I’ve let months pass between receiving these books from the kindly publishers and following through with a review, so in an attempt to clear the decks I’m putting up just a short response to each, along with some favorite quotes.
All that Remains: A Life in Death by Sue Black
Black, a world-leading forensic anthropologist, was part of the war crimes investigation in Kosovo and the recovery effort in Thailand after the 2004 tsunami. She is frequently called into trials to give evidence, has advised the U.K. government on disaster preparedness, and is a co-author of the textbook Developmental Juvenile Osteology (2000). Whether working in a butcher’s shop as a teenager or exploring a cadaver for an anatomy class at the University of Aberdeen, she’s always been comfortable with death. “I never had any desire to work with the living,” she confesses; “The dead are much more predictable and co-operative.”
The book considers death in its clinical and personal aspects: the seven stages of postmortem alteration and the challenges of identifying the sex and age of remains; versus her own experiences with losing her grandmother, uncle and parents. Black wants her skeleton to go to Dundee University’s teaching collection. It doesn’t creep her out to think of that, no more than it did to meet her future cadaver, a matter-of-fact, curious elderly gentleman named Arthur. My favorite chapter was on Kosovo; elsewhere I found the mixture of science and memoir slightly off, and the voice never fully drew me in.
Favorite line: “Perhaps forensic anthropologists are the sin-eaters of our day, addressing the unpleasant and unimaginable so that others don’t have to.”
All that Remains was published by Doubleday on April 19th. My thanks to the publisher for the free copy for review.
Places I Stopped on the Way Home: A Memoir of Chaos and Grace by Meg Fee
Fee came to New York City to study drama at Julliard. Her short essays, most of them titled after New York locations (plus a few set further afield), are about the uncertainty of her twenties: falling in and out of love, having an eating disorder, and searching for her purpose. She calls herself “a mess of disparate wants, a small universe in bloom.” New York is where she has an awful job she hates, can’t get the man she’s in love with to really notice her, and hops between terrible apartments – including one with bedbugs, the subject of my favorite essay – and yet the City continues to lure her with its endless opportunities.
I think this book could mean a lot to women who are younger than me or have had experiences similar to the author’s. I found the essays slightly repetitive, and rather unkindly wondered what this privileged young woman had to whine about. It’s got the same American, generically spiritual self-help vibe that you get from authors like Brené Brown and Elizabeth Gilbert. Despite her loneliness, Fee retains a romantic view of things, and the way she writes about her crushes and boyfriends never truly connected with me.
Some favorite lines:
“Writing felt like wrangling storm clouds, which is to say, impossible. But so did life. Writing became a way to make peace with that which was flawed.”
“I have let go of the idea of permanency and roots and What Comes Next.”
Places I Stopped on the Way Home was published by Icon Books on May 3rd. My thanks to the publisher for the free copy for review.
The Pull of the River: A journey into the wild and watery heart of Britain by Matt Gaw
A watery travelogue in the same vein as works by Roger Deakin and Alys Fowler, this jolly yet reflective book traces Gaw’s canoe trips down Britain’s rivers. His vessel was “the Pipe,” a red canoe built by his friend James Treadaway, who also served as his companion for many of the jaunts. Starting with his local river, the Waveney in East Anglia, and finishing with Scotland’s Great Glen Way, the quest was a way of (re)discovering his country by sensing the currents of history and escaping to the edge of danger.
Access issues, outdoor toileting, getting stuck on mudflats, and going under in the winter – it wasn’t always a comfortable method of travel. But Gaw’s expressive writing renders even rubbish- and sewage-strewn landscapes beautiful in their own way: “grim bunting made from discarded bags of dog poo,” “a savannah of quivering, moussey mud” and “cormorants hunched together like sinister penguins, some holding ragged wings to the wind in taxidermic poses.”
My favorite chapters were about pollution and invasive species, as seen at the Lark, and about the beaver reintroduction project in Devon (we have friends who live near it). I’m rooting for this to make next year’s Wainwright Prize longlist.
A favorite passage:
“I feel like I’ve shed the rust gathered from being landlocked and lazy. The habits and responsibilities of modern life can be hard to shake off, the white noise difficult to muffle. But the water has returned me to my senses. I’ve been reborn in a baptism of the Waveney [et al.]”
The Pull of the River was published by Elliott & Thompson on April 5th. My thanks to the publisher for the free copy for review.