Williams

This sequel to 2014’s The Bad Doctor returns to a medical practice in small-town Wales. This time, though, the focus is on Iwan James’s colleague, Dr. Lois Pritchard, who also puts in two days a week treating embarrassing ailments at the local hospital’s genitourinary medicine clinic. At nearly 40, Lois is a divorcee with no children; just a dog. She enjoys her nights out drinking with her best friend, Geeta, but her carefree life is soon beset by various complications: she has to decide whether she wants to join the health centre as a full partner, a tryst with her new fella goes horribly wrong, and her estranged mother suddenly reappears in her life, hoping that Lois will give her a liver transplant. And that’s not to mention all the drug addicts and VD-ridden lotharios hanging about.

Williams was a GP in North Wales for 20 years, and no doubt his experiences have inspired his comics. His tone is wonderfully balanced: there are plenty of hilarious, somewhat raunchy scenes, but also touching moments where Lois learns that a doctor is never completely off duty and has no idea what medical or personal challenge will crop up next. The drawing style reminded me most of Alison Bechdel’s or Posy Simmonds’, with single shades from rose to olive alternating as the background. I especially loved the pages where each panel depicts a different patient to show the range of people and complaints a doctor might see in a day. Myriad Editions have a whole “Graphic Medicine” series that I’m keen to explore.

 


See below for details of the blogs where other reviews have appeared or will be appearing soon.

The shadow panel will choose a shortlist of six titles to be announced on 4 May. We will then vote to choose a winner, with the results of a Twitter poll serving as one additional vote. The Not the Wellcome Prize winner will be announced on 11 May.

7 responses

  1. The Segal hasn’t really stuck with me, but I remember finding her writing quite beautiful at the time.

    Liked by 1 person

    1. I’ve read all of her books now (this plus two novels) and I’m definitely a fan. The Innocents is my favourite of hers — it’s an updated version of The Age of Innocence, which I’m reading for the first time for book club. Afterwards I’d like to reread Segal’s take.

      It may be that this memoir will mean most to those who have been through similar experiences. I’ll be passing the book on to my sister, whose first son was born prematurely.

      Liked by 1 person

  2. Interesting that graphic novels/memoirs aren’t eligible for the prize. That one certainly sounds intriguing.

    Liked by 1 person

    1. They also don’t normally allow poetry, but we were willing to consider it — we had a couple of poetry books in our mega-longlist.

      Liked by 1 person

  3. buriedinprint | Reply

    I don’t know the proper term for those pages in graphic narratives, like the one you’ve described with a whole medley of images to represent a broad experience, but I always love those too. When I saw Ian Williams in your title line, I thought you meant Ian Williams of Canada, who won last year’s Giller Prize, but, no. Which is probably just as well as I’m not sure that he would be to your taste?

    Liked by 1 person

    1. A montage, perhaps? I don’t know much about the ‘other’ Ian Williams, though I’m sure reviews would have appeared on your and Naomi’s blogs. From the blurb, that one could go either way for me!

      Like

  4. […] Mother Ship by Francesca Segal & The Lady Doctor by Ian Williams: Rebecca’s reviews […]

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