Iris Murdoch Readalong: The Sacred and Profane Love Machine (1974)

A later Murdoch – her sixteenth novel – and not one I knew anything about beforehand. In terms of atmosphere, characters and themes, it struck me as a cross between A Severed Head and The Nice and the Good. Like the former, it feels like a play with a few recurring sets: Hood House, where the Gavenders (Blaise, Harriet and David) live; their next-door neighbor Montague Small’s house; and the apartment where Blaise keeps his mistress, Emily McHugh, and their eight-year-old son Luca. A sizeable dramatis personae radiates out from the central love triangle: lodgers, neighbors, other family members, mutual friends and quite a few dogs.

Blaise is a psychoanalyst but considers himself a charlatan because he has no medical degree; he’s considering returning to his studies to rectify that. Harriet reminded me of Kate from The Nice and the Good: a cheerful, only mildly unfulfilled matriarch who is determined to choreograph much of what happens around her. (“She wanted simply to feel the controls firmly in her hands. She wanted to be the recognizer, the authorizer, the welcomer-in, the one who made things respectable and made them real by her cognizance of them.”) Their son David, 16, looks like a Pre-Raphaelite god and is often disgusted by fleshly reality. Montague writes successful but formulaic detective novels and is mourning his wife’s recent death.

I loved how on first introduction to most characters we hear about the dreams from which they’ve just awoken, involving mermaids, cats, dogs and a monster with a severed head. “Dreams are rather marvellous, aren’t they,” David remarks to Monty. “They can be beautiful in a special way like nothing else. Even awful things in dreams have style.” Scenes often open with dreams that feel so real to the characters that they could fool readers into belief.

Blaise knows he can’t sustain his double life, especially after Luca stows away in his car on a couple of occasions to see Hood House. When he confesses to Harriet via a letter, she seems to handle things very well. In fact, she almost glows with self-righteous pride over how reasonably she’s been responding. But both she and Emily end up resentful. Why should Blaise ‘win’ by keeping his wife and his mistress? “You must feel like the Sultan of Turkey,” Emily taunts him. “You’ve got us both. You’ve got away with it.” Here starts a lot of back-and-forth, will-they-won’t-they that gets somewhat tedious. Throughout I noticed overlong sections of internal monologue and narrator commentary on relationships.

There’s a misperception, I think, that Murdoch wrote books in which not much happens, simply because her canvas can be small and domestically oriented. However, this is undoubtedly an eventful novel, including a Shocking Incident that Liz warned about. Foreshadowing had alerted me that someone was going to die, but it wasn’t who or how I thought. When it comes to it, Murdoch is utterly matter-of-fact: “[X] had perished”.

One of the pleasures of reading a Murdoch novel is seeing how she reworks the same sorts of situations and subjects. (Liz has written a terrific review set in the context of Murdoch’s whole body of work.) Here I enjoyed tracing the mother–son relationships – at least three of them, two of which are quite similar: smothering and almost erotic. Harriet later tries to subsume Luca into the family, too. I also looked out for the recurring Murdochian enchanter figure: first Blaise, for whom psychiatry is all about power, and then Harriet.

I hugely enjoyed the first 100 pages or more of the book, but engaged with it less and less as it went on. Ultimately, it falls somewhere in the middle for me among the Murdochs I’ve read. Here’s my ranking of the nine novels I’ve read so far, with links to my reviews:

 

Favorite: The Bell

The Sea, The Sea

A Severed Head

The Sacred and Profane Love Machine

The Nice and the Good

Under the Net

The Black Prince

The Italian Girl

Least favorite: An Accidental Rose

 

My rating:

 

A favorite passage (this is Monty on the perils of working from home!): “If I had an ordinary job to do I’d have to get on with it. Being self-employed I can brood all day. It’s undignified and bad.”

 

This is the last of the Murdoch paperbacks I bought as a bargain bundle from Oxfam Books some years ago. I’ll leave it a while – perhaps a year – and then try some earlier Murdochs I’ve been tempted by during Liz’s Iris Murdoch readalong project, such as The Unicorn.

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5 thoughts on “Iris Murdoch Readalong: The Sacred and Profane Love Machine (1974)

  1. This is another of hers that I haven’t been able to get from the library, and now I am super curious about the “Shocking Event”. Don’t tell me! *grins* Like you, I’m hoping to catch up on some of the earlier reads in the readalong (maybe even for Reading Ireland month), as I’ve scooped a couple of second-hand copies after not having been able to find them in the library for earlier readalongs. The Bell is one of my favourites too, but I remember liking The Italian Girl as well (though it’s much shorter/simpler, isn’t it?).

    Liked by 1 person

    1. Don’t read Liz’s review then! She warned of spoilers, so I didn’t read it until after I’d finished the book.

      I didn’t much care for The Italian Girl; it felt like an unnecessary reworking of A Severed Head, and the Gothic atmosphere didn’t particularly convince me.

      Liked by 1 person

  2. I was sure you had a copy of a later one like “The Book and the Brotherhood” … anyway I really liked this review, I don’t disagree with it, there is a lot of mithering and chewing over of feelings and relationships. “A Word Child” is a real favourite so I’m looking forward with glee now. Thank you for taking part in the readalong and I’m glad I haven’t put you off Murdoch!

    Liked by 1 person

    1. A Goodreads friend also listed A Word Child as one of their favourites, so I will look out for your review. I think that one plus The Flight from the Enchanter and The Unicorn are the ones I will try to get secondhand copies of.

      Liked by 1 person

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